Tag Archives: music photography

REVIEW: AFI Brings Despair, Blood, and 26 Years to Tempe 2-17-17

TEMPE, Ariz. — Eyeliner-tinged catharsis and angst were alive and well at the Marquee on Friday night when AFI made their Arizona stop on The Blood Tour with support from Nothing, and Souvenirs.

Souvenirs got the night started with a set heavy on tracks from their newest album Posture Of Apology. With stark emotional lyrics focused on understanding, loss, and forgiveness, Souvenirs struck the perfect balance between the 90’s Sub Pop records catalogue and The Devil and God Are Raging Inside Me-era Brand New. Overall, while their set may not have astounded many of the ardent AFI fans in attendance, it served as the perfect transition to Nothing’s reverb-heavy set which followed after a speedy changeover.

Nothing proved to be an exceptionally polarizing band for the sold-out crowd. With awkward stage presence, dedications to the memory of George “The Animal” Steele, and rambling half-mumbled banter between songs, it would be easy to simply write off Nothing as a band trying to emit a false rockstar facade. However, as they worked their way through a reverb-drenched set of songs that called to mind My Bloody Valentine’s vocal delivery layered over instrumentals which would have felt right at home amongst the Smashing Pumpkins discography, or even Incubus’ Morning View, they revealed themselves to be truly adept performers and songwriters who deserved their spot supporting AFI on a large scale tour. Though Domenic Palerno’s airy, trance inducing vocals may have seemed out of place opening for the concussive ball of energy that is AFI, the fact that they were able to hold a largely unfamiliar crowds attention for a 45 minute set is testament to their well-deserved presence on the Relapse Records roster.

Following Nothing, the stage lights were tuned to an ominous purple while the hazers were ratcheted up to blanket the stage in heavy fog. Finally, the lights dimmed and AFI took the stage to a cacophonous roar from the packed Friday night crowd. Opening with a near-soulful rendition of “Strength Through Wounding” from legendary album Black Sails In The Sunset, Havok and company quickly ratcheted the energy up to a thousand by launching directly into “Miss Murder”, launching the crowd into a frenzy that never relented for the rest of the evening.

Jade Puget (guitarist), AFI - Photo Credit: Katherine Amy Vega
Jade Puget (guitarist), AFI © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Most impressively, songs from the recently released Blood album received just as much of an explosive crowd response as tried-and-true Sing The Sorrowera favorites. “Aurelia”, “Snow Cats”, and “So Beneath You” all found great strength in a live setting where Davey Havok’s powerful vocal flourishes combined with a wall of guitar tone, propelled them beyond an album sound which many felt was a bit too “clean” for a band which has consistently based their career on raw emotion.

Davey Havok (vocalist), AFI - Photo Credit: Katherine Amy Vega
Davey Havok (vocalist), AFI © Kataklizmic Design
Photo Credit: Katherine Amy Vega

The setlist also made a direct point to showcase how much pride the band takes in their material from each album by sandwiching Blood album lead single “Snow Cats” between The Art Of Drowning‘s legendary tracks “The Despair Factor” and “The Days Of The Phoenix”. Whether calculated, or simply a serendipitous surprise, this pacing showed that with age, AFI at their core is still focused on the same message of sorrow, regret, pain, and love.

Hunter Burgan (bassist), AFI - Photo Credit: Katherine Amy Vega
Hunter Burgan (bassist), AFI © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Throughout the career-spanning set, Davey continually launched himself off of every available surface, while Jade Puget pirouetted effortlessly across the stage; making it clear that nothing about their performance or career would be slowing down at any point in the near future.

Highlights: Deep cuts from Sing The Sorrow, including “This Celluloid Dream” and “Paper Airplanes”, dedicated to anyone who had seen them at The Nile long ago.

Lowlights: An oddly-aged and very drunk crowd, who continued shouting for “Miss Murder” long after it had been played.

PHOTO ALBUM
by Katherine Amy Vega

AFI – Marquee Theatre 2-17-17

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

PHOTOS: Unagi Usagi – The Rhythm Room 2-16-17

PHOENIX — Last night, locals Unagi Usagi performed at The Rhythm Room. They opened the gig with the high-energy “Holy Valkyrie”, which takes the audience by storm without a buildup, and shows them they’re in for something delightfully insane right off the bat.

From start to finish, Unagi Usagi brought constant power and animation from each band member. The vocalist, who goes by Ghostrick Alucard, brings oozing charisma and animation to the stage.

