Tag Archives: live music

REVIEW: Portugal. The Man Kicked It Like It Was 1986 at The Van Buren 10-12-17

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PHOENIX – Thursday, October 12th, was a much-anticipated night for fans of indie rock band Portugal. The Man. While many people may have heard of Portugal. The Man, or PTM for short, over the years since their inception in 2004, the band truly found fame after releasing their hit single “Feel It Still” from their new album, Woodstock. Almost overnight, “Feel It Still” became a widely played hit and currently sits at a comfortable 6th place spot on the Billboard Hot 100 list, inclusive of all genres of music.

This unexpected and sudden boost in attention may explain why their show at The Van Buren quickly sold out, and it may also explain a shirt they had on display at their merchandise booth with the message, “I LIKED PORTUGAL. THE MAN BEFORE THEY SOLD OUT.” This was just one of many interesting shirts and various other accessories they had on sale, with some items featuring their iconic and fascinatingly styled artwork. The lead singer, John Gourley, is the artist, and his style is quite unique.

The Van Buren is a new establishment, but it is quickly establishing its dominance in the Phoenix Metro area. Many people visited The Van Buren for the first time on Thursday evening, and many people in the crowd could be overheard discussing how great this new space is. Since the show was entirely sold out, they had the house cleared out as much as possible and even set up an auxiliary bar located house right, close to the side exits to the restrooms. This made for 3 bars inside to complement the bars out on the patio. The crowd was definitely hydrated, and the drinks were flowing — everyone was getting ready for the time of their lives.

The Chamanas

By the time The Chamanas started playing, the house was filling up fast. People were well lubricated, and cans of PBR could be seen in hands throughout the rapidly-growing crowd. While they were enjoying their beverages, The Chamanas treated them to a soothing mix of several of their distinctly varied songs. Paulina Reza, lead singer of The Chamanas, has a beautiful voice and a powerful set of lungs which she employed to their fullest throughout the show.

The Chamanas are considered a “Fronterizo pop fusion ensemble,” and their name is part English, part Spanish, and part portmanteau; all together, they represent a physical manifestation of the magical, spiritual qualities that music may sometimes bring into the world. Their goal? To change the way people may think or feel by bringing a positive outlook and spreading love through their songs. What better way to celebrate the idea of people coming together across borders to celebrate common interests and emotions? The members come from both Juarez, Chihuahua, and El Paso, Texas, making this a fantastic fusion of cultures, languages, and styles.

Reza brings vocals that are at once unique, but also reminiscent of many famous singers who may not be well known in the US. In fact, the style of her voice in many of her songs brings hints of Jeanette, the famous British-Spanish pop artist who spent much of her own musical career bridging cultural gaps through music. The rest of The Chamanas are also reminiscent of similarly-minded bands, such as Calexico, who will be playing at the upcoming Lost Lake Festival on Friday, October 20th, as well as Chicano Batman, who will be playing at The Van Buren on Saturday, November 4th.

During The Chamanas’s performance, Reza took a moment to tell the crowd, “We love music. We love to do this.” She continued to share positive thoughts like this throughout their performance, both in Spanish and English; “Music is the answer,” she said; it can become a cure for discrimination across the country.

Towards the end of The Chamanas’s time on stage, Reza also shared that, when using Portugal. The Man’s recording studio, Sonic Ranch, they became quite friendly with one another. After a while, PTM asked The Chamanas to perform some of their songs in Spanish to help bridge the gaps between genres and cultures. Reza and the band were thrilled to do so.

This lead to a stunning rendition of “Purple Yellow Red & Blue” in mostly Spanish, with a few famous lines still in the original English — most notably, the lyrics from the chorus that are the same as the title of the song. They also played their version of “Feel It Still,” which was phenomenal as well. This was a great way to get the crowd excited for Portugal. The Man, and Reza further hyped the crowd by asking if they were excited to see PTM later. The crowd screamed their approval.

