Tag Archives: The Maine

VIDEO INTERVIEW & REVIEW: Phoenix Got Lost in Nostalgia at The Maine’s Hometown Show 11-22-17

Spread the love...
  • 32
  •  
  • 2
  • 2
  • 2
  •  
  • 2
  • 2
  •  
  •  
    42
    Shares

PHOENIX — Visibly and audibly enthusiastic for their homecoming, and impressed by the new The Van Buren music venue, The Maine put on a show that was both charged and endearing for their close-knit fans. They are a great example of a local band that made it big, not changing who they are and their beliefs in the ever-evolving industry. The five-piece band native to Tempe, consisting of John O’Callaghan (Lead Vocalist/Guitarist), Kennedy Brock (Guitarist), Pat Kirch (Drummer),  Jared Monaco (Guitarist), and Garrett Nickelsen (Bassist), rocked out with a packed crowd Wednesday night. Following opening bands Night Riots and DREAMERS, they tore it up with their two newest albums Lovely Little Lonely (2017) and American Candy (2015) in full, back-to-back.

Night Riots

Night Riots - Photo Credit: Katherine Amy Vega
Nick Fotinakes (Guitarist), Night Riots
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.
Click to view band photo album.

The show began with alternative rock band Night Riots, who got the crowd excited with the powerful voice of lead singer Travis Hawley.  During their set, the band played “Free Fallin” as a tribute to the late Tom Petty. Hawley said, “Holy sh*t that sounds good,” after the crowd sang the words “free fallin”.

The band engaged the crowd and hyped them up for the rest of the show. At one point in the band’s set, a person in the crowd was seen clapping with their shoe, which had neon lights at the bottom. Such innovation! It really added to the unique atmosphere of the show, which seemed to say that for one night, surrounded by strangers, everyone could be themselves and not care what anyone thinks. (View Photo Album)

DREAMERS

DREAMERS - Photo Credit: Katherine Amy Vega
Nick Wold (Vocalist/Guitarist), DREAMERS
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.
Click to view band photo album.

Rock trio DREAMERS came on next, and the crowd exuded excitement as they danced and sang along. The band brought their name to life on stage as Nick Wold (Vocalist/Guitarist), had a dream catcher hung on his mic stand. They performed their hits “Painkiller” and “Sweet Disaster” to an eager crowd that danced and sang along. They also covered “Zombie” by the Cranberries, which segued into their own song “Drugs”.

Night Riots and DREAMERS were the perfect opening acts. Their energy and the way they commanded the stage, captivated the audience, making it an all-around solid line-up. They amped up the crowd and proved that you never want to miss the openers at shows. Night Riots’ stage presence showcased a seasoned band, while DREAMERS proved a rock trio can be just as compelling on stage as a traditional band setup. (View Photo Album)

The Van Buren did not seem full at the beginning of the show. However, as The Maine’s set approached, the venue began to fill up and one could feel the anticipation for the hometown success-story.

The Maine

The Maine started off with “Don’t Come Down” from their latest album Lovely Little Lonely, and their all white suits fit the aesthetic of the album. Hit singles “Bad Behavior” and “Black Butterflies and DéJà Vu” were played with immense reactions from the crowd.

The Maine - Photo Credit: Katherine Amy Vega
The Maine
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

This album portrays a sense of “oneness,” and that was felt in the room. It came off as if The Maine put everything they had into making that album for anyone who has felt different or alone. For a period of time, while they played through every track of the album, it appeared that everyone in the room felt the words being sung as if they were sung for them.

During “How Do You Feel,” the line, “You are alive, but are you living?,” was met with the crowd singing back passionately as they jumped along to the beat of the song.

Amidst the first half of the set, O’Callaghan said, “Thanks for letting us make this album right here.” Passion exuded from the band, and it was evident how much The Maine cares about their music and fans.

After finishing Lovely Little Lonely, there was a brief intermission, and before the band came back on, a man in a Christmas suit came out to declare that American Candy was next. When the band came back on stage, they surprised fans by having changed into dark blue jackets to fit the aesthetic of American Candy.

 “24 Floors” and “(Un)Lost” have a similar vibe to the songs off of Lovely Little Lonely. The lyrics seemed to be aimed at those going through a tough time. They give off a feeling that in the end, everything will turn out fine.

