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REVIEW: Miss Krystle’s New EP “Inevitable” is Down to Make Fans Feel Good

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Miss Krystle recently released her new EP Inevitable earlier this fall. As Arizona cools down from a particularly “Cruel Summer,” and as the US at large continues to struggle with obstacles across the board, Inevitable is a breath of fresh air ready to bring a second wind to all who listen. The Inevitable EP will be “on your mind and in your dreams… burning in your memory,” as it is truly “Unforgettable.”

Photo Credit: Tony Mandarich Creatives

Ever the inspiration, Miss Krystle continues utilizing all her passions and talents to their fullest potentials in all 6 tracks on the EP. She is a humanitarian, a philanthropist, an intellectual juggernaut, and a phenomenally talented musician; not only is the EP immensely entertaining, it is also incredibly uplifting and nurturing.
Miss Krystle had this to say about her new EP: “It was my mission to be impactful. We were going for in-your-face, this is how it is. We also wanted it to be empowering. I wanted to tell my fans that despite everything that has been going on socially and politically this year, you can find your power and your voice. I want them to remember to never give up. Lastly, I wanted to showcase my own vulnerability.” Throughout the entire album, these words certainly do ring true.

The Inevitable EP is a wild journey through many of the emotions, passions, experiences, and darkest thoughts that the human mind is capable of. The energy levels of the album are like a rollercoaster, with some songs pumping the listener up and getting them ready for a night on the town and others making the listener wonder if they should curl up on the couch with a comfortable blanket and a pint of their favorite ice cream. Miss Krystle has a one-of-a-kind style in her approach to music, but it fits in perfectly with other contemporary pop artists. Some of her new songs also seem like they’d easily find a place on a Dance Dance Revolution playlist, as they would be delightfully fun to dance along to. Others still would be perfect for someone’s first pick at karaoke.

Photo Credit: Shot by Jonny

Generally, pop music and similar genres are not known for their depth or insight, yet Miss Krystle easily marries popular culture, philosophy, and deep introspection in her musical work. During a preliminary listen, her songs sound as if they’d easily find a home in any club or on one’s favorite Top 40 radio station. Don’t be fooled, however—upon further inspection, the lyrics peel away, layer by layer, revealing a deep exploration into the human condition and how it impacts contemporary society.

Inevitable

From anthemic, affirmational title-track “Inevitable”, Miss Krystle explores themes of fitting in, watching the world around us, learning from our experiences, seeing the horrors of humanity and the world around us, yet still keeping calm and carrying on. 

She tackles the concept of how “they tell us how to fit in… tell us how to get by,” while still struggling to find our own identities in this mad world. While the song could be about so many different topics, from love to revolution, it instantly becomes a bright beacon in the night, guiding all who may feel lost.

Photo Credit: That Orko

In fact, out of all the songs on this EP, “Inevitable” itself may be the most exceptional and singularly profound track. Coming out at a time when many of us may feel utterly lost and hopeless, Miss Krystle reminds us to “rise for what matters, lasting until the end.” She needs us standing with her, united. This is a call to arms, not to fight what is wrong in this world, but rather to fight for the ability to support one another, to remind ourselves that we are all in this together. “We are, none of us, alone,” as ancient Chinese philosopher Fushumongu stated long ago.

As we’ve seen, time and again across this country, people are “taking it to the streets, not afraid to take a stand.” We do have strength in numbers, and we will fight. We have had enough. We’ve all woken up to this new day, and we “can’t give up on what we love.” Victory truly is inevitable. This song, like a mantra, shall inspire countless others to greatness in the coming days.

On top of any newfound courage in the realms of love and activism, Miss Krystle also calls us to come “together, woman and man.” This is truer now more than ever before. None of us can ignore the future, no matter how hard we try. Now, let’s get ready to “spark it up.”

Wild Like Fire

While the more insightful songs and verses from Miss Krystle’s new EP are absolutely striking, the album has a great mix of fun and fiery tracks as well. When “Wild Like Fire” comes on, it’s difficult to not instantly get pumped up. This song is a true energy boost, from the lyrics to the beat. “Welcome to the show.” Miss Krystle “can’t control it,” because she really is a pro. This song is great to drive to with the volume up, but it would also find a home in any club or, perhaps, bedroom. While Miss Krystle certainly has her own, unique style, fans of Kylie Minogue and similar artists may really enjoy “Wild Like Fire” and other songs off this EP.

Photo Credit: Tony Mandarich Creatives

Better Than You Think

On top of Miss Krystle’s self-assuredness and self-knowledge of her more primal urges and experiences, she also covers those more intimate feelings that often accompany physical connections between lovers. “Better Than You Think” is a love ballad of sorts, reminiscent of a modern Shakespearean sonnet in its lyrics. The symbolism and imagery in this song are quite powerful, from “collecting stars like fireflies, I’ve never felt this much alive, living the life before we die, and we return back to the sky,” to “baby the altitude is fine, on this journey, you and I, watching auroras hypnotize, getting lost deeper in your eyes.” The romantic notions in this song would melt even the coldest of hearts.