Portugal. The Man

After a short break consisting of eager fans pressing ever-closer together towards the stage, the lights went out, and “Unchained Melody” by Righteous Brothers began to play. The crowd’s eager cheers soon gave way to gentle swaying, and a few people pulled out their lighters. Several others joined with their cell phones, but the effect was not the same. Some began to sing along, especially as the song reached its climax, so to speak:

“Are you
Still mine
I need your love
I need your love
Godspeed your love to me”

Just as the song reached the peak of its climactic crescendo, one of the Portugal. The Man logos was projected onto the backdrop along with their title, “The Lords of Portland.” Their desert kingdom awaited them.

Following their royal title was a message for their loyal subjects: “We are not very good at stage banter, so tonight’s performance will feature some slogans written by our management. Thank you for your continued understanding. PTM.” They followed this projected message with a verbal greeting: “What’s up Phoenix? We’re Portugal. The Man.” Immediately after this, they went right into their cover of Metallica’s “For Whom the Bell Tolls,” complete with ominous bells preceding stellar instrumentals.Those guys can rock out with the best of them.

The next song in PTM’s lineup was their second most famous song, “Purple Yellow Red & Blue.” It was clear that fans in the crowd loved hearing one of their favorite songs performed live, and many sang along. While much of the song was the same as the radio or album versions, they did add quite a few instrumental intermissions. This showed off their passion for progressive rock, which they would dive into again frequently throughout the remainder of the show.

Their penchant for progressive rock is rivaled by their love of psychedelic rock, so of course they had to cover Pink Floyd’s “Another Brick in the Wall (Part 2)” — if the singing heard from the crowd was any indication, the rest of the room definitely seemed to approve of this addition to the show. “Hey, teachers, leave those kids alone!” This was quite fitting because many might say Portugal. The Man is quite similar to a contemporary version of Pink Floyd, though they definitely have their own, signature style.

To couple with all the alternative, psychedelic, progressive, and experimental tunes Portugal. The Man were playing, they treated the crowd to an equally-psychedelic light show, complete with a section of “Purple Yellow Red & Blue” transitioning into an entrancing display of alternating rainbows reaching out towards the audience. Naturally, they also threw in purple, yellow, red, and blue lights, perfectly timed with their accompanying lyrics.

Hypnotic lasers, flashing lights, and rainbow hues were not the only visual accoutrements during the show; Portugal. The Man brought some fascinating visuals to display on the backdrop behind them. These frequently featured nightmarish images of bodies, heads, and eyes, and each song had a unique combination of one or many of these features. Diamonds and other geometric shapes also found their way into the visual feast on the projector. One thing is for certain — these graphics were unforgettable, hollow eyes and all.

As advertised, occasionally, the “management” threw up more messages throughout the show. Some of these messages stated things like, “We are Portugal. The Man! Just making sure you’re at the right concert,” and “Thank you for buying and/or stealing our new album.” Their self-awareness and reticence (or perhaps just pure love for playing music) were quite refreshing, and these textual messages were more than enough stage banter for this show.

Other amusing messages included the following series: “Smokin’ Weed???” “Gettin F*cked Up???” “Discussing Politics at Family Gatherings” and, finally, “That’s F*ckin’ Bad Ass.” The most important message throughout the entire show, however, was most likely the message that read, “That’s right kids. No computers up here. Just live instruments.”

After playing “Feel It Still” and many other hit songs, and after bringing some Woodstock vibes to Phoenix, it was time for a Portugal. The Man style encore. The crowd was greeted with a customized PTM version of the old-school “Indian-head test pattern” that used to play on broadcast TV: “Please Stand By.” Fans of the Fallout video game series may also recognize it quite well. This take on the interim between main show and encore was different and, again, self-aware, but everyone knew they’d be coming back out for a few more songs anyway. They must have wanted to be efficient about it.

Almost as soon as Portugal. The Man had swept into The Van Buren, the show was over. After their last song, the band quickly dispersed and left the stage without as much as a farewell. However, this is their style, so this is the way it must be. PTM fans were not bothered by this one bit, and many could be heard after the show eagerly chatting about how this was “the best concert of all time.” One thing is for sure: they put on a damn good show, and Phoenix is definitely feeling it still.

