Tag Archives: music photography

REVIEW: Lights Returns to Arizona Stronger Than Ever at Marquee Theatre 2-8-18

Spread the love...
  • 11
  •  
  •  
  •  
  • 2
  •  
  • 1
  • 1
  •  
  •  
    15
    Shares

TEMPE, AZ – Lights, along with special guests Chase Atlantic and DCF, illuminated Marquee Theatre last Thursday. This eclectic mix of musicians magnetized a diverse crowd to The Marquee’s doors, and together, the entire venue celebrated a night of pure joy and musical euphoria. Fans of all ages blissfully enjoyed the great sound, atmosphere, and company of each band, but Lights certainly shone brightest of all — fans were dazzled by their otherworldly sounds and gorgeous visuals on stage, and it is clear for any outside observer to understand why they command an army of such devoted fans.

For those who know and love Lights already, they’re aware that this is certainly not Lights’ first rodeo — they’ve been to Phoenix many times since 2008, but as lead singer Lights Valerie Poxleitner put it, they come back stronger every time. From The Nile to Warped Tour, Lights certainly know how to command a stage of any size and location, and their attention to detail certainly transfixes audiences on multiple levels. As Poxleitner is an artist in more ways than one, it is no surprise that Lights’ live performances are as much visual spectacle as they are aural extravaganza. It’s no wonder that Lights has recently received nominations for the Pop Album of the Year and Artist of the Year categories in the 2018 JUNO Awards.

DCF

The first performance of the evening was DCF, an artist who is a compelling example of contemporary pop, alternative, and indie music styles. His was a solo act, yet he projected enough energy and personality to decently command the entire stage and crowd. Concert-goers, in fact, were somewhat devastated when it came time for Prince DCF to exit the stage after an acoustic version of “Misery Business” by Paramore, letting out an audible sigh as he departed.

SCF - Photography: Katherine Amy Vega
DCF
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
Click for More DCF Photos

DCF’s interesting style, mix of genres, and unique take on what is considered pop music all went well with what could only have been a Napoleonic-era Royal Navy Admiral’s Coat. Together with his stylish hairstyle and glasses, DCF exudes confidence and mirth as he DJs, sings, cracks jokes, and finds any other way to entertain a crowd. His performance was certainly a great ice breaker for the evening, though it did end on a relatively anticlimactic note.

Chase Atlantic

Next up was Chase Atlantic, a wonderful group visiting all the way from Australia; they likely chased the Pacific in this case, but everyone at The Marquee was certainly happy to see them. They instantly took over the stage and crowd, carrying the momentum over from DCF and further building fans up for Lights later in the evening. Their high energy was contagious, and they also shared a unique take on contemporary music, just as DCF had done before them. It would be difficult to say exactly what they sound like, but all alternative musicians seem to be elusive when it comes to absolute definition.

Chase Atlantic - Photography: Katherine Amy Vega
Mitchel Cave (Lead Singer), Chase Atlantic
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
Click for More Chase Atlantic Photos

Due to their eclectic mix of sounds, it was easy for everyone in the crowd to join in on the fun. Lead singer Mitchel Cave, who first got his big start on the world stage by performing on X-Factor Australia, must have chugged several energy drinks prior to coming out, because he was moving at the speed of light all over the stage. He also seemed to love having the audience join him in the adventure, jumping down to join them briefly, before hopping back up on stage to hype everyone up even further. Chase Atlantic was definitely a great act to follow DCF with, and these boys made the transition into Lights’ scintillating performance a flawless one.

LIGHTS

Though the performances of Chase Atlantic and DCF were fantastic, some fans simply could not contain their excitement for the main act of the evening — Lights; in fact, one young fan was spotted running all over The Marquee, seemingly unable to contain her excitement. It was clear this was likely not her first time seeing Lights, and her excitement proved to be quite the harbinger of the incredible musical and visual adventure ahead.

Lights came out on stage after quite the setup time, but the wait was certainly well worth it. Immediately, fans were greeted by lead vocalist Lights Valerie Poxleitner’s silhouette in front of a massive screen; the bright, neon lights behind her perfectly symbolized the band’s name, and the hype and tension felt throughout the crowd instantly reached a breaking point. The buildup to her full visual reveal was palpable, and her glamorous, vogue-like poses as she sang in her spectral, ethereal form brought out the best fashion week vibes. Finally, she emerged from the darkness and into the light to a feverish sea of fans.

Lights - Photography: Katherine Amy Vega
Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

We Were Here Tour – Issue One

Lights performed in 3 major acts throughout the evening. During the first act, Poxleitner kept the energy from Chase Atlantic going, with some of their most exciting, upbeat songs. During this portion of the show, she asked the audience if anyone here has seen them live before. There was a resounding, screaming yes, with the majority of hands within the crowd immediately shooting up as high as they could go. She continued, clearly pleased by this reaction, explaining that they love coming back to Phoenix, and that their first time here was at The Nile (Nile Theater) over in Mesa, AZ back in 2008, where they performed with Copeland. They’ve been back many times, including to Warped Tour, and she stated, “Year after year, we keep coming back stronger.” For fans who missed out on this tour, I think it is safe to assume that Lights will surely be back soon.

Lights - Photography: Katherine Amy Vega
Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

As the mood seemed to chill out a bit, Poxleitner began a new discussion: “I wrote this song when I was going through a shitty time. Who’s been through a shitty time?” The oddly enthusiastic screams from the crowd were certainly clear answer enough; “We’ve all been through shitty times. Do you know what helps get us through it? Friendship, a little bit of wine, and music.” The crowd loved this strategy, and prior to performing “Face Up,” Poxleitner gave them further inspiration: “Your weaknesses become your strengths.” This phrase would certainly make a great tattoo.