During this portion of the set, the band’s heavier sound became prominent, with songs such as the album’s title track “American Candy,” as well as the song “Diet Soda Society.”

While gazing out into the crowd in the beginning half of the second album O’Callaghan proclaimed to the audience, “I want to remember this one, I don’t want to remember Anaheim.”

The Maine - Photo Credit: Katherine Amy Vega
John O’Callaghan (Lead Vocalist/Guitarist), The Maine
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

This show had a special feeling to it, where the fans and the band had a connection that could be felt. The Maine and their fans have a one-of-a-kind relationship, and every lyric sung, felt personal, as if directed to everyone individually and collectively.

O’Callaghan reminded the crowd, “Remember to tell the people that you love, that you f****ing love them.” He also thanked the fans on behalf of the band for, “making us feel less lonely.”

The Maine - Photo Credit: Katherine Amy Vega
Pat Kirch (Drummer), The Maine
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

A highlight for the show was during “Am I Pretty” when O’Callaghan got the crowd to crouch to the floor. The crowd was together in this moment and listened carefully to O’Callaghan’s words. It’s moving to watch as a band can get a room full of strangers to bond with their words and music.

The Maine - Photo Credit: Katherine Amy Vega
Garrett Nickelsen (Bassist), The Maine
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

The show ended perfectly with the ever-nostalgic “Another Night On Mars”.  The lyrics, “this one goes out to my closest friends, the ones who make me feel less alien,” showcase the importance of friendship and how friends allow us to be ourselves.

With friends like ours, anywhere is home,” insinuates that everyone in the room that night, was each other’s friends, and that you don’t physically have to be at home to feel “home”.

The Maine is one of those bands that if you listen to them live, it sounds just like the album. They truly are a talented band, with a unique relationship with their fans. After each show, they make the effort to meet their fans and give them the meet-and-greet experience for FREE.

The Maine - Photo Credit: Katherine Amy Vega
John O’Callaghan (Lead Vocalist/Guitarist), The Maine
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

The Maine has been a band for 10 years now, and in that decade, they have grown, and made sure their fans were on the journey alongside with them. With this special relationship with their supporters, and their devotion to their music, it seems The Maine will definitely be around for a long time – and Burning Hot Events is proud to call them part of Phoenix’s artistic community! Check out our interview with them to find out about their Modern Nostalgia Tour, growing up in the band, their band culture and MORE!

PHOTO ALBUM

by Katherine Amy Vega

The Maine – The Van Buren 11-22-17

Flickr Album Gallery Powered By: Weblizar

All Content © Kataklizmic Design.
ALL RIGHTS RESERVED.

Review: Viva PHX 2017 – Downtown Music Festival Retrospective 3-11-17

Spread the love...
  • 22
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
  •  
    22
    Shares

PHOENIX — As the relatively packed light rail rolled to a stop, I knew I was in for an adventurous evening as I was greeted by roughly 50 bridal gown clad men and women shotgunning Red Bulls on the platform as passersby confusedly took pictures for their Snapchat stories. Despite what the light rail’s human to personal-space ratio suggested, Viva PHX kicked off with a relatively mellow start. While there were certainly some larger packs of high school aged patrons eagerly hustling to get prime spots at all ages stages, specifically the 2nd Ave stage outside Crescent Ballroom, the pre-sundown streets were not quite fully alive with festival buzz.

Viva PHX 2017 Lineup Flyer
Click to Enlarge

After picking up my wristband in front of Comerica Theatre, I decided to follow the majority and head toward Crescent Ballroom to watch Rozwell Kid open the evening on the outdoor stage. While opening an unorthodox festival comprised primarily of people unfamiliar with your band can certainly provide a daunting challenge, Rozwell Kid showed absolutely no signs of nerves as they got the crowd bobbing along to their signature blend of old Weezer-style vocal patterns and bouncy pop-driven guitar lines while showcasing tracks from all three of their albums. They also seemed to have the most fun of any band as they dedicated several songs to the glowing AT&T sign they mistook for the moon as well as the users of the stage right port-a-potties. Judging by their post set mercy line, I wasn’t the only one impressed. At this point, the majority of my group was clamoring to go and lock down good spots for The Drums, so I embarked on the first of many trips between 2nd Ave and Comerica Theatre.