REVIEW: MUTEMATH’s “Play Dead” Live Brings New Life to The Van Buren 10-10-17

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PHOENIX – Tuesday, October 10th, was yet another perfect early-fall evening in downtown Phoenix. MUTEMATH, during the latter half of their US “Play Dead Live” Tour, graced The Van Buren with their ethereal presence. Joined by the relatively new band ROMES and Tennessee indie rock band Colony House. Together, they filled The Van Buren with an interesting mix of different styles of music, approaches to live performance, and interaction with fans.

ROMES

ROMES was first up; these young musicians came to Phoenix all the way from Toronto, Ontario and Wicklow, Ireland — all four met while attending school over the pond. This was their first time in Phoenix, and their enthusiasm and excitement to be at The Van Buren was palpable. The lead singer, Jacob Alexander, even sported a Phoenix Suns t-shirt to show his love for the city.

The members of ROMES had a few lights, including a lit-up sign of the band’s name, behind them on stage, but they relied mostly on their stage presence and energy to entertain the crowd. Their music was an interesting mix of styles, and they identify as indie, alternative, soul-pop or alternative pop. Their single, “Believe,” is a great introduction to their unique style. While they may be relatively new to the music scene, they have just released their self-titled debut album on October 6th.

The handsome and talented @romes hanging out with us at @thevanburenphx for their first visit to Phoenix

A post shared by Sean Tingle (@music_seen) on

Jacob Alexander, Nicolas Amadeus, James Tebbitt, and Andrew Keyes provided fantastic stage presence, energy, instrumentals, and vocals to the crowd. Their performance was a great warm-up for the incredible MUTEMATH show to come later, but ROMES certainly could hold their own. It was clear these guys are quite close, and you could feel the camaraderie on stage as they played their favorite songs. Their smiles were infectious, and their positive, friendly, welcoming aura certainly set the mood for the rest of the evening.

@romes rocked the stage at @thevanburenphx as the first opening band this evening

A post shared by Sean Tingle (@music_seen) on

Colony House

After a short break, Colony House’s time had come. Their set-up was a bit irregular, with the drummer on stage right and close to the audience. This provided everyone with a clear view of each band member’s performance, which was a nice addition. They certainly made excellent use of the entire stage. They also displayed a huge sign with their band name and logo behind them, which many in the audience thought looked a bit like a nice coffee shop or brand’s logo. They also provided a moderate amount of stage lighting, including what appeared to be four lighthouse beacons. At the very least, the audience could rest assured that no boats would be approaching too closely during the show.

@colonyhouse was the second opening band this evening at @thevanburenphx — eagerly awaiting @mutemath now!

A post shared by Sean Tingle (@music_seen) on

Colony House is from Franklin, Tennessee, which is also home to MUTEMATH lead singer Paul Meany’s record label, Teleprompt Records. While Colony House is not a part of this record label, it is clear they are quite close with MUTEMATH. They performed admirably, further lighting the fire under the crowd and increasing the energy. The highlight of their show was their hit song, “Silhouettes,” and the crowd certainly sang along with them. Later on in the show, the lead singer Caleb Chapman told the crowd to sing along with another song; after all, “it sounds so much better with your voices in it.” This was a nice way to get the audience involved.

@colonyhouse performimg their hit song “Silhouettes” at @thevanburenphx

A post shared by Sean Tingle (@music_seen) on

Colony House is considered indie rock, and they currently have two albums out. The most recent, Only The Lonely, was released in January of this year. Some of the singles off the new album are “You Know It,” “Lovely,” and “This Beautiful Life.” Chapman, his brother Will Chapman, and their friends Scott Mills and Parke Cottrell have been playing music together since high school, and once again, it was clear they are close with one another, just like ROMES. It is always wonderful to see a band composed of members who genuinely seem to love and respect one another.