“Your weaknesses become your strengths” – Lights

We Were Here Tour – Issue Two

After “Face Up,” Lights retreated off stage for a brief respite. During this time, Poxleitner displayed some of her artwork on the huge screen on stage. Since she is an artist and illustrator, it only made sense — we got to see some of her characters and settings from her Skin & Earth comic series, synonymous with Lights’ new album of the same name, which currently has 6 issues out for purchase. The images and scenes shown were quite similar to the trailer for Skin & Earth, which can be viewed here: https://youtu.be/FnbL7ZE4hmo

Skin & Earth illustration at concert - Photography: Katherine Amy Vega
Illustration on screen from Lights’ comic book series Skin & Earth
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

During this phase of the performance, Lights returned to the stage with a more somber attitude. The setup had changed during this short intermission as well — suddenly, there was a piano with lots of candles on top, helping to relax the mood even further. It was time for some calm, more acoustic songs. Poxleitner was back on stage in a new outfit, sporting an acoustic guitar. It was a pleasant change of pace, and it certainly kept the vibes fresh for the evening. It also made the grand finale that much more powerful.

Lights - Photography: Katherine Amy Vega
Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

We Were Here Tour – Issue Three

After another quick break and some more stunning illustrations on the big screen, Lights was back on stage, and Poxleitner was sporting a third and final outfit. They brought back the high energy with a vengeance this time around, and Poxleitner joined the band with her own electric guitar. This guitar, she explained, represented her second character in her comic books, and it sported the beautiful Skin & Earth logo seen on stage, on the cover of her books, and all over her website and social media accounts — not to mention she also has it tattooed on her arm. She transitioned into her song “Running with the Boys” after this interesting discussion.

Lights - Photography: Katherine Amy Vega
Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

A highlight from this phase of the show was the video clips of Sailor Moon’s transformation and Street Fighter’s Chun Li pronouncing, “I am the strongest woman in the world!” playing in the background, which perfectly complemented the power behind Lights’ performance. Towards the end of this third act, Poxleitner brought up her song “We Were Here,” asking everyone, “When the song starts, do you hear waves or a storm?” The majority seemed to scream, “WAVES!” Poxleitner replied with, “Fuck. I always hear a storm.” She continued to discuss the music video for “We Were Here,” saying that she doesn’t recommend burning a bus, but that it was definitely a lot of fun: “Full disclosure — a pyrotech got to do it. But I got to throw the lighter.

Bonus Issue – The Encore

Once more unto the breach, Lights came back on stage for a quick encore. They weren’t off stage long, likely because the crowd’s chants, screams, and claps were so demanding. Poxleitner picked the mic back up and asked, “Do you guys wanna hear another song?” Everyone, of course, responded with a loud “YES!” She replied, “Alright, so be it, but you guys gotta dance, and you gotta sing,” and the crowd certainly complied. To reward fans, Poxleitner jumped down into the crowd for a bit to give most people up front the best high-fives ever before jumping back on stage for a special surprise for Poxleitner’s sister.

Poxleitner pulled out her phone near the very end of the show and told everyone that it was her sister’s birthday. She wanted to get a video of herself singing “Happy Birthday” with everyone in the audience, so the lights lit the house up, and everyone sang along while she recorded. “I’ve never done one of these before!” she exclaimed after. Her sister certainly got the best little gift from that moment.

Overall, the Phoenix stop of Lights’ We Were Here Tour was an exhilarating experience for everyone, and it was clear the entire band had just as great of a time as the crowd. In fact, Poxleitner may have had the most fun of all — she truly seems to love what she does, and this shines through in her incredible displays of creativity. From the life-sized cardboard cutouts of her comic book character illustrations out in the lobby to the strange vegan pizza box introduction to some synthy song intro tunes, her contagious enthusiasm spread throughout Marquee Theatre and well beyond. This went well with her aura of power her music, and she herself exudes, in addition to her uplifting spirit. She is an inspiration in many ways — a true Renaissance Woman.

Lights - Photography: Katherine Amy Vega
Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

Prior to heading out for the evening, Poxleitner explained that Lights is part of Plus 1, a movement and organization that ensures $1 from every ticket sold for participating shows and artists goes to causes they believe in. Lights decided on GRID Alternatives, an organization that helps to bring solar power to places across the states. Poxleitner closed by stating we all need to “protect this little planet that we have… it’s all we got.” They left the stage to resounding cheers of joy, leaving everyone to their evenings with a little positive thinking and a lot of great memories.

PHOTO ALBUM

by Katherine Amy Vega

Lights – Marquee Theatre 2-8-18

Flickr Album Gallery Powered By: Weblizar

All Content © Kataklizmic Design.
ALL RIGHTS RESERVED. No Stealing

REVIEW: Lindsey Stirling Spreads Christmas Cheer with “Warmer in the Winter” Tour Finale in Phoenix 12-23-17

Spread the love...
  • 66
  •  
  • 2
  •  
  •  
  •  
  • 3
  • 1
  •  
  •  
    72
    Shares

PHOENIX — It was nearly Christmas Eve as Lindsey Stirling’s fans gathered at Comerica Theatre. Donning their Santa caps and winter scarves, they fell down the rabbit hole that is the visually stunning show on the Warmer in the Winter tour. The last show on Stirling’s tour landed here, in her hometown of Phoenix, and fans couldn’t be happier to welcome her back home for the holidays. Stirling has recently competed on “Dancing with the Stars”, and her dance partner Mark Ballus was opening for her on the tour with his band Alexander Jean. It was the last show on her tour, and she didn’t slow down for one second, inspiring the audience to follow their dreams, break boundaries and defy industry.

Lindsey Stirling - Photo Credit: Katherine Amy Vega
Lindsey Stirling
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

Stirling emerged from a curtained archway, sparkling in ruffles of metallic purple, silver and gold playing “All I Want for Christmas”. Surrounding her were snow-covered illuminated houses, straight from a children’s book.  She was joined by her four dancers, and together they ignited the audience with their smiles and choreography.