In the midst of their set, “It’s Your Fault I Have Issues… You Stupid Bitch” is a crowd favorite, as all stand together in solidarity for glorious bitterness. The breakdown during the song, which might be their hardest and heaviest instrumentals, unexpectedly blows first-timers away and brings sweet satisfaction to fans.

Setlist

 

  1. Holy Valkyrie
  2. Pigs!
  3. It’s Your Fault I Have Issues… You Stupid Bitch
  4. You Suck
  5. Reason
  6. Heart In The Graveyard

Unagi Usagi debuted a song called “You Suck”, which is distinguished from their other songs by an infusion of ska. It really rounds out their set list by offering an upbeat sound and comic relief, while retaining their signature angst.

“Heart In The Graveyard” was a fitting closing song, finishing things off with both Big Jake (bassist) and Austang (guitarist) down on the floor, wildly emoting… while, astonishingly, Dead Wesley (drummer) shows no sign of fatigue up to the end.

Every crowd becomes noticeably impressed and intrigued shortly after the band begins playing, and they are always enthusiastically applauding and cheering by the end of the set. Unagi Usagi just keeps getting better and they’re gaining traction in the Phoenix scene, so follow them on Facebook to see what comes next.

PHOTO ALBUM
by Katherine Amy Vega

Unagi Usagi – The Rhythm Room 2-16-17

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

PHOTOS: Unagi Usagi – The Rebel Lounge 1-12-17

PHOENIX — Local “Anime-themed Punk” band Unagi Usagi (Japanese for Eel Bunny) performed at The Rebel Lounge in Phoenix on January 12. Oozing with animated and charismatic stage presence, and energy reminiscent of some of our favorite rock bands from the early 2000s, Unagi Usagi has great potential and persona build a solid following, and mature into a band that will sell a lot of records!

We previously discovered this band during an open mic night at a coffee shop while working on a behind-the-scenes post for Burning Hot Events’ Patreon. Between the folksy acoustic and hiphop lyricism in the background that we tuned out as we worked on our post, Unagi Usagi started up on stage and they were a force to be reckoned with, commanding our attention and sending goosebumps across the surface of our skin. (Become a patron to read the post from when we discovered them: For the Love of Music: Sum 41 and Open Mic Night)

“Ghostrick Alucard”, Unagi Usagi © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Presumably meant as self-deprecating humor, during the show Unagi Usagi proclaimed themselves as weaboos – people who are overly obsessed with Japanese culture to the point where they become annoying. But the following is a more flattering and clarifying descriptor, taken from their Facebook bio:

Unagi Usagi is a rock band from Chandler, Arizona. Catchy melodies and excellent songwriting are no stranger to this band, as they create the unique blend of Pop Punk, Post-Hardcore, and Japanese Rock Music that’s unique and fresh in the saturated music scene of today. Complemented by an eye catchingly beautiful visual presentation heavily influenced by anime, and joined by an eccentric live performance with plenty of energy, the band is creating a must-see phenomenon that is original, and unique to this group only.

It’s refreshing to have a fresh band in the local scene that garners such enthusiasm. While they have a ways to grow, keep an eye on these guys and do not underestimate them! We hope to see them get into the recording studio sooner than later. With the right support, they will go far!

PHOTO ALBUM
by Katherine Amy Vega

Unagi Usagi – The Rebel Lounge 1-12-17

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: Getting Intimate with The Sounds at Tempe’s Marquee Theatre 12-10-16

TEMPE, Ariz. — Swedish indie group The Sounds rocked the house at Tempe’s Marquee Theatre Saturday night with their 10th anniversary performance of sophomore album, Dying to Say This to You. Following energetic sets by spirited openers Zipper Club and My Jerusalem The Sounds guitarist, Felix Rodriguez took over the stage beneath a vibrant purple cloud of light. As soon as the first few notes of “Song With a Mission” dropped, the crowd went wild. Although it wasn’t a full house, there was a clear sense of communal nostalgia that seemed to supercharge the audience.

The Sounds - Marquee Theatre
The Sounds © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Next up on the set list was crowd favorite, “Queen of Apology” which kicked off with a signature Maja-esque display of her gives-no-fucks attitude, backed by airtight guitar and a stagelight-shift which illuminated fans as they sang along to every word. Hit after hit, The Sounds proved that ten years hasn’t slowed them down a bit, boasting a stage presence that could rival some of Rock and Roll’s most iconic female-fronted acts.