Once Colony House was done playing, it was time for another break. This time, the break was a bit longer than last; MUTEMATH had a lot of equipment to set up. During this recess, the crowd continued to increase size as latecomers finally arrived to The Van Buren. Slowly but surely, people started packing in closer and closer to the stage, eager with anticipation. Meanwhile, The Van Buren was setting up for what was to be a truly impressive light show, projecting light towards the stage from the back of the house, illuminating the backdrop as well as the crowd.

MUTEMATH

After what seemed an eternity, New Orleans-based MUTEMATH finally arrived on stage. The crowd instantly went wild, and they were greeted by a band clad in purely white outfits. Aside from looking uniform in their comfortable outfits, their attire also served to complement the visuals being projected on to the stage and the massive silver backdrop. Their first song was “War,” joined by plenty of interesting visuals that either matched the song or captured the audience’s attention — soldiers, rising fists, a spiral galaxy, and various machines of war. Fans of the band who have seen the music video for this song may have recognized some of the imagery.

MUTEMATH continued the show with very different images across the board; each song brought something new, and just about every color of the rainbow was covered in the light show. In fact, this concert was less live music and more performance art. The band itself, primarily Meany, performed admirably. Their energy levels were truly unprecedented — perhaps even over 9000. They were all over the stage, dancing and playing all sorts of instruments, aside from the drummer. It was interesting to watch multi-instrumentalists performing a menagerie of fascinating instruments.

Meany’s featured instrument of choice seems to be the keytar, which he plays exceptionally well. Mixed with his bizarrely charming dance moves, unconventional voice, and the entrancing light show, the keytar is clearly the perfect weapon of choice for this artist. Later on, however, he also played his Rhodes keyboard, electric guitar, a bizarre stringed electronic instrument, and even the drums along with 2 other band members.

Meany did not just rely on his dancing and singing to entertain the crowd. He also resorted to surprise attacks in the way of headstands on top of his keyboard, the swinging of an LED light on a chord to mimic the display on the projector, getting up close and personal with the front row of fans, standing on top of his keyboard to absorb graphics being projected onto himself and the stage, and a few more surprises.

One of the most touching moments of the show was the shocking moment when Amelia Meany, Paul’s daughter, came out on stage. She had ear protection, for anyone who might worry about her little ears. She joined her dad in singing the song “Pixie Oaks,” containing these lyrics in its chorus:

My Amelia, my Amelia,
My Amelia, my Amelia,
She’s a killer, she’s a healer,
I believe her, my Amelia…

While the true meaning of the song is likely a personal thing, it is clear that his daughter has inspired much of his recent music and lyrics. She seems like an awesome kid, and her dance skills may one day rival her father’s.

In the middle of the show, MUTEMATH seemed to be finished. They had played for about an hour, after all, and vacated the stage. The crowd was not happy with this and continued to cheer for quite a few moments. After a short break of ambient background music and interesting graphics projected onto the screen, MUTEMATH came back on stage. What at first appeared to be an encore turned out to be an entire second act, so this must have been an intermission of sorts. Nobody in the audience was upset by the second hour of music, of course.

During the second half of the show, Meany, Todd Gummerman, Jonathan Allen, and their new drummer David Hutchinson somehow increased their energy levels and truly blew the crowd away. Their stage presence is nearly unparalleled, and for those up front, it was a fully immersive experience. Aside from Meany getting up close and personal with those close to the front at various points in the show, he also pulled out that interesting stringed electronic instrument and let a few people in the crowd play it with him. He passed it out to the crowd, let it float on the sea of hands for a while, and then quickly took it back.


The second most touching moment of the show came when Meany decided to jump down into the crowd while singing. When he wasn’t too focused on vocals, he began handing out high fives to those in the crowd. He proceeded down the center of the crowd, coming across a lucky individual whom he high fived and then proceeded to embrace him in what must have been one of the best hugs ever given. A few others in the crowd wanted in on this, so he gave out several more hugs before heading back to the stage. Those who received a hug seemed to be stunned in disbelief due to this intimate moment Meany shared with them.