Lindsey Stirling - Photo Credit: Katherine Amy Vega
Lindsey Stirling
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

For the next number, snowflakes swirled in the background as the notes to “Frosty the Snowman” and “Let it Snow” were merged.  The dancers twirled with black umbrellas that sprinkled snow as they glided across the stage.  The Christmas spirit was alive and swelling inside the theatre as Stirling performed “Warmer in the Winter”, in which she both sang and played violin, and the classic fiddle song “I Saw Three Ships.” Visions of the ocean and pirates flickered on the screen as dancers appeared in plaid skirts with bouncing steps.

Lindsey Stirling - Photo Credit: Katherine Amy Vega
Lindsey Stirling
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

After a short musical break, Stirling reemerged in a stunning sheer dress adorned with sparkling silver sequins. She and her bandmates sat down on the floor toward the front of the stage for a special treat.  Stirling had laid out “instruments” for them all to play: two kazoos, a toy piano and a tiny violin.  She told the crowd that she had an advantage because her instrument wasn’t a toy, it was the violin that most children start playing on at the age of 5. She laughed, saying “this one’s name is Pickles” as she held the tiny violin in the air.  Together the group serenaded the crowd with a medley of tunes starting with “Jingle Bells”, merging into the Harry Potter theme, and winding down with a saucy “Santa Baby”.

Lindsey Stirling - Photo Credit: Katherine Amy Vega
Lindsey Stirling
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved
Lindsey Stirling - Photo Credit: Katherine Amy Vega
Lindsey Stirling
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

At the end of the group’s medley, the pianist Kit challenged Stirling to play “The Devil Went Down to Georgia” on the tiny violin, claiming “it’s what the audience is really wondering.” And she smiled, rising to the challenge as she played about 20 seconds of the fast-paced classic fiddle song. The crowd erupted in cheers as they quickly cleared the little instruments from the stage.

The first few notes of “Crystalize” fell over the crowd, mesmerizing them as Stirling elegantly danced across the stage in a mist, with slivers of light casting eerily beautiful shadows over her. The audience listened as if under a spell, being broken only by Stirling herself, as she addressed the crowd before her next number. She spoke powerful words about her own experiences with anorexia and self-esteem.  She reminded the crowd, as they listened to the next song, to remember that even if they don’t see the beauty in themselves “someone sees the beauty in you.” She then went on to perform “Hallelujah” with the curtain closed and only her guitarist to accompany her. The curtains then opened as dancers joined her on stage to perform “Angels We Have Heard on High”, wearing swaths of white fabric that draped and swirled around them as though they were angels themselves.

Lindsey Stirling - Photo Credit: Katherine Amy Vega
Lindsey Stirling
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

For the last part of the show, Stirling emerged once again in a different costume; a shining pink strapless dress, with her iconic marching band hat, with white feathers reaching towards the sky. The show pulsed with excitement as lights and sound were pushed to an impressive high. After a stunning rendition of “Dance of the Sugar Plum Fairy”, Stirling went right into “The Grinch”, where her dancers flowed across the stage in red sequins. They held giant red feather fans. At one point covered Stirling, who emerged from the fans in shorts after shedding her ruffled skirt, ready to dance about on the stage. They continued with “Carol of the Bells” as the stage lights flickered with the beat, a visual feast for the eyes and ears.

Lindsey Stirling - Photo Credit: Katherine Amy Vega
Lindsey Stirling
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

Before the last number, Stirling addressed the audience one more time and shared her family tradition of wearing matching PJs every year. “Christmas C’mon”, with a track of vocals by Becky G, rang through the theatre, as lights and dancers in matching pajamas spum around the stage.  Once finished they left the stage, but the audience waited, clapping and yelling. Stirling reappeared to the ample applause of the crowd and shared a very personal story. She said while she usually likes to leave a crowd with a big number so she can read on their instagram that they just “went to a violin concert and got their face melted off.” This time, however,  she was going to close on a more personal note. She shared the story of the loss of her father last year around this time, and that this song was very dear to her. She asked the audience to remember those they loved and hold them close, and played “Silent Night” to close out the night.

The “Warmer in the Winter” Tour was like a traveling snow globe, shaken up with a wonderland of lights, sounds, and dancing. Stirling touched hearts with her words and music, and spread smiles with her jokes and shining personality. As people poured from the theatre that night, they were ready to celebrate not just Christmas, but their family, friends and loved ones and everything that they held dear.

PHOTO ALBUM

by Katherine Amy Vega

Lindsey Stirling – Comerica Theatre 12-23-17

Flickr Album Gallery Powered By: Weblizar

All Content © Kataklizmic Design
All Rights Reserved.

REVIEW: Miss Krystle Showcases New EP At Intimate Private Studio 11-11-17

Spread the love...
  • 28
  •  
  •  
  •  
  •  
  •  
  • 1
  • 1
  •  
  •  
    30
    Shares

PHOENIXPop recording artist Miss Krystle has just released the six-song EP Inevitable as the follow up to her successful Woman In Motion CD. This night was a showcase of the new songs along with an offering of music from her first three studio CDs. The intimate VIP party was held in a controlled private studio called the Premier Room at Premier Studios on Indian School Road. Guests arrived in anticipation of the live show and explored the venue and the well-stocked merchandise booth while networking with friends and industry associates.

Miss Krystle lit up the room at 8:30pm when she hit the stage dressed all in black; a dramatic contrast to her signature fiery red mane. The set started with “Right Movement” a collaboration with KJ Swaka (Pendulum and Destroit) and “Take Me Home” which was produced by Zion Brock. The hard-hitting electronica tracks are brought to life by the solid rhythm section of That Orko on bass and Brent Hensley on drums.  This music transcends labels of pop or electronic dance music.  It is edgy and in-your-face, but it is uniquely Miss Krystle. With lyrics like, “I’m a wolf, not a sheep,” she has no regrets in blazing new trails forging her own sound.

Miss Krystle - Photo Credit: Mark Greenawalt
Miss Krystle
Photo Credit: Mark Greenawalt © All Rights Reserved.

Miss Krystle commands the stage and pours her soul into each line. The fans in the audience are under her spell and sing along with the next two songs from Woman In Motion; “Dukes Up” and “Pressure”. The high energy has been non-stop and her performance has been an aerobic workout, but still the vocals are spot on.  From assertive lines of angst to soft soaring notes she is matching the studio versions of the songs note for note.