Arizona, I love you… We’re back, baby. We’re fucking back!” Maja yelled, igniting an outburst of claps and shouts throughout the venue. Maja’s pop-rock sound has been countlessly compared to that of Blondie and Missing Persons, and rightfully so! Personally, I also picked up on some similarities in tone between her and The Submarines’ vocalist, Blake Hazard.

The Sounds - Marquee Theatre
Maja Ivarssonv, The Sounds © Kataklizmic Design
Photo Credit: Katherine Amy Vega

The Sounds finished out their live revival of “Dying to Say This to You” with a gritty, electrified reproduction of “Running Out of Turbo” before topping off their forty-five minute tribute with an additional 9 tracks including everything from classics like “Living in America” (from their debut album) to the group’s recent single “Thrill” which features an impressive display of Maja’s vocal diversity in addition to fast-paced drum beats, a reverberant dual guitar solo and some subtle synth-heavy, 80’s era keyboard.

The Sounds - Marquee Theatre
Maja Ivarsson, The Sounds © Kataklizmic Design
Photo Credit: Katherine Amy Vega

It was truly a night to be remembered, especially considering the intimate audience size and Maja’s up-close-and-personal stage persona. By the show’s end, each track was visually pulsating through the audience as they fist-bumped, clapped and headbanged to the final songs of the night, “Rock N Roll” and “Hope You’re Happy Now” which Maja energetically concluded with one middle finger to the sky, and a cigarette in her other.

As the Burning Hot Events team exited the venue, we happened upon a couple who had actually travelled all the way from Kansas to see The Sounds in Tempe that night. It was a powerful reminder of just how impactful music can be, especially with a group like The Sounds who have an unbelievable, authentic connection to their fans.

PHOTO ALBUM
by Katherine Amy Vega

The Sounds – Marquee Theatre 12-10-16

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

PHOTOS: Lindsey Stirling – Comerica Theatre 11-12-16

PHOENIX — Lindsey Stirling, the awe-inspiring dancing violinist, brought her Brave Enough Tour to Comerica Theatre last night. Hailing from Gilbert, Arizona, it’s no surprise that the venue posted low ticket warnings on social media, and a horde of fans came out to see her live.

High production light shows and other grand visual effects are a staple of her concerts, and they make for a truly magical experience. Watching her spirit take flight when she does what she was meant to do, and fought to succeed, sends chills through your body. Lindsey Stirling is a strong inspiration and encouragement for her fans, especially in Arizona, to aspire for great things and persevere.

Photo Album

Photographer: Katherine Amy Vega

Lindsey Stirling – Comerica Theatre 11-12-16

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

PHOTOS: Diarrhea Planet – Valley Bar 11-9-16

Photo Album

Photographer: Katherine Amy Vega

Diarrhea Planet – Valley Bar 11-9-16

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

PHOTOS: Spafford – Last Exit Live 10-28-16

Photo Album

Photographer: Katherine Amy Vega

Spafford – Last Exit Live 10-28-16

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: Phoenix Rises Again for CHVRCHES’ Highly-Anticipated Return (10-6-16)

TEMPE, Ariz. — Fans of Scottish synthpop / indietronica band CHVRCHES have been saving their tickets since the April show, when Martin Doherty charismatically fronted three songs before the trio had to cut their performance short unexpectedly. The group returned with an overwhelming response this past Thursday, selling out their second show at Tempe’s Marquee Theatre within six months. Frontwoman Lauren Mayberry announced last minute openers Thursday afternoon, adding local indie-electronic duo MRCH to the lineup.

MRCH - Photo Credit: Katherine Amy Vega
Mickey Pangburn, MRCH © Kataklizmic Design
Photo Credit: Katherine Amy Vega

MRCH took the stage at 8 p.m sharp, greeting fans through a haze of vibrant blue-green lights. “We are very excited to be here!” vocalist Mickey announced. “My last time at the Marquee was to see Bone Thugs-N-Harmony,” she added through smiles. Mickey radiated an energy similar to that of Debbie Harry while energetically serenading the audience with romantic, electronically-infused vocals — although the synth and percussion were a bit overpowering, making the quality of her performance difficult to hear at times. Towards the end of their set, MRCH won over the crowd with an effervescent performance of Blondie’s ‘Heart of Glass,’ showcasing Mickey’s unique, vintage pop sound.