While there were many incredible moments throughout the show, one thing is for certain — MUTEMATH rocked The Van Buren well into the night, providing an experience the crowd will not soon forget. They may have lost their beloved drummer, Darren King, and his iconic duct-taped headphones during live shows, but the new drummer did an admirable job. In fact, there was so much going on during the show that it was easy for people to forget about Darren King’s unfortunate departure from the band.

While the show blew everyone away, it was not without its faults. One attendee and long-time MUTEMATH fan, Jim S., mentioned a few concerns: “The live mix wasn’t great. The vocals were washed out. Might have to do with the mic technique.” Despite this minor concern, he was not at all let down. He proceeded to say, “The music complimented the stage presence. They have some really amazing songs and they sound good live, other than the mic mixing, but the stage presence really put the whole show over the top.” This was perfectly put, and a few others who attended the show agreed with Jim after discussing it once the show was over.

MUTEMATH is in a league of their own. They’ve gone through so many changes since 2002, and they have had some tough times, but fans old and new alike are so happy MUTEMATH is still making music and touring. In fact, people in Phoenix already seem to be prepared for their next stop — hopefully at The Van Buren again! Their new album, Play Dead, was just released last month and is a worthy successor to Vitals. Five albums and counting so far, and fans are certain to be eagerly awaiting new songs and albums in the future.

REVIEW: Bonobo’s Desert Migration Electrifies The Van Buren 10-3-17

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PHOENIX – Tuesday, October 3rd, gave way to a beautiful early fall evening despite the higher temperatures during the day. This weather lead to what locals likely hoped was an adequate welcome for musical visitors from across the pond. Either way, Bonobo and his live band were greeted with immense enthusiasm by Phoenix music lovers.

Bonobo - Photo Credit: Neil Krug
Bonobo
Photo Credit: Neil Krug

Bonobo was one of the first shows announced for The Van Buren when the new downtown venue initially revealed its opening date, and many Phoenix area fans bought tickets as soon as they heard about this stop on Simon Green (aka Bonobo) and his band’s world tour.

Early in the evening, the diverse and interesting crowd that gathered within The Van Buren’s gorgeous walls seemed excited. One could easily sense the anticipation in the air. Many people were hanging out in the lobby area or enjoying the beautiful weather on the patio outside. Once the lights dimmed, people rushed to fill the floor, looking for the best spots available. It was a packed show that was nearly entirely standing room only, and people seemed hesitant to get close to one another at first. By the end of the evening, this part would change.

As the first few songs came on, heralded by pure white stage lights and a bright white Bonobo logo on the backdrop, people were tentatively interested. Fans or acquaintances of Bonobo already know that his music is quite chill and ambient most of the time, and he certainly started out with a couple of rather calm songs. Looking around the crowd, one might notice people gently swaying, bobbing their heads, and perhaps even wiggling around a little; otherwise, they seemed a bit unsure of how to properly enjoy the show.

Seizures imminent. @si_bonobo

A post shared by Sean Tingle (@music_seen) on

This uncertainty did not last long, however. Soon, Bonobo and his wonderful travelling companions warmed up the crowd with increasingly energetic beats. Shortly after the beginning of the show, they were also joined by the immensely talented and stunningly gorgeous Szjerdene. She began serenading the crowd, making for an entrancing accompaniment to the surreal tunes of Bonobo. Her dress was perfect for the interesting lighting as well, as more and more colors were added. The dress was made up of huge, bright white, vertical stripes that reflected the blues, purples, oranges, and reds of the light show. Overall, the entire stage took on a dreamlike quality. This gave the performers a mysterious presence on stage, shrouded in light and smoke.

Their first time in Phoenix! 😁

A post shared by Sean Tingle (@music_seen) on

After a few songs, Szjerdene took a break – likely to rest her vocal chords after such a marvelous performance. During the next segment, Bonobo was able to truly show off his mastery of building energy up and transitioning between different songs. The transitions were just about perfect; it was obvious that the order of songs was carefully considered, and they were performed with expert precision. The impeccable execution of these transitions became the true highlight of the show. In some instances, these transitions should have been jarring, but they were superbly timed. The crowd responded well, of course, and by the middle of the show, they were moving around much more than before.