At the end of this introductory frenzy, there is a catharsis. The band exits the stage and Miss Krystle is left alone with keyboard and a spotlight.  This is where we learn that Miss Krystle is more than a pretty face with rock star vocals as she demonstrates her classical training on piano and delivers some of her original songwriting. The three-song solo “acoustic” set starts off with her song “I Don’t Cry” from the Run CD. This song has a beautiful music video where she performs in elegant body paint and has over 200,000 views. The crowd cheers as she begins singing. Next up is “Relevant”; the first song played from the new EP.  In an interview with The Arizona Republic, Miss Krystle described the message of this song saying “The only person who should make you feel relevant and loved is ultimately you.” The studio version of the song has a sonically big production that conveys the emotional message, but ironically this stripped down piano/vocal version may have emoted even more heartfelt emotion. The third song in the set was a totally unexpected cover of “God Only Knows” by the Beach Boys. This brought a smile to everyone’s face and it seemed to be a true expression of love to some lucky person in the room.

Miss Krystle - Photo Credit: Mark Greenawalt
Miss Krystle
Photo Credit: Mark Greenawalt © All Rights Reserved.

The band returned to the stage and the energy again cranked up for two more songs from the new EP, “Inevitable” and “Wild Like Fire.”  Miss Krystle has been very prolific at self-producing high quality music videos and her latest is for the song “Inevitable.” In an industry where record deals seem to have lost their teeth, she has been successfully gaining celebrity through self-promotion and a lot of hard work. Her new songs are collaborations with her musical partner, That Orko, who has helped to elevate her production sound and inspired her to write songs that she says are some of her “best music to date.”

Miss Krystle - Photo Credit: Mark Greenawalt
Miss Krystle
Photo Credit: Mark Greenawalt © All Rights Reserved.

Miss Krystle isn’t relying on sex appeal to connect with her audience, but she definitely isn’t trying to hide it either. There is a seductiveness to her moves that matches the message in “Focused All Night” from Woman In Motion. She strips one layer of black and eventually focuses on each person in the room, one at a time, making eye contact and making a personal connection.  One can envision her doing this same performance on a national stage with backup dancers, lights and pyrotechnics, a 10-piece band, and a stadium crowd. Although her surroundings were much more reserved, her performance proved that she is ready for prime time.

The 14-song set culminated in trio of covers that kept in sync with the high energy of the evening with “Lap Dance” by NERD, “Breath” by The Prodigy, and an homage to Beyonce with “Crazy In Love” that had everyone moving. Lastly, it was back to an original for the final song of the night which was “Unforgettable”…literally and figuratively. This song’s haunting melody is addictive and complements the lyrical intent to never fade into anonymity,  “Burning in your memory you know I’m unforgettable…On your mind and in your dreams I’m a part of history.” The band left it all on the stage and there was no holding back to put on a fantastic show.

Miss Krystle - Photo Credit: Mark Greenawalt
Miss Krystle
Photo Credit: Mark Greenawalt © All Rights Reserved.

This was a VIP experience so everyone had their chance to meet the band, take selfies, and get their CDs, prints, and t-shirts autographed. The venue was a perfect place for a band showcase and the sound was appropriately loud while remaining clear.  The only annoyance was the automated lighting chase that wasn’t synched to the music and each scene was monochromatic. Other than that, the space was a perfect venue to promote the new EP from Miss Krystle. Look out for her next music video release for the song “Relevant” coming soon to her bustling Youtube channel.

PHOTO ALBUM

Photographer: Mark Greenawalt

Miss Krystle – Premiere Studios 11-11-17

Flickr Album Gallery Powered By: Weblizar

Photography © Mark Greenawalt. All Rights Reserved

REVIEW: Nothing More Lets ‘Em Burn at The Van Buren in Phoenix 10-25-17

Spread the love...
  • 48
  •  
  •  
  •  
  •  
  •  
  • 1
  • 75
  •  
  •  
    124
    Shares

PHOENIX — Nothing More put on an explosive performance in Phoenix Wednesday night at the city’s eye-catching new venue, The Van Buren; named in honor of the historic Martin Van Buren. Once inside, it was a pretty swanky setup: grandiose crystal chandeliers dripping from the ceiling, marble double-sided bars wrapping around the room and on the back wall, an enormous, technicolored mural of the Sonoran Desert surrounded the stage — a fitting theme considering the band was formed out of San Antonio, TX. Interestingly, Nothing More frontman Jonny Hawkins is actually an Arizona native. This is a fact he shares with drummer Ben Anderson who is known for his presence in local success story Digital Summer.

Nothing More - Photo Credit: Katherine Amy Vega
Ben Anderson (Drummer) – Nothing More
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

After stirring performances by Hell or Highwater, My Ticket Home, and Palisades, it was obvious the crowd’s anticipation was at its peak. All eyes were on the stage as the lights dimmed and the introduction to “Christ Copyright” rumbled out from beneath Anderson’s drum set. In a flash of white light, Hawkins entered the stage rocking his classic barefoot, shirtless style while yelling, “What’s up Phoenix?!”, as the remainder of the band stepped on stage behind him. A haze of blue and red light filled the room as the band moved right into meteoric performances of “Let ‘Em Burn”, “Mr. MTV”, “Don’t Stop”, and “Ripping Me Apart”; kicking things off with a mixture of heavy-handed tracks from Nothing More’s fourth and fifth studio albums, Nothing More and The Stories We Tell Ourselves.

The Stories We Tell Ourselves was an immediate favorite among fans after its release in mid-September of this year, coming in at 15 on the Billboard 200. And rightfully so, as the band’s live stage presence is both wildly unapologetic and deeply emotional.