CHVRCHES - Photo Credit: Katherine Amy Vega
CHVRCHES © Kataklizmic Design
Photo Credit: Katherine Amy Vega

CHVRCHES wasted no time getting started, drenching the audience in a mesmerizing, strobe-like display of geometric white light and signature esoteric beats. The crowd erupted as silhouettes of Iain Cook, Martin and Lauren marched across the stage, kicking off their performance with a throwback to the April show  — “Never Ending Circles,” the first track from their latest album Every Open Eye. The group immediately engaged listeners with a few fast-tempo favorites and of course, Iain’s electrifying dance moves behind the keyboard.

CHVRCHES - Photo Credit: Katherine Amy Vega
Iain Cook, CHVRCHES © Kataklizmic Design
Photo Credit: Katherine Amy Vega

As the audience sang along Lauren’s voice cut in, “We return to the scene of the crime!” The audience responded in applause once again. “Thank you for coming back to see CHVRCHES! I know many of you came to see us many months ago, but things didn’t go as planned,” she continued, struggling to untangle a mic cord at her feet. “Much like this,” she joked. “But this  — this I can deal with.”

She went on to give an electrifying performance before handing the mic over to bandmate Martin for “High Enough To Carry You Over” and “Under The Tide,” a nostalgic selection considering the band’s courageous performance last April, in which they continued without Lauren in order to satisfy their fans. Lauren did re-appear at the end of their shortened set during the April show, fighting extreme illness in order to give fans one final song.

The band’s dedication to their fans was not lost on the people of Phoenix. Lauren’s hypnotic stage presence combined with an impeccable sixteen track set list Thursday night colluded seamlessly with the crowd’s energy, truly making this heightened performance one for the books. CHVRCHES left the stage on a high note, leaving the audience excited and hungry for more. Spectators spottily chanted “One more song! One more song,” lingering to see if the band might continue.

CHVRCHES - Photo Credit: Katherine Amy Vega
Lauren Mayberry, CHVRCHES © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Suddenly Lauren took the stage once again, stepping forward to address the crowd. “I’m not trying to make you guys jealous,” she said coyly, “but I am going to see Beyonce tomorrow and I’ve got to make it all the way back to the east coast. So, we are going to play you a couple more songs.” The crowd exploded in ecstasy once again, vibrating the floor of the venue as they began to fist pump along to “Afterglow.”

At this point, the group had now performed more than double their set list from last April, and continued to pour their souls into each track making for an unforgettable display of commitment to their fans. Lauren paused, holding Martin’s drumsticks in a crisscross formation above her head as the crowd roared, begging to hear the final song of the night. CHVRCHES then concluded things with their timeless hit, “The Mother We Share” from album The Bones of What You Believe, drawing on the communal energy exhibited during the April show one last time.

Their show Thursday night was more than high enough to carry us over. In fact, we think it’s safe to say this was one of CHVRCHES’ most impressive performances to date.

PHOTO ALBUM
by Katherine Amy Vega

CHVRCHES & MRCH – Marquee Theatre 10-6-16

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

REVIEW: Blink-182 Goes ‘Overboard’ for Phoenix (9-24-16)

PHOENIX — With the word “FUCK” emblazoned in flames behind them, Blink-182 opened their set to a packed house at the Ak-Chin Pavilion on Saturday, Sept. 24. Despite steep ticket prices, the long-awaited return of the pop-punk headliner, along with openers All Time Low and A Day to Remember, brought fans out in droves. And they didn’t disappoint. Even after 24 years, Blink-182 was able to bring the same energy and bawdiness fans have come to expect.

Blink-182 - Photo Credit: Katherine Amy Vega
Mark Hoppus, Blink-182 © Kataklizmic Design
Photo Credit: Katherine Amy Vega

The set opened with “Feeling This” from Blink’s self-titled album, followed by “What’s My Age Again?” “Family Reunion” and “The Rock Show.” Finally, they gave the audience a taste of their new release, California, with the song “Cynical.”

Since hitting record stores in July, California has already topped the Billboard 200, making it Blink’s first number-one album since their 2001 success, Take Off Your Pants and Jacket. It was also their first album produced by John Feldmann whose past production work has included albums for Good Charlotte, The Used, All Time Low, and 5 Seconds of Summer.