Photo Credit: Larry Alan

As much as many of us know that the only person we can truly rely on in this universe is ourselves, Miss Krystle explores feelings most of us have felt before. She shows a serene vulnerability, acknowledging the dangers but also the securities that can come out of relying on another beautiful soul for sustenance. Someone else to share this journey, and the wonders of the universe, with, as she serenades us with “and if I burn up on reentry, I knew you’d want to be here with me, you knew that one last kiss could save me, floating with you for eternity… everything’s good as long as you’re here with me.” Miss Krystle takes us on an odyssey to space, giving us “galactic goosebumps everyplace” as we cruise “on highway milky way.”

Just as Miss Krystle explores these elements of our humanness, she also explores how the best intimate relationships involve two souls coming together, knowing more about each other than they may let on. Indeed, Miss Krystle shows that she knows us better than we think that she knows us, as our human experiences are similar to one another despite their singularity. In fact, through her work, Miss Krystle may also reveal how she may know herself better than she thinks that she knows herself.

Erase You

While many of us can relate to the feelings Miss Krystle explores in “Better Than You Think”, some of us may have unfortunately experienced some emotions and experiences that are quite antithetical to that beauty. “Erase You” is a song that explores the darker side of love, when we find ourselves in a relationship that ends up being something we were not quite expecting. Still, Miss Krystle’s penchant for self-examination and metacognition still shines through brightly in the lyrics. “I never understood your distance, I thought I got it right, but now you’re gone and I’m alone.” Anyone who has been through something like this can empathize with how painful this situation is.

Miss Krystle counters this betrayal with self-empowerment, starting the song with a vigorous mantra: “You’re in the presence of a Goddess, but you forgot to bow, and now I got my eyes up on the blade I’ll use to take you out.” She continues with some conflicting lines later in the song, showing the sort of infighting and uncertainty our spirits must endure in terrible times such as this treachery of love. As she struggles with these feelings, she shares her efforts to forget: “You can hand it over, no more staying sober, I drink it away to erase you. I need to escape what you put me through. I drink it away to erase you.”

Photo Credit: Tony Mandarich Creatives

While coming to terms with reality and coping mechanisms, Miss Krystle also explains some positive strategies for her situation: “So you thought you’d be a martyr, and leave me with your sin, but little did you know, I gave it up before your words began… I’m glad you’re gone and I’m alone, so I can go and live my life.” While all is fair and love and war, this war takes no prisoners, and the cost is high.

Despite Miss Krystle’s best efforts, she is only human, and the song ends with more of this battle still to be fought. “If I could just wake up with you next to me, everything would be just how I need it to be. I don’t want to feel all this pain, don’t want to be alone. I need you to feel the same, and get your arms back around me.” These heart-wrenching lyrics make it apparent that there are no happy endings in the real world, but we all have the power to make it through as stronger versions of who we used to be.

Anything

From the second “Anything” begins playing, it is difficult to not imagine it being played while a model walks down the runway, or while a contestant on RuPaul’s Drag Race lip syncs for her life. The beat really gets the blood flowing, and it is great to drive or work out to. It’s nearly impossible to not feel sexy and powerful while “Anything” plays, so “why you actin’ so shy?” Miss Krystle shows us something that will make our hearts bleed, so we “best be getting ready” because she’s gonna get us rockin’ steady. While it may be hard to focus, Miss Krystle helps us learn to “live it up.”

Relevant

The song “Relevant” was saved for the end of the EP, and for good reason. “Relevant” is rife with self-awareness and introspection, and it is clear this song is very personal for Miss Krystle. However, it also serves as a reminder to the rest of us to let go of where we began “and be reborn in the wake of it.” These lyrics are quite relevant to the theme of symbolic rebirth, and it is also quite fitting for Phoenix, Arizona.

Photo Credit: Tony Mandarich Creatives

Miss Krystle also reminds us to “feel at home in the place” we’re in, and to “never mind the storm.” Our dreams will keep us warm. We all struggle to become relevant while traversing our own paths through this life, and “we constantly test our innocence.” Likely pulling from her own experiences, she reminds us of the ultimate cost of giving parts of ourselves away in order to reach our goals: “May our broken halos serve as evidence; pieces of our souls for percentages.” As she states proudly, “I’m holding on to me.” We all may get a little lost on the way, but we must always remember who we are and where we came from.