Their set featured a variety of face-melting solos by each of the band’s highly talented members, but after their hit single “Go To War”, Hawkins and lead guitarist Mark Vollelunga decided to slow things down a bit. Midway through the night, the duo came together for a heart-wrenching acoustic performance of track “Just Say When”, which moved some neighboring fans and myself to tears. It’s a song that Hawkins said “almost didn’t make it onto the record” because they thought it might be “too sappy“. As is the case with many classic emo-toned favorites, the sad love story of the troubled rock star hit us right in the feels.

As “Just Say When” came to an impassioned end, the remaining members of Nothing More took the stage once again, throwing themselves into songs “I’ll Be Okay”, “Here’s To The Heartache”, and “Do You Really Want It”. Fans visibly rejoiced as bassist Daniel Oliver strapped his instrument into the infamous “Bassinator” while Vollelunga and Hawkins aggressively plucked and tapped along the fingerboard. They were, presumably, pumping up the audience for a prolific performance of profoundly personal track “Jenny”, the third single off Nothing More’s self-titled album which spotlights Hawkins’ sister’s struggle with mental illness — a topic that hits hard for many of the band’s listeners.

Nothing More - Photo Credit: Katherine Amy Vega
 Jonny Hawkins (Vocalist), Daniel Oliver (Bassist), & Mark Vollelunga (Guitarist) – Nothing More, playing The Bassinator
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

Just as we sang along to the closing lyrics of “This Is The Time”, Hawkins stepped forward to address the crowd for one of the last times that evening. “Well it’s that time of the night; it’s our last song. Who has seen us before? [Cheers] Who has never seen us before? [Cheers] We are a band that does not give encores because one: they’re fake, and two: they’re fake. We’re just going to play our last song instead, and give it all we’ve got.

Nothing More - Photo Credit: Katherine Amy Vega
 Mark Vollelunga (Guitarist) – Nothing More
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

And just like that, Hawkins was back at it again, flinging his water bottle into the crowd and jumping all over the stage as he and his band mates poured their souls into iconic track “Salem – Burn The Witch”, standing atop their latest mega-futuristic, one-man-band machine – a 400-pound, 14-foot tall instrument. The members of Nothing More dubbed it as “The Scorpion Tail” in an interview with local radio station 98 KUPD earlier this week. The crowd went absolutely insane for it, cheering Hawkins on as he not only drummed with his feet, but sang as well. Even employees of the venue gathered to watch in awe, some with their fists thrust into the air.

Nothing More - Photo Credit: Katherine Amy Vega
 Jonny Hawkins (Vocalist) – Nothing More, on The Scorpion Tail
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

To say this performance was “impressive” would be to sell it short. Nothing More swept us off our feet yet again, and Phoenix will absolutely be back for more.

Nothing More - Photo Credit: Katherine Amy Vega
 Nothing More
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

PHOTO ALBUM

by Katherine Amy Vega

Nothing More – The Van Buren 10-25-17

Flickr Album Gallery Powered By: Weblizar

All Content © Kataklizmic Design.
ALL RIGHTS RESERVED. No Stealing

REVIEW: Evanescence Uplifts the Crowd With Synthesis Live at Comerica Theater 10-17-17

Spread the love...
  • 78
  •  
  •  
  •  
  •  
  •  
  • 3
  • 1
  •  
  •  
    82
    Shares

PHOENIX Evanescence brought a whole new level to their performance by teaming up with several orchestras around the US and Canada to promote their new album with the “Synthesis Live” Tour. The band’s fourth album Synthesis is set to be released in the fall of 2017, specifically November 10th. Downtown Phoenix was buzzing Tuesday, October 17th as fans eagerly anticipated the start of the show. Anyone who is familiar with this band knows that their music all has the same major trait to it: it’s intense. Whether it’s a soulful ballad or a heart pounding rock anthem, vocalist Amy Lee knows how to excite a crowd and keep them on their feet. This tour, however, was set to be a whole new experience from any other in the past.

Inside the concert area, center stage could be seen decked out with typical instruments; microphone, drum set, and a piano. The full orchestra surrounded them, warming up on a dark stage lit only by a hint of a purple hue. As the rest of the lights dimmed to signal the beginning of the show, the orchestra took it’s moment first to shine as it guided the audience through a symphony of sound. Wooden bows mixed with the sounds of brass and percussion shook the concert hall for several songs before turning the stage over to Lee. Met with rousing applause, Lee stepped up to the piano and played “Overture” off of their unreleased album.

Evanescence - Photo Credit: Katherine Amy Vega
Amy Lee (Vocalist, Pianist) – Evanescence
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

Transitioning into “Never Go Back” from their 2011 self-titled album, everyone remained in their seats as her velvet-like vocals spilled into the crowd, and entranced them with explosive melodies and vocals that still possessed the true Evanescence sound. And even though the audience being stationary is not the norm at her shows, Lee made it known that even without the head banging and stage dancing, this show was going to rock. “Thank you for being here tonight”, she said out into the darkness. “I just want you to know… Just because there’s an orchestra here, just because we’re sitting, doesn’t mean you’re not allowed to MAKE NOISE!!” This was met with thunderous cheers from the audience, ready to see what was in store for them next.

Evanescence - Photo Credit: Katherine Amy Vega
Evanescence
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

As the sixteen song (plus three-song encore) setlist progressed, the audience was taken through every level of nostalgia imaginable. Performing songs from each of their four albums, Lee’s ever present talent was really put into the spotlight. Almost like that of a rock opera, she gave off a Sarah Brightman vibe, from her outfit to her unfaltering voice as she belted the lyrics to her most popular tunes. Not having to do the intense movements a typical Evanescence show calls for worked in her favor as well, allowing her to focus more intently on her vocals. She took to the piano for several songs, singing her soul-searching ballads under a single spotlight as she expertly ran her fingers across the ivory keys. As if that weren’t enough to completely draw the crowd in, her beautifully haunting music was accompanied by a spectacular light show that emphasized the tempo and important parts of each song.