With each seamless transition, the crowd hyped up more and more. The cheers and shouts grew louder, and many people raised their glasses high into the air. It was interesting to observe who got excited for each new song, as it seemed that everyone in the crowd had favorites by Bonobo. His immense library of released music did not allow for nearly enough of his songs to be performed, even within the nearly 2 hours they played, but it was clear that the crowd was having a great time throughout.

All around, people were dancing or enjoying the music in their own ways. Some were standing as still as possible, truly enchanted by the show and the energy surrounding them. Some were standing or swaying with their eyes closed, absorbing the music itself, perhaps further immersing themselves within the energy of the room. Others still were dancing with as much vigor as their space allowed – even in such close quarters with other concert-goers, many found ways to show off their best dance moves.

Thought someone was going to be teleported. #energize #twotobeamup @si_bonobo

A post shared by Sean Tingle (@music_seen) on

It is prudent to mention how much the light show amplified the music as well. While the music, the musicians, Bonobo’s DJ skills, and Szjerdene’s singing and dancing all made for a wonderful experience, they were all enhanced by the streams of light and smoke floating and shooting around them. At one point, it even seemed as if Simon was going to be teleported onto the Enterprise. While the light show would certainly not be ideal for those who may have light sensitivity, for those who were able to witness it, it was an almost-transcendental experience. It helped to energize the crowd and augment those incredible transitions between songs.

While Simon Green did not speak much at all during the show, he did mention how this was his first time visiting Phoenix after over 15 years of making music and touring as Bonobo. He also made sure to introduce everyone in the band, which was an admirable quality. They truly helped to make his music something else entirely when heard live, as people who are fans of his recorded music may have noticed. The live instruments and vocals were wonderful touches, and Simon himself even picked up an electric guitar during a few moments of the show. There was even a drum solo, and at one point, the concert felt like a fantastic heavy metal show. This was certainly not the average DJ show, and Simon/Bonobo is definitely not the average DJ. All in all, Bonobo live was such an intense, interesting, unique, and diverse experience, much like his music.

This tour was to celebrate Bonobo’s new album, Migration, which came out in January of this year. Next up on Bonobo’s tour, they are stopping by Tucson and then moving on to several locations in Texas before making a final US stop in Florida. From there, Simon and the band will move on to visiting several countries in Europe before heading over to Singapore. The last legs of the tour include Singapore, New Zealand, Australia, and Japan. Next year, they will return home to London and perform a few shows there, once this epic world tour has come to an end.

If anyone is going to be in an area close to one of these upcoming shows, they are highly encouraged to attend, even if they aren’t very familiar with Bonobo’s music. This show was an experience like no other, making it an entirely enjoyable experience. The nearly 2 hours of continuous, non-stop music was absolutely impressive. Their stamina, as well as their devotion to their music and the crowd, was nearly unparalleled. Seeing Bonobo live was such a rare treat to be cherished, and Phoenix and The Van Buren hope they will be back again someday soon.

Caught someone making a ❤️ with their hands up front 😍😂

A post shared by Sean Tingle (@music_seen) on

Featured photo (top) by Neil Krug

PHOTOS: Unagi Usagi – The Rebel Lounge 1-12-17

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PHOENIX — Local “Anime-themed Punk” band Unagi Usagi (Japanese for Eel Bunny) performed at The Rebel Lounge in Phoenix on January 12. Oozing with animated and charismatic stage presence, and energy reminiscent of some of our favorite rock bands from the early 2000s, Unagi Usagi has great potential and persona build a solid following, and mature into a band that will sell a lot of records!