Continuing this philosophical journey through personal trials and tribulations, Miss Krystle explores how “we all wanna be somebody,” but in the end, “all we really need is somebody… down to make us feel we’re relevant now.” Perhaps that somebody is a lover, a family member, or a friend; that somebody may even be ourselves, especially when the path becomes increasingly treacherous, or when the storm becomes too tempestuous. To quote Miss Krystle, “At the end of the day, all we are really looking for is someone to make us feel like we matter. My message is that the only person who should make you feel relevant and loved is ultimately you.”

Closing Thoughts

Don’t forget, “we make our own strength, we make our own peace,” and we really are so strong. “We can do this.” We are all a part of history, but Miss Krystle and her new EP Inevitable have certainly found a comfortable home in modern popular culture. As we all enjoy these 6 sublime songs, we also wait with bated breath for future releases from Miss Krystle. Hers is a flame we do not want to go out, as she brings a lot of light to this oft dark world.

Photo Credit: Tony Mandarich Creatives

(Top featured photo by Tony Mandarich Creatives)

 

REVIEW: A Perfect Circle Illuminates The Valley After Dark With Articulately Barbed Musical Oration 4-10-17

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PHOENIX — It’s around 7:30 PM on a Tuesday night and the streets are busy on 4th Ave and Washington. The throngs of people milling around are desperately searching for the end of the impossibly long line that will eventually lead them to the entrance they are only feet away from at the moment. The lights from the large electronic marquee reads “A Perfect Circle TONIGHT!” and casts a glow on the faces passing below. For many standing there on that night, this was a long anticipated show.

Oh my god, she just left her fuckin boyfriend back there!”, I heard a woman blurt out as I sat on a bench next to the box office at Comerica Theater. With lines stretching around the corner for several blocks, people of all different backgrounds are shuffling slowly past me toward the entrance gates. There are goth teens, soccer moms, bikers and hipsters all standing together in line. They’re chatting excitedly, talking about the last time they had seen the band perform and even dancing to Sublime’s “Wrong Way” as the sky gets darker.

I prepared myself for what would be the second time I would see A Perfect Circle since Lollapalooza 2003–the year they released their second album Thirteenth Step. In the nearly 14 years since that show, they’ve come a long way. Although the lineup has changed slightly, lead vocalist Maynard James Keenan of Tool-fame and lead guitarist Billy Howerdel have remained the central force of the band since its inception. Current bassist Matt McJunkins, who joined in 2010, has played with the likes of Thirty Seconds to Mars, Maynard James Keenan side band Puscifer and The Beta Machine, a band he formed with current APC drummer Jeff Friedl. McJunkins was also the touring bassist for Eagles of Death Metal during the Le Bataclan attack in Paris, France on November 13th, 2015. The audience was attacked by terrorists wielding automatic rifles, grenades and suicide vests, killing 89 fans including the band’s merchandise vendor. Rounding out the group is former Smashing Pumpkins alumnus and founding member James Iha on rhythm guitar, a superstar in his own right.

As the line seemed to shorten to a visible end, I took my place to be screened by security. It was a relatively short process. I got through the entrance within maybe 5 minutes of entering the line and spotted another long line snaking up the stairs to the second floor balcony. A friend remarked, “That’s the line for merchandise.” After purchasing my respective Cola and water bottles, I finally found my assigned seat just moments before the house lights come down and the uprising of applause and whistles begin. Smoke begins to seep from across the foot of the stage and everyone in attendance knows that this rocket is about to blast off.

A Perfect Circle - Photo Credit: Katherine Amy Vega
Billy Howerdel (Guitarist), A Perfect Circle
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

The first notes of “The Package” begin to trickle melodically from the speakers behind a hazy white cloth that encompasses the entirety of the stage. Hidden beyond the opaque white veil, the band members’ silhouettes can be seen in various distorted sizes dancing as the lights produce their shadows. With little silence to buffer, each of the beginning three pieces all vaguely kind of bleed into the other. This first medley, The Package, The Hollow, and The Noose perfectly set the tone for the remainder of the show.

A Perfect Circle - Photo Credit: Katherine Amy Vega
A Perfect Circle
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

It was then that Keenan finally addressed the crowd, explaining that this was their first show since their three show Vegas tour kickoff at the Palms Resort and Casino Pearl Concert Theater. “Normally we try to do this first so we don’t make a bunch of fuckin’ mistakes and then you guys judge us…”

“And now a song about anal sex!”

Keenan playfully muses into the mic as the band launches into “Weak and Powerless”, another track from Thirteenth Step, their 2003 sophomore masterpiece, followed by “Rose” from their debut album Mer De Noms. As the show goes on I feel as though I’m transported to a time when I first started listening to a group whose lead singer sounded like that guy from Tool. It would be months after first being introduced to this new band until I would find out who it was behind those vocals, and would ultimately turn me on to Tool after hearing A Perfect Circle, and not the other way around.