Following “Imaginary”, and before performing “Secret Door”, Lee took a moment to express appreciation for her fellow band members for stepping outside of their comfort zones to accomplish something new. “It’s a lot of fun for me. I think we’re all having fun up here. I want to give it up for my amazing band right now who had to go all the way outside the box! Beautiful, personal, amazing musicians who trusted me. Thank you.” She also later thanked the fans for trusting them.

A post shared by Haley J (@fortunedaze) on

As the set was nearing an end, there was one song that stood out in particular. With a sense of duality, Lee segued from the piano solo “In-Between” to the contrasting “Imperfection”; the second single from Synthesis. A pianist seamlessly replaced her at the piano bench, while she returned to center stage and unleashed the fierce song that combines the band’s current sound and channels the band’s original rock essence. It was able to fill the room with a powerful energy reminiscent of the time Evanescence came by storm with Fallen in 2003 (certified 7x Platinum); up through their time spent on the Family Values Tour in 2007 with the likes of Korn, Atreyu, Flyleaf, Trivium, and more. The light tech went all-out for this one as well, blanketing the room in a sea of color and shapes that perfectly aligned with the melody.

Before the first song of the encore, she asked the audience to indulge her before she played a solo song, “Speak to Me”, which she said they’ve only played live once, “so be nice.” Following this humble expression was a seemingly flawless performance of the song. The intensity and emotion was enough to send chills, especially as she hit the high note in the last instance of the lyrics, “Hear me call your name.

Wanting to interact more before she closed out the set, Lee took some time to get more personal, vulnerable, and authentic with the crowd. She talked about having nagging self-doubt, and that regardless of it, you have to persevere and overcome it. She related with every person in that room by telling them that she too has these feelings of doubt and uncertainty.

This is silly that I’m starting to talk now, after all of this time… You guys ever have that thing, where you don’t exactly know your place, and you’re just constantly inside, like, second-guessing yourself… ” One audience member shouted out, “Every day”. She continued, “…Here comes the punchline… wondering if you’re good enough? …You gotta fight that voice in your head. I fight that voice in my head every day. We all have to fight that voice in our head, we are good enough, you do belong here. One day at a time, ‘kay? Thanks for sticking with me.

Her sweet words of encouragement and love were met with resounding response, fans screaming her name, and a few tears. These uplifting sentiments were a tie-in the the song that followed; “Good Enough.”

Evanescence - Photo Credit: Katherine Amy Vega
Amy Lee (Vocalist, Pianist) – Evanescence
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

After the closing song, “Swimming Home”, Lee expressed, “Tonight has been so special to us, thank you, we love you.” By now the audience could no longer contain themselves, and Lee was met with a standing ovation from the entire theater. As she exited the stage, she bowed with the orchestra instructor and blew a kiss to her fans.

Lee and her band not only managed to put on another incredible, unforgettable show, but they also were able to give their fans a bit of encouragement to take home with them. There is no doubt that Evanescence will only have more surprises for their fans when they tour next, and that Phoenix should be ready when they do.

PHOTO ALBUM

by Katherine Amy Vega

Evanescence – Comerica Theater 10-17-17

Flickr Album Gallery Powered By: Weblizar

All Content © Kataklizmic Design.
ALL RIGHTS RESERVED. No Stealing

REVIEW: Halestorm Brings the Mayhem to Rock the Coliseum at the Arizona State Fair 10-12-17

Spread the love...
  • 71
  •  
  •  
  •  
  •  
  •  
  • 1
  • 63
  •  
  •  
    135
    Shares

PHOENIX The city’s weather was perfect on Thursday, October 12th as it enthusiastically welcomed Halestorm to the stage. People of all ages swarmed the Arizona State Fairgrounds for one of two reasons; fun rides and fried food, or heading to the Coliseum for a show that would allow them to experience rock at its pure essence.

Lzzy (Elizabeth) Hale is and has been the lead vocalist since the band came into existence in 1997. Anyone who has been to a Halestorm show can confirm that she posses a stage presence unlike any other female artist in the industry. From the moment she stepped up to the mic, there was a fierce connection between her and the crowd that remained throughout the entire show.

Halestorm - Photo Credit: Mark Greenawalt
Lzzy Hale, Vocalist – Halestorm
Photo Credit: Mark Greenawalt © All Rights Reserved

Even as the music shifted from fast-paced, bass pumping rhythms to slower, more haunting ballads and back again, her passion for their music poured from her. Literally and figuratively in this case, as sweat dripped from every pore, whether she was dancing around the stage during “I Am the Fire” or aggressively playing her piano for her more emotional ballad “Dear Daughter.” One would think she would steal any show completely, but with this band that is simply not the case.

Joe Hottinger, Guitarist &
Lzzy Hale, Vocalist – Halestorm

Photo Credit: Mark Greenawalt
© All Rights Reserved

Midway through their set she did something often seen at a concert by pausing midway through one of their main hits titled “I Like it Heavy”, from their third album Into the Wild Life, to introduce Arejay Hale, who is her little brother and Halestorm’s drummer. He is also an original member of the band, asking his sister over breakfast, at 10 years old, if he could play drums for her when she was telling her parents about wanting to start a band. Without returning to the song, Arejay instead spent the next six minutes in an intense, heart-pounding drum solo that shook the Coliseum walls and drove the crowd insane. “WHAT’S UP PHOENIX?!”, he yelled into his mic as he brought the solo to an end. He then took out chopsticks and proceeded to prove his pure talent as he effortlessly played the drums with them as if used them everyday. People cheered loudly, and it was obvious this bit is a crowd favorite. Still not finished, he pulled out broomsticks next and successfully played the same beat he just had with much smaller sticks. The crowd was losing their minds with amazement at this point, so Lzzy Hale took the stage once more to finally bring the song they had started playing nearly fifteen minutes before to an end. It was truly a unique transition of focus and made for an unforgettable introduction.

Halestorm - Photo Credit: Mark Greenawalt
Arejay Hale, Drummer – Halestorm
Photo Credit: Mark Greenawalt © All Rights Reserved.