We previously discovered this band during an open mic night at a coffee shop while working on a behind-the-scenes post for Burning Hot Events’ Patreon. Between the folksy acoustic and hiphop lyricism in the background that we tuned out as we worked on our post, Unagi Usagi started up on stage and they were a force to be reckoned with, commanding our attention and sending goosebumps across the surface of our skin. (Become a patron to read the post from when we discovered them: For the Love of Music: Sum 41 and Open Mic Night)

“Ghostrick Alucard”, Unagi Usagi © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Presumably meant as self-deprecating humor, during the show Unagi Usagi proclaimed themselves as weaboos – people who are overly obsessed with Japanese culture to the point where they become annoying. But the following is a more flattering and clarifying descriptor, taken from their Facebook bio:

Unagi Usagi is a rock band from Chandler, Arizona. Catchy melodies and excellent songwriting are no stranger to this band, as they create the unique blend of Pop Punk, Post-Hardcore, and Japanese Rock Music that’s unique and fresh in the saturated music scene of today. Complemented by an eye catchingly beautiful visual presentation heavily influenced by anime, and joined by an eccentric live performance with plenty of energy, the band is creating a must-see phenomenon that is original, and unique to this group only.

It’s refreshing to have a fresh band in the local scene that garners such enthusiasm. While they have a ways to grow, keep an eye on these guys and do not underestimate them! We hope to see them get into the recording studio sooner than later. With the right support, they will go far!

PHOTO ALBUM
by Katherine Amy Vega

Unagi Usagi – The Rebel Lounge 1-12-17

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ALL RIGHTS RESERVED. NO STEALING

PHOTOS: Spafford – Last Exit Live 10-28-16

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PHOTO ALBUM
by Katherine Amy Vega

Spafford – Last Exit Live 10-28-16

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All Content © Kataklizmic Design.
ALL RIGHTS RESERVED. NO STEALING

PHOTOS: Nate Ruess – FestivALT Phoenix 4-23-16

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Photos of Nate Ruess (fun., The Format) performing at ALT AZ 93.3’s FestivALT in downtown Phoenix, Arizona on April 23, 2016.

Nate Ruess – FestivALT Phoenix 4-23-16

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Photography by Katherine Vega, © Kataklizmic Design
ALL RIGHTS RESERVED. NO STEALING

CHECK OUT THE OFFICIAL LIVE VIDEO
OF NATE COVERING “LET’S GO CRAZY”
BY PRINCE! – PRODUCED BY KATAKLIZMIC DESIGN!

ORDER NATE RUESS’ SOLO ALBUM!

VIDEO: Nate Ruess Goes Crazy at Alt AZ 93.3’s FestivALT 4-23-16

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I had the honor of being asked to produce a video for Nate Ruess, as he paid homage to the late, great Prince last night at Alt AZ 93.3’s FestivALT in downtown Phoenix, Arizona!

Check out the mind-blowing performance from Nate Ruess and The Band Romantic below!

Video Production (Footage, Audio, and Editing)
by Katherine VegaKataklizmic Design

CHECK OUT KATAKLIZMIC DESIGN’S NATE RUESS PHOTOS FROM FESTIVALT!

PHOTOS: Coheed and Cambria – Marquee Theater 3-21-16

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Photos of Coheed and Cambria performing at Marquee Theater on March 21, 2016.

Coheed And Cambria – Marquee Theater 3-21-16

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Photography by Katherine Vega, © Kataklizmic Design
ALL RIGHTS RESERVED. NO STEALING

PHOTOS: Vance Joy – Marquee Theatre 03-01-16

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Photos of Vance Joy performing at Marquee Theatre in Tempe, Arizona on March 1, 2016.

Vance Joy – Marquee Theatre 03-01-16

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Photography by Katherine Vega, © Kataklizmic Design
ALL RIGHTS RESERVED. NO STEALING

PHOTOS: Jamie Lawson – Marquee Theatre 03-01-16

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Photos of Jamie Lawson performing at Marquee Theatre in Tempe, Arizona on March 1, 2016.

Jamie Lawson – Marquee Theater 03-01-16

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Photography by Katherine Vega, © Kataklizmic Design
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Listen to Jaime’s hit single “Wasn’t Expecting That” on Spotify