A Perfect Circle - Photo Credit: Katherine Amy Vega
Maynard James Keenan (Vocalist), A Perfect Circle
Photo Credit: Katherine Amy Vega © Kataklizmic Deslgn. All Rights Reserved

Keenan has been an eccentric figure in both his professional and personal life. Army veteran, musician, winemaker and entrepreneur; he is one of the most eclectic artists ever grace a stage. With a residence in Jerome, Arizona near his Merkin vineyard in Cornville, where he produces his Caduceus Cellars blends of wine; Keenan has singlehandedly raised the profile of Arizona wine nationally and internationally to break it out of mediocrity and make it a truly respectable region in the wine world… But that’s another story. We’re here to talk about the music.

(But seriously, watch the documentary Blood Into Wine)

A Perfect Circle - Photo Credit: Katherine Amy Vega
Billy Howerdel (Guitarist), A Perfect Circle
Photo Credit: Katherine Amy Vega
© Kataklizmic Deslgn. All Rights Reserved

The fourth movement and majority of the body of the show begins with a cover of John Lennon’s “Imagine” from 2004’s eMOTIVe album, in a style that one could only expect from A Perfect Circle. It’s brooding and not without the quintessential melancholy that only APC can produce. Truly a beautiful cover. As I ruminated on that thought, I scanned the crowd behind me. Not a single sarcastic smirk. The audience seemed to think it was as beautiful as I did. The show continues with several more amazing tracks from previous albums and including their incredible cover of Depeche Mode’s “People are People”. Keenan prefaces this performance with a few words to the audience regarding forgiveness.

“It’s those moments that forgiveness is the only thing that’s gonna get you through it, so, forgive each other, forgive yourself. Move to the light.”

For some people it was an emotional experience. I saw a woman across the aisle from my section wiping tears from her eyes during that particular track. It was evident that it meant something to her that only she understood. This band holds a special power that allows them to tap into the listener’s psyche. The feeling and raw emotion they emote entrances these fans with melodious distortion and precision combined with Keenan’s articulately barbed lyrical style. A Perfect Circle masterfully ends the main body of the show with “Blue” and Keenan once again addresses the masses before introducing all the players to their venerate fans.

A Perfect Circle - Photo Credit: Katherine Amy Vega
Billy Howerdel (Guitarist) & Maynard James Keenan (Vocalist), A Perfect Circle
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

The final medley of the concert is comprised of two tracks from Thirteenth Step, and a new song they debuted in Las Vegas during the first dates of the tour. Keenan describes the first song, “The Outsider,” as song “sung from the perspective of an asshole who has no compassion, so think of the whole album as being parts in a play and this is the Rodney Dangerfield…. Being a dick.”

“So anyway, look out for each other. Don’t be a dick”

At this point, James Iha is introduced and expresses his distaste with the desert.

“The sand, it permeates my clothes. I don’t like it.”

A Perfect Circle setlist
Comerica Theatre 4-10-17
(Click to Enlarge)

The monologue goes on a little longer and almost seems necessary to lift the crowd back up from getting too cathartic and deep. It’s certainly a fun interlude as the final trio of pieces signals the beginning of the end of the show. By the close of “Feathers”, the final song and A Perfect Circle’s newest unreleased track, everyone is on their feet and cheering as Keenan speaks one last “Thank you”, and the band gives their final humble bows amid the silken forest of pillars amongst them and walks off stage.

Iha throws several handfuls of guitar picks into the front rows and the band disappears, never to be seen again by those hoping for an encore. Those dreams were dashed when the house lights immediately hit like a blast of reality and signaled that it was indeed time to go. I sauntered out into the streets and walked down Jefferson toward Squid Ink to wait for my Uber, and savored the sights and sounds I had just beheld.

PHOTO ALBUM
by Katherine Amy Vega

A Perfect Circle – Comerica Theatre 4-10-17

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REVIEW: Underoath’s Powerhouse Performance Still Astounds Longtime Fans in Phoenix 4-7-17

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PHOENIX — As I finished my coffee outside Comerica Theater, I watched the ever expanding line of eager concert goers and couldn’t help but marvel at how much the demographic for Underoath and Bring Me The Horizon had changed over the years. Bands who once suffered mile after mile in cramped vans to play to maybe 200 people on a good night were now riding in full size tour buses and playing 5,000 capacity venues decked out in state of the art stage production. Rooms full of angsty scene kids were now joined by radio ticket winners and suburban families all venturing into downtown Phoenix for a Friday night of metalcore’s biggest contemporary acts.

As I made my way down to the venue floor, Beartooth was two or three songs into their opening set and were doing an admirable job of getting the crowd moving and engaged while many were still trickling down to their seats or waiting in the (literally) two story tall merch line. Despite having played multiple sold-out shows at The Nile, sets at KUPD’s Ufest, and enjoying regular radio airplay, the crowd was largely silent when asked “Who here has seen Beartooth before!?”. However, by the time their explosive set wound down to a close, there was no doubt that Beartooth had won over the majority of the crowd and left the stage to raucous applause and an exodus of new fans headed to their march table.