However, what was perhaps most notable to long-time Blink fans was the absence of founding band member Tom DeLonge, who was replaced by Alkaline Trio lead vocalist and guitarist Matt Skiba at the start of 2015. The change came after DeLonge decided (for the second time in the band’s history) to take an indefinite hiatus from the group.

His announcement was a match in the powder keg of turmoil that had been brewing after DeLonge’s work with Angels & Airwaves and other projects were cited as the cause of long delays to recording a new Blink-182 album. But with Skiba in the band as a ready and willing partner, it looks like Blink-182 has finally put an end to the false starts and opened a new chapter.

Blink-182 - Photo Credit: Katherine Amy Vega
Matt Skiba, Blink-182 © Kataklizmic Design
Photo Credit: Katherine Amy Vega

If Phoenix fans had any reservations about Skiba, there was certainly no evidence of it Saturday night. During one of several “audience participation” segments, Mark Hoppus told concert-goers, “Oh Phoenix, you’re in for a fucking treat now. This is ‘Sing Along with Matt.'” He paused, looked back at the crowd sternly, then repeated more seriously, “I said, this is ‘Sing Along with Matt.'”

Without hesitation, the entire venue erupted into a cacophonous choir and joined Skiba in singing “Reckless Abandon.” Then after playing “Kings of the Weekend,” Hoppus and drummer Travis Barker jammed together for a moment to loud cheers and applause, clearly having a good time. “You’re welcome because that was me and Travis time right there,” Hoppus said.

Blink-182 - Photo Credit: Katherine Amy Vega
Travis Barker, Blink-182 © Kataklizmic Design
Photo Credit: Katherine Amy Vega

“We’re switching out the set a little bit tonight,” Hoppus announced at one point. “Just for you… Fuck all the other cities we’re going to,” he joked. Then during the part of the set when Blink would normally play “Not Now,” they gave concert-goers an unexpected treat and played “Man Overboard” instead. “Just for you, Phoenix!”

The show was rife with special effects, from fountain fireworks flowing from the rafters at the end of “Down,” to plumes of flames shooting up from the back of the stage during “Bored to Death.” During “Dumpweed,” several blow-up dolls were passed out to the audience and bounced around like beach balls. And later, the group turned off all the lights and played “Happy Holidays, You Bastard” to the light of thousands of mobile phones.

Blink-182 - Photo Credit: Katherine Amy Vega
Mark Hoppus, Blink-182 © Kataklizmic Design.
Photo Credit: Katherine Amy Vega

“You guys having fun? Not anymore. Not. Any. More. This next song is fucking sad,” Hoppus told concert-goers before playing “Stay Together for the Kids.” He joked that the song was so sad, it was practically emo, comparing it to what would result if Jimmy Eat World and The Used had a baby. He also dedicated “I Miss You” to all the ladies.

[Setlist]
#1 Feeling This
#2 What’s My Age Again?
#3 Family Reunion
#4 The Rock Show
#5 Cynical
#6 First Date
#7 Down
#8 I Miss You
#9 Bored to Death
#10 Built This Pool
#11 Dumpweed
#12 Stay Together for the Kids
#13 Reckless Abandon
#14 San Diego
#15 Man Overboard (replaced “Not Now” on printed setlist)
#16 Violence
#17 Kings of the Weekend
#18 Happy Holidays, You Bastard
#19 Dysentery Gary
#20 Los Angeles
-Encore-
#21 Carousel
#22 All the Small Things
#23 Brohemian Rhapsody
#24 Dammit

But it was Blink-182’s encore that really hit it out of the park. Skiba and Hoppus returned to the stage with neon pink and white guitars and played “Carousel” to more fireworks. They followed it up with “All the Small Things,” turning a kiss cam on the audience. Then they rounded it out with “Brohemian Rhapsody” and “Damnit,” which ended with thick plumes of confetti spewing from either side of the stage onto the audience. And even when everyone had cleared the stage, Hoppus still came back one more time and gave concert-goers a short drum-solo to wrap up a wild night.

 
PHOTO ALBUM
by Katherine Amy Vega

Blink-182 Ak-Chin Pavilion 9-24-16

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.

PHOTOS: Wes Williams Band – Last Exit Live 9-11-16

Photos of Wes Williams Band performing at Last Exit Live in Phoenix, Arizona on September 11, 2016.

Photo Gallery

Photographer: Katherine Amy Vega

Wes Williams Band – Last Exit Live 9-11-16

Photography © Katherine Amy Vega, Kataklizmic Design
All Rights Reserved.