One other thing Halestorm always makes clear when they perform is the love they have for their fans. After spending a good portion of the last half of the show playing upbeat, intense songs, Lzzy took a moment to toast the crowd with these words; “Thank you Phoenix for having us. Here’s to Rock and Roll, here’s to us being excellent to one another, and here’s to Arizona!”, which received thunderous applause and exuberant screams that were quickly drowned out as she launched into the beginning chords of “Here’s to Us.” This song brought out more emotion in the crowd than any song had yet. There were people pumping their fists and they sang back the lyrics they knew so well next to people hugging one another as they also sang along.

Halestorm - Photo Credit: Mark Greenawalt
Halestorm at Veterans Memorial Coliseum – AZ State Fair
Photo Credit: Mark Greenawalt © All Rights Reserved

This band really knows how to evoke emotions from a crowd. Even as they closed their set with the ever popular “I Miss the Misery” everyone was out of their seat, head-banging along to the beat and dancing with their hands in the air. The band didn’t give on their end either, wrapping up their final song with so much intensity from the music and the light show you could feel it at your core. “Thank you so much Arizona, we fucking love you!”, Lzzy said, which was met with roaring applause and a room full of metal horns.

The band bowed together as one and exited the stage. As the lights came on and everyone began to file out of the Coliseum, various chatter had already started about the show and how unforgettable it was. For never meeting a majority of their fans, they have a way of making every one of them feel like family. So it’s only natural that Phoenix will anxiously await the next time Halestorm returns to rock this city, and our hearts.

PHOTO ALBUM

Photographer: Mark Greenawalt

Halestorm – AZ State Fair 10-12-17

Flickr Album Gallery Powered By: Weblizar

Photography © Mark Greenawalt. All Rights Reserved

PHOTOS: The Movielife & The Early November with Racquet Club at The Rebel Lounge 10-3-17

Spread the love...
  • 28
  •  
  •  
  •  
  •  
  •  
  • 1
  •  
  •  
  •  
    29
    Shares

PHOENIX — While genre-bending musician & DJ Bonobo was electrifying The Van Buren downtown, The Rebel Lounge was being taken over by post-hardcore, indie, and alternative rock.  On the bill were co-headlining classic Drive-Thru Records artists The Movielife & The Early November, along with Racquet Club, & locals Daylight Heist.

Racquet Club - Photography: Russ Broty
Blair Shehan (Vocalist, Guitarist), Racquet Club
Photography: Russ Broty, Photo Editor: Katherine Amy Vega
© All Rights Reserved

Racquet Club

Phoenix was the first night that Racquet Club joined this tour, and they will continue through to the last show on October 14. Racquet Club features members of Knapsack, The Jealous Sound, and Samiam. They released their debut self-titled album on September 29, just 4 days before this Phoenix show. Fans of local legends The Format, whose lead vocalist was Nate Ruess, may have recognized vocalist Blair Shehan from The Jealous Sound when they performed together in 2003 along with Limbeck and The Like.

The Early November

The Early November played their debut album, The Room’s Too Cold, in it’s entirety, to the delight of the crowd that sang 3/4 of the songs. The band took a break from 2007 to 2011, and has been active up until the present, with their fifth studio album Fifteen Years released in January of this year. The Early November performed as part of the Taste of Chaos line-up at Comerica Theatre in July of 2016; alongside Saosin, Taking Back Sunday, & Dashboard Confessional. (View our review & photos here.)

The Early November - Photography: Russ Broty
Arthur “Ace” Enders (Vocalist, Guitarist), The Early November
Photography: Russ Broty, Photo Editor: Katherine Amy Vega © All Rights Reserved

The Movielife

The Movielife released their first new album in 14 years, Cities in Search of A Heart, on September 22. Their 2014 reunion was a dream come true for fans who didn’t expect their return 11 years after their 2003 break-up, those who never had a chance to see them before, and for Phoenix fans who didn’t expect the band to play outside of New York.

Vinnie Caruana (Vocalist), The Movielife
Photography: Russ Broty, Photo Editor: Katherine Amy Vega © All Rights Reserved

Daylight Heist

Daylight Heist, who were on after The Movielife, are the official resident DJs of EmoNightPHX, which has been taking place at The Rebel Lounge, but will next be at The Van Buren on October 21. You can check them out, along with out all-emo cover band Hands Down, and other special guests (TBA) that night. Some of the special guest DJs that EmoNightPHX has had this year include: Buddy Neilsen of Senses Fail (9/27), Ryan Key of Yellowcard (7/20), and JT Woodruff of Hawthorne Heights (6/22).

PHOTO ALBUM

Photographer: Russ Broty | Photo Editor: Katherine Amy Vega

The Movielife & The Early November With Racquet Club – The Rebel Lounge 10-3-17

Flickr Album Gallery Powered By: Weblizar

Photography © Looking at You Too
All Rights Reserved

REVIEW: Nothing Stood in the Way of Epica, Lacuna Coil, Insomnium, & Elantris at Marquee Theatre 9-17-17

Spread the love...
  • 17
  •  
  •  
  •  
  •  
  •  
  • 1
  •  
  •  
  •  
    18
    Shares

Phoenix —  A long of line of dark figures stood waiting outside the Marquee Theatre on September 17th. Even on a Sunday night, fans gathered together under the setting sun, bonding over their shared excitement of the night to come. The Dutch symphonic metal band Epica was joining the Italian gothfathers Lacuna Coil in a show that was sure to not be forgotten.

Elantris & Insomnium

As the stage glowed an ominous red the opening band Elantris, a female-fronted symphonic metal band, perched on the edge of the stage amping up the crowd.  The melodic voice of Lindsay Victoria Ketchum mixed with the gravelly screams of Thomas Ullom made for a beautiful contrast and got hearts pumping, Thomas even joined the crowd for moshing. After Elantris, Insomnium took the stage, bringing the crowd to new heights with their super charged energy and in-sync head banging. All the way from Finland, they were excited to be celebrating their 7th album Winter’s Gate.