Now, before I get into the Underoath portion of the evening, I must admit that this band has always held a special place in my heart. My first show in 2001 featured Atreyu, Underoath (then touring behind the album The Changing Of The Times), XDeathstarX, God Forbid, and Scars of Tomorrow at the Mason Jar long before it became it became The Rebel Lounge. Throughout high school the memories piled on as I went to virtually every Underoath tour that passed through Arizona with all of my friends who obsessed over every line of They’re Only Chasing Safety and Define The Great Line. My inner 16-year-old was just as astounded when the band opened up with “Everyone Looks So Good From Here” and “In Regards To Myself”, directly into “It’s Dangerous Business Walking Out Your Front Door”, as when I first heard them blasting through the headphones of my yellow cd player back in 2004 and 2006 respectively.

Photo Credit: Katherine Amy Vega
Aaron Gillespie (Drummer, Clean Vocalist), Underoath
Photo Credit: Katherine Amy Vega © Kataklizmic Design

The rest of the setlist was dominated largely by songs off these two albums, which makes sense given their recent reunion tour featuring both albums performed in full, but featured select songs from Disambiguation and Lost In The Sound Of Separation to add a bit of variety to the setlist for the diehard fans. Spencer Chamberlain and Aaron Gillespie sounded even more in sync than on the reunion tour and proved themselves to be absolute powerhouse vocalists who have more than earned their legendary status as truly influential members of the metalcore scene who have made a lasting impact on everyone from The Devil Wears Prada to headliners Bring Me The Horizon.

Underoath - Photo Credit: Katherine Amy Vega
Grant Brandell (Bassist), Underoath
Photo Credit: Katherine Amy Vega © Kataklizmic Design

Disclaimer: The author (yours truly) watched the entirety of Bring Me The Horizon’s set and was absolutely astounded by how tight they sounded as well as the sheer magnitude of their lighting production. However, due to loss of material and a minor concussion from a recent vehicle accident I was unable to recover my review of their set. Look forward to it in a future Party Dispatch and thank you for the patience.

PHOTO ALBUM
by Katherine Amy Vega

Underoath – Comerica Theatre 4-7-17

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REVIEW: Sleigh Bells SLAY at Crescent Ballroom 3-27-17

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PHOENIX — If I were to describe Sleigh Bells’ unique brand of feedback-laden experimental electro-pop, I’d probably tell someone to imagine the sound that the nighttime cinematography of the film Drive would make if given human form. While admittedly a bit obtuse, I couldn’t help but think of wet streets, leather, and neon once the guitar cabs kicked on and assailed a sold-out Crescent Ballroom with danceable abrasion.

Sleigh Bells - Photo Credit: Katherine Amy Vega
Alexis Krauss (Vocalist), Sleigh Bells
Photo Credit: Katherine Amy Vega © Kataklizmic Design

From the moment the duo of Alexis Krauss and Derek Miller hit the stage, every member of the audience was off their feet and dancing in a writhing chaotic mass. Touring as a two-piece in direct support of November’s Jessica Rabbit seemed like a potentially risky choice given the album’s emphasis on volume and upbeat power. Thankfully, the duo effortlessly executed their career spanning setlist with more energy and precision than is often afforded by an entire tour package.

Sleigh Bells - Photo Credit: Katherine Amy Vega
Alexis Krauss (Vocalist), Sleigh Bells
Photo Credit: Katherine Amy Vega © Kataklizmic Design

Having not seen or closely followed the band since 2012’s Reign of Terror, I was impressed to see how the band had continued to expand on their signature sound while remaining true to the shredding meets dance floor aesthetic that Sleigh Bells fans have come to worship.

This manner of growth was perhaps most notable on Jessica Rabbit lead off track “It’s Just Us Now”. Played third in their setlist, the dramatic build of an almost Southern Rock riff alongside a surprisingly hip-hop leaning drum sample into a soaring vocal chorus over a tempo breakdown showcases the band at their absolute best. Even the title itself is reflective of the band’s confidence in themselves. They aren’t bound by hype, touring members, or notions of what they should sound like. They are simply two artists at the top of their game trying to push their music, as well as dance floors, to the absolute limits.

Sleigh Bells - Photo Credit: Katherine Amy Vega
Derek Miller (Guitarist), Sleigh Bells
Photo Credit: Katherine Amy Vega
© Kataklizmic Design

Above all, it was clear that the band was having just as much fun as the crowd. Alexis bounced from one side of the stage to the other, interacting with the crowd and positioning herself for photo ops, while Derek let his metalcore roots show as he headband at the front of the stage all night. Feeding freely from the energy onstage the crowd even broke into a push pit for a few songs, which seemed somehow natural despite it’s unusual setting.