A post shared by Rozwell Kid (@rozwellkid) on

We arrived at Comerica to a much smaller crowd than anticipated and easily made our way down to the general admission pit area in time to catch the last few songs of The Mowglis. While they were certainly quite good and seemingly tailor-made for festival season appearances, I couldn’t help but think their music sounded as if it were the background soundtrack for The OC. Either way, they got the dance floor moving with everyone from mid 40’s moms to high school students decked out in their pre-Coachella best. Now, full disclosure, I must admit that I have never listened to The Drums so I didn’t quite have the same excitement as the majority of the crowd. I have nothing against their music, but as soon as the rest of my group made their way to the guard rail I pounced on the opportunity to run back to the 2nd Ave stage to watch The Menzingers deliver one of the absolute best sets of the night.

gettin pumped for this tour guys 💪🏽

A post shared by The Mowgli’s (@themowglis) on

Kicking off their set with “Tellin’ Lies”, the lead off track from their newest album After The Party, the now packed crowd instantly chanted along with the chorus “Where we gonna go now that our Twenties are over?!”, a question that is becoming uncomfortably relatable. With little more than a pause to catch their breath, the band quickly launched into fan favorite ” Don’t Wanna Be An Asshole Anymore” and never letting up until their set came to a close. On a stage with primarily slower temp bands, The Menzingers made their punk rock pedigree very visible as they whipped the crowd into a frenzy of circle pitting and crowd surfing. As I walked back toward Comerica to rejoin my friends at The Maine while we waited for Girl Talk, I couldn’t help but notice that the breakneck dashing between stages was easily the strongest asset of Viva PHX. As opposed to single destination festivals like Coachella, the spread out confusion of various downtown Phoenix venues created a nostalgic energy and sense of adventure which could have easily been lifted from Nick and Nora’s Infinite Playlist (or perhaps Dazed and Confused for the older crowd.)

Phoenix! We’re on at 9 at Viva Phoenix festival tonight. Come hang!

A post shared by themenzingers (@themenzingers) on

After a quick detour down Monroe Street for a Lucha Libre match and an average Ghost Pepper cheeseburger, I was dismayed at how quickly I grew bored watching The Maine play a largely lackluster set. While it is almost certain that many bands’ sound and style will evolve over time, it appears that The Maine’s attempts to transition their new material toward an almost Black Keys style is not yet ready to be properly manifested. Even when playing old material, attempts to update classic songs to the new format were met with a lackluster reception evidenced by the dull attempts to create a call and response vibe with the audience. As the set drug to a close, the band awkwardly called for the largely underage crowd to “break out the weed” and ended the set with a cacophony of feedback laden strumming before quickly exiting the stage.

Following The Maine, I made my way to the general admission pit floor area and worried aloud to my friends that the preceding set may have driven too many people to other stages and would result in a dismal turn out for Girl Talk. My worries were quickly dashed as Greg Gillis took to the stage and the floor immediately filled to capacity, as well as most available seats. Storming through a surprisingly Trap-heavy rendition of his signature mash-up style amidst toilet paper cannons and confetti blasters, the largely relaxed Comerica Theatre exploded with non-stop energy as everyone in attendance brought Viva PHX to a close worthy of a true festival experience. From the unhinged visuals streaming across the video wall at the back of the stage, to the 80 person deep mob of dancers strewn across the stage, Girl Talk’s set was that of a tried and true festival headliner worthy of his top billing alongside legendary acts Wyclef Jean and American Football.

With Comerica Theatre left in shambles and Monarch hitting capacity for Murs and Peanut Butter Wolf, I elected to leave downtown on the light rail amidst a group of fellow attendees comprised primarily of ASU students holding one another upright as they half heartedly spoke of trying to find afterparties, despite their sweat stained clothes suggesting that their physical abilities may not match those of their spirit. Until Pot Of Gold next weekend, their adventures had drawn to a sudden, yet fulfilling, close befitting a festival which had truly blossomed into something the Arizona music scene can truly be proud to host.

Low Points: The late start time led to a huge amount of headline quality artists overlapping. While the dashing between stages is sort of the point, I can’t help but think that starting earlier or possibly reducing the amount of stages may help to focus the fest a bit more.

Highlights: The team of Girl Scouts hustling cookies to people waiting in line to get into venues. I respect and applaud your hustle.