Lacuna Coil

It was now time for Lacuna Coil to take the stage and the crowd pushed forward, the room thick and dripping with anticipation. One-by-one, the band members took to the stage, adorned in their sanitorium costumes.  Straight jackets stained red and band members’ faces painted white and red to look like sadistic clowns.

Lacuna Coil - Photo Credit: Katherine Amy Vega
Marco Coti Zelati (Bassist), Lacuna CoilBand Photo Album
Photo Credit: Katherine Amy Vega © Kataklizmic Design />All Rights Reserved.

Only the vocalists Cristina Scabbia and Andrea Ferro stood with unpainted faces, their clothes scrawled with lyrics such as “Leave me Alone” in erratic black marker. It was a sight to behold.  They immediately launched into song and the crowd’s cheering filled the theatre.

Lacuna Coil - Photo Credit: Katherine Amy Vega
Christina Scabbia (Vocalist), Lacuna Coil
Band Photo Album
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

They started off the night with some of their new songs from their latest album, Delirium which was released May, 2016.  Songs such as “Delirium” as well as “House of Shame” and “Blood, Tears, Dust” all shook the theatre to the core.  In between each song, vocalist Cristina Scabbia would address the crowd and make connections on a personal level.  She told the audience to “Leave your problems at the door, because everyone is welcome in the sanatorium!”; and made them cheer as she told them, “We know where we are, and we are headed towards our destiny!”

Midway through their set, Cristina challenged the audience to raise the bar as she burst into their hit song “Swamped” the audience went wild, moshing and throwing their hands in the air.  After singing “Come to Me” and “My Demons” Lacuna Coil brought it down a notch, asking the crowd to get out their lighters and cell phones and keep loved ones alive in their hearts as they sang “Downfall.”

Lacuna Coil - Photo Credit: Katherine Amy Vega
Lacuna CoilBand Photo Album
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved.

Towards the end of their set Lacuna Coil announced a new project for their 20 year anniversary.  They will be releasing a book entitled “We Fear Nothing” in 2018, which will document the band’s journey from beginning to their current platform.  It should be an amazing and vivid illustration full of their accomplishments and past concerts. They finished their set with “Nothing Stands in Our Way” emphasizing that they believe in destiny!  Even as the band members left stage, the audience was soaking in their message of love, acceptance, and strength.  But the night wasn’t over.

Epica

The last band to take the stage was another female-fronted symphonic metal band, Epica.  On their Ultimate Principle Tour, Epica promoted their newest album The Holographic Principle.

Epica - Photo Credit: Katherine Amy Vega
Simone Simons (Vocalist), EpicaBand Photo Album
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved.

The band members took the stage as the eager crowd cheered them on. Vocalist Simone Simons appeared last, in a tight-fitting black leather like dress, flipping her iconic long red hair.  Her operatic vocals filled the theatre as guitarists Mark Jansen and Isaac Dela haye wowed the crowd with their fingering skills, parading back and forth.  Even the keyboardist Coen Janssen got into it, spinning his keyboard around and headbanging with his bandmates, even with his shaved head!  

Epica - Photo Credit: Katherine Amy Vega
Mark Jansen (Guitarist), EpicaBand Photo Album
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved.

Green light emanated from behind them as though the audience was transported to a different world, as alternating lights flickered and flashed.  Belting out the songs “Our Destiny” and “The Essence of Silence” the audience was electrified as though in a trance. It was the best way to end the night.

Afterwards, it was hard not to dwell on the lyrics and messages of the bands.  It felt as though you could take on the world with a newfound passion and strength. With the words echoing in your head, “We Fear Nothing!”, it was time to tackle Monday.

PHOTO ALBUM

by Katherine Amy Vega

Lacuna Coil & Epica – Marquee Theatre 9-17-17

Flickr Album Gallery Powered By: Weblizar

All Content © Kataklizmic Design.
ALL RIGHTS RESERVED. No Stealing

PHOTOS: Dead Cross at Marquee Theatre 8-12-17

Spread the love...
  • 5
  •  
  •  
  •  
  •  
  •  
  • 2
  •  
  •  
  •  
    7
    Shares
Dead Cross LP

Tempe, Ariz. — Dead Cross, the band comprised of Dave Lombardo (Slayer), Mike Patton (Faith No More/Tomahawk), Justin Pearson (Retox/The Locust) and Michael Crain (Retox), stopped at Marquee Theatre on their first national tour, supporting their self-titled debut album.

Rolling Stone said the release is chock full of “head-spinning ragers.”

PHOTO ALBUM
by Jim “Fury” Hesterman

Dead Cross – Marquee Theatre 8-12-17

Flickr Album Gallery Powered By: Weblizar

Photography © Jim Hesterman
All Rights Reserved

PHOTOS: Think About It at Rogue Bar 8-10-17

Spread the love...
  • 59
  •  
  •  
  •  
  •  
  •  
  • 1
  •  
  •  
  •  
    60
    Shares

Think About It concert flyerScottsdale, Ariz. — Think About It, an alt rock band from Mesa, AZ, brought soul and energy to Scottsdale’s The Rogue Bar late on a Thursday night. Headlining a show with supporting acts Wurmfur, M. Crane, Dwarf, and Brother Cousin; they topped off an evening of impressive performances in Rogue Bar’s intimate atmosphere. Brother Cousin filled in last-minute for the original opener in the line-up, FutureSpeak.

The band’s Facebook page bio describes their sound’s unique blend: “Think About It combines the diverse influences of a rock & soul singer, a blues rock guitarist, a punk bassist, and a metalcore & pop-punk drummer to bring you a unique blend of passion-fueled alternative rock and roll you won’t hear anywhere else.

The full personal investment of heart into the music from frontman Lee Taggart is visible in his stage presence. Think About It’s intentions are quite clear, as they close out their bio with, “If you’re not thinking about it, you’re not thinking.

PHOTO ALBUM
by Katherine Amy Vega

Think About It – The Rogue Bar 8-10-17

Flickr Album Gallery Powered By: Weblizar

All Content © Kataklizmic Design.
ALL RIGHTS RESERVED. NO STEALING