As the evening finally wound down, Alexis brought opening act Tunde Olaniran onstage for a brief duet appearance before closing their set with A/B Machines from debut album Treats, then disappeared out the venue doors while the crowd finally paused to take a breath.

Sleigh Bells - Photo Credit: Katherine Amy Vega
Sleigh Bells
Photo Credit: Katherine Amy Vega © Kataklizmic Design

Highlight: Opening act Tunde Olaniran was absolutely astounding. Blending soul funk with trap EDM beats was the perfect way to set the crowd up early for an evening of high paced dancing while drawing even the most introverted audience member out of their shell for a night. Bonus shout out to the guy wearing an Agitator shirt who looked genuinely lost the entire night.

PHOTO ALBUM
by Katherine Amy Vega

Sleigh Bells – Crescent Ballroom 3-27-17

Flickr Album Gallery Powered By: Weblizar

All Content © Kataklizmic Design.
ALL RIGHTS RESERVED. NO STEALING

REVIEW: No ‘Wasted Tears’ at Haley Reinhart Show 6-9-16

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PHOENIX — Haley Reinhart played at the Crescent Ballroom in Phoenix on Thursday as part of her latest tour to promote her new album, Better, which hit record stores on April 29 of this year. The show opened with melodic vocals and soft acoustic guitar tunes from Miller James followed by a hybrid mix of soul and R&B songs by Jacob Luttrell who’s also Reinhart’s keyboardist. By the time Reinhart took the stage, the intimate venue was packed.

Jacob Luttrell © Kataklizmic Design
Jacob Luttrell © Kataklizmic Design

Reinhart started the night with “Talkin’ About” from her new album. “It’s a party in here tonight. I can feel it,” she said before continuing with “Behave.” With little persuasion, Reinhart had the room swaying and clapping to the beat. Reinhart followed it up with “Keep Coming Back” from her 2012 debut album, Listen Up!

Haley Reinhart © Kataklizmic Design
Haley Reinhart – Crescent Ballroom

Reinhart and the band had a great energy together. When the song didn’t end, Reinhart turned to Luttrell, “You just don’t want to quit this one, do you?” she smiled, then got the audience to dance with her while the band just kept jamming. “We’re having so much fun with you guys that we’re just making stuff up,” Reinhart laughed when the song finally ended. Afterward, she sang “Wasted Tears,” dedicating it to all the ladies in the house.

“It was so nice to meet a lot of you earlier,” Reinhart said during the concert. The former American Idol star seemed to genuinely enjoy engaging with her audience. She even held a meet and greet session with fans before the show. “She was really down-to-earth,” one delighted fan commented about the experience. When she finally sang the title track of her new album, “Better,” she changed opening lyrics to “Now I’m right where I want to be, out on the road to Arizona.” At one point, she brought a hula-hoop up onto the stage that had been given to her by a fan and hula-hooped while the band played.

Haley Reinhart © Kataklizmic Design
Haley Reinhart © Kataklizmic DEsign

Before singing “Love Is Worth Fighting For,” Reinhart spoke to the audience about having the courage to chase their dreams, something that you could say Reinhart has spent her whole life doing. “Channel whatever you’re feeling in life and follow that,” she told concert-goers. Despite being dropped by major record label Interscope Records in 2012 after the disappointing reception of her debut album, Reinhart has continued to pursue her musical career. Since then, she has expanded her agreement with her music publisher, Ole, and in March of 2016, Reinhart also signed with ICM Partners.

Haley Reinhart © Kataklizmic Design
Haley Reinhart © Kataklizmic Design

The playful and fun mood of the show lasted the whole night. When the room started to get uncomfortably warm, Reinhart and the band spontaneously broke into an interpretation of Nelly’s “Hot in Herre” for a couple minutes at one concert-goer’s suggestion. Reinhart also covered “Black Hole Sun” in her unique jazzy style, performing it as a duet with Luttrell. After singing “Bad Light,” a delighted Reinhart accepted a flower from a fan at the front of the stage and placed it in her hair. “If it falls out, just know that it falls out with love,” she said while she secured the purple daisy in her hair.

Other songs Reinhart performed included “Good or Bad,” “Check Please,” and “I Belong to You.” “It was like I was entranced,” Reinhart said of writing “I Belong to You.” “I felt all the kinds of emotions you feel when you’re falling in love,” she said before delivering a passionate performance of the new track. She finished with “My Cake,” ending the song by introducing the band, each with their own solo.

When Reinhart returned to the stage for an encore, she gave concert-goers just what they had been waiting for. “I have a question for you. Have you ever seen an Extra gum commercial that made you cry?” she asked before singing her cover of Elvis Presley’s “Can’t Help Falling in Love.” Reinhart initially recorded the cover for a Wrigley’s Extra gum commercial, which exploded on YouTube, garnering over seven million YouTube views and more than 78 million Facebook views within a week of its digital release. By the time the song ended, there was hardly a dry eye in the house.

Haley Reinhart's Setlist - Crescent Ballroom
Haley Reinhart’s Setlist – Crescent Ballroom
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Fortunately, Reinhart didn’t end the night with sniffles. “We’ve got one more song for you, and it’s kind of important too. We live on a beautiful planet, don’t we?” Reinhart asked. “It’s up to all of us to protect it. We’re all in this together,” she said before singing, “Listen.” The upbeat rhythm had the room dancing and swaying one last time before the night was over. Afterward, Reinhart stood arm in arm with the rest of the band on the stage and bowed to thunderous applause.

PHOTO ALBUM by Katherine Vega

Haley Reinhart & Jacob Luttrell – Crescent Ballroom 6-9-16

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Photography by Katherine Vega, © Kataklizmic Design
ALL RIGHTS RESERVED. (THAT MEANS NO STEALING)

REVIEW: Say Anything’s New Album “I Don’t Think It Is”

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Artist: Say Anything
Album: I Don’t Think It Is
Release Date: February 5, 2016

Like every Say Anything album, “I Don’t Think It Is” lays it’s cards on the table from the first note of the raucous intro “Give A Damn”, and sets the tone for a strong outing that is at once a return to form and a massive leap in sheer willingness to push their songs beyond any easily categorizable structure. Lyrically, the song showcases Max Bemis’ traditional vitriol toward both himself and his critics. However, the song structurally revolves around a much more lo-fi garage rock vibe than has ben shown in any previous Say Anything album. This burst of high energy post-punk stems directly from the influence of members from bands such as The Blood Brothers, At The Drive-In, and Mutemath; as they each provide their own unique take on the tried and true Say Anything formula. Since the release of “In Defense Of The Genre”, Say Anything as a band has evolved into a collective of sorts with Max Bemis at the helm. Whether through a slew of special guest features (“In Defense Of The Genre”) or a bold decision to release an album without any guitarist (“Hebrews”), Bemis’ creativity and unhinged passion always shine brightest when he surrounds himself with his peers and idols.

Perhaps the most impressive feat this album manages to pull off is a return to the bold sassiness, hilarity, and angst that characterized the early albums without coming across as an awkward old man trying to rekindle the sound of his youth. Above all, there is a refreshing burst of anger on this release that could only be created by an artist who simply does not give a damn what critics, fans, or anyone other than himself thinks about the songs he has crafted. Perhaps this mindset is what allowed for the much talked about collaboration with Kanye West wherein Bemis and West sat down and listened to one another’s at-the-time unreleased albums together and each other.

As with all things Say Anything, there really is no way to truly ever separate truth from facetiousness unless you were actually present for any of the events, but it is very difficult not to notice parallels between the two artists. “Goshua” in particular sounds like an indie B-Side of the “Yeezus” album, and is the moment the album became a masterpiece. “We’re divided by a wavering expression. And I drink too much to cut the tension. You think I live for attention? Man, look what I do for a pension.” is a verse that could have just as easily shown up during “Black Skinhead”, and shows a bravado noticeably missing from the previous two albums. Max Bemis is confronting his own creativity with every line and through doing so manages to save Say Anything by simply returning to what he does best, brutally and comedically self-deprecating his own shortcomings and successes. In short, Say Anything managed to succeed where “Life Of Pablo” fell short.

A surprise release full of bravado and grandeur that actually delivered on the self-congratulatory hype of it it’s creator.

Check out our review and photos of Say Anything’s concert!
REVIEW: Say Anything Brings It to Tempe 4-22-16

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REVIEW: 4-24-16 CHVRCHES Cuts Its “Sermon” Early in Tempe but Saves the Faith

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TEMPE, Ariz. — CHVRCHES, Scottish synthpop / indietronica band, began their set at Marquee Theatre with the first track of their Every Open Eye album, “Never Ending Circles”. The power of their performance was a force to be reckoned with. Lauren Mayberry’s vocals were very impressive and unique, which could especially be appreciated live. The show was sold out, and the energy of the crowd was beautiful. The high-production light show behind the band was dazzling.

CHVRCHES at Marquee Theatre 4-24-16
Mobile Photo of CHVRCHES performing at Marquee Theatre

It was during only the second song, “Keep You On My Side”, that something seemed to be amiss; as Lauren’s vocals started cracking suspiciously early into the show for vocal strain to be an issue. In the midst of “Empty Threat”, Lauren stopped singing for what one might have assumed was exacerbation about an equipment failure. Her band mates continued playing a bit longer, until it was clear that she just wasn’t having it. They looked over at Lauren with clear concern and made haste to put the show on pause, explaining that she was very sick.

If a vocalist pushes to perform when they are truly too sick to be singing, they can permanently damage their voice. Any true fan, or person with a shred of compassion for that matter, should be glad that she was taking care of herself instead of running that risk. It must have sucked for the band and crew too, since they were producing a motion picture about the band at this concert; as indicated by a print-out at the box office window.

A personal opinion: The experience of the first 2 and 1/2 songs alone was enough to satisfy.

The crowd waited in anticipation for a few minutes, before CHVRCHES came back on stage. Determined to give their fans a show worth their time and effort to make it out, Lauren Mayberry and Martin Doherty traded places. Martin sang “We Sink”, which is normally sung by Lauren, and he BROUGHT IT! This was Martin’s time to shine, as he saved the night owning the performance with magical energy and ear candy vocals. Concert-goer grins were huge as they were cheering him on for taking  the role, and the roar of the crowd was deafening!

That atmosphere carried through as Martin fronted two more songs that he regularly sings – “High Enough to Carry You Over” and “Under the Tide”. We were all thrilled and united in heartfelt support, and didn’t feel shafted.

Lauren came back to sing for the last song on their set that would be cut short. She told us she would be taking measures to avoid vomiting on stage. Speaking of her performance up until then, she shamefully confessed and apologized that she didn’t have pitch due to the illness. Fans nearby could be overheard speaking in a tone of surprise about how they hadn’t noticed. She gave a heartfelt monologue expressing their gratitude to fans, and assuring that their tickets would be good when CHVRCHES comes back to Arizona in October.

CHVRCHES closed their concert with “The Mother We Share”, after which the crowd quickly funneled out. In my opinion, this wasn’t a terrible time to finish, considering it was Sunday night… Any 9-to-5ers can typically relate to this sentiment. Of course CHVRCHES was, without a doubt, worth coming out. And even though they gave us 7 songs vs. their full set, that sentiment certainly rang true to the dense crowd.

No regrets. We are grateful that CHVRCHES did everything they could to satiate hungry fans, and their live concert was incredible regardless of the length (…which really wasn’t that short). Get well soon Lauren! We appreciate your professionalism, and you don’t need to apologize. You are human – take care of yourself! Arizona will eagerly anticipate your return!

Update: The make-up show is Thursday, October 6. Your ticket from the April 24th concert will be accepted for entry.

If you would prefer to have a refund issued, contact the Marquee box office by phone at 480.829.1300 (M to F, 12p-6p) or by email at orders@luckymanonline.com no later than May 18 to process a refund. Have your ticket confirmation # handy.

A special thank you to Dustin Mitchell for contributing the setlist for this review.

REVIEW: Lacey Sturm at Pub Rock 4-7-16

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Lacey Sturm at Pub Rock
Lacey Sturm © Kataklizmic Design

Lacey Sturm is a girl after our hearts, with a clearly compassionate desire to heal them through her music. Her graciousness and gratitude for her fans and career were impossible to go unnoticed throughout her performance at Pub Rock last night. You can tell that all of her heart pours into her songs, and I suspect that it is a very emotional and therapeutic experience. She is one of those musicians whose live vocals sound just like her produced music, if not better due to the live emotion. And you could tell the live band genuinely loves playing this music, and has a real bond with one another.

I had the pleasure of briefly meeting Lacey before her performance, and was able to express to her how her tracks “Vanity” and “Rot” really resonated with me, having previously been in an abusive relationship. Lacey thanked me for telling her, and gave me a tight and loving hug before being pulled away. You can tell Lacey has some loving people in her entourage who can see how precious she is and want to safeguard her.

Later on, I picked up her book “The Reason: How I Discovered a Life Worth Living” from the merch table; and read the back blurb about how she was once a suicidal atheist who had been abused, depressed, and disgusted with Christianity. Whether you are Christian or not, a story of someone’s experience with hitting bottom and recovering is inspirational and sorely needed for many of us to hear; I can’t wait to read it!

Lacey Sturm at Pub Rock
Lacey Sturm © Kataklizmic Design

The essence of Lacey as she is performing transcends human… She truly feels like a little angel with immense power. It is really fascinating to see this meek woman transform into a “rock princess”. Before playing “Faith”, Lacey said that it was one of her favorites; and it was really magical to see her bright grin as she danced and jumped around while performing the song. It is no doubt that Lacey Sturm has a vast amount of fans who are thankful that she is with us to share her wisdom, her gift, her hard work and talent, her massive voice.

PHOTO ALBUM by Katherine Vega

Lacey Sturm & Openers – Pub Rock 4-7-16

Flickr Album Gallery Powered By: Weblizar

Photography by Katherine Vega, © Kataklizmic Design
ALL RIGHTS RESERVED. No Stealing