Tag Archives: Jimmy Eat World

REVIEW: Incubus, Jimmy Eat World, and Judah & The Lion Blow Away Ak-Chin Pavilion 8-12-17

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PHOENIX — It was a hot and humid evening on August 12th as the lines of cars slowly filled the parking lot of Ak-Chin Pavilion in Phoenix. Incubus was headlining the night’s show with special guests Jimmy Eat World.

Opening act Judah & The Lion was on stage first to warm up the crowd and promote their recent Folk Hop ‘N Roll Deluxe LP, released earlier this year on St. Patrick’s day. The Nashville-based band brought their own unique brand of genre-bending grooves to the valley before heading to Los Angeles for a show at the Hollywood Bowl on August 14th. Frontman Judah Akers is high energy, even running through the audience at one point and doling out high fives to the amused delight of concertgoers. This band definitely did their job setting the mood for the rest of the evening.

At approximately 7:42 PM, Jimmy Eat World took the stage to an uproar of applause as the lights lit up a sea of faces throughout the Pavilion with “Sure and Certain” as their opening song, followed by the title track of their 2001 album Bleed American. As the sun disappeared over the horizon, the purple clouds in the distance began to take a darker hue, with quick flashes of lightning bursts illuminating sky. This would foreshadow what would come later in the evening.

For the time being, everyone was worry-free and soaking up the nostalgia of seeing this amazing band again. It was even more special for the folks in attendance because Jimmy Eat World are one of the few mainstream bands from Arizona. Formed in Mesa back in 1993, the band has been a source of inspiration for many Arizona musicians for nearly two and a half decades. There are most likely a lot of people in the audience that saw them live in one of the famed and now closed Arizona music venues from the 90’s heyday before the band made it big. So many couples are singing along and embracing with the lyrics, “Sure and certain, wander ‘til we’re old”.

Lead vocalist and guitarist Jim Adkins eventually addresses the audience admitting “We’ve actually never played here before,” later adding, “It means a lot for us to be here playing music for you tonight”.

This was surprising news to many because the venue has been a staple for live music for the last 27 years. How could they not have played the pavilion before? When it had originally opened to the public in 1990 it was the Desert Sky Pavilion. In 1996 the name was changed to the Blockbuster Desert Sky Pavilion until 2001 when it was renamed the Cricket Pavilion, which it remained… Until it was again rebranded as the Cricket Wireless Pavilion. In 2010 it was renamed yet again as Ashley Furniture HomeStore Pavilion for 3 years until things came full circle and it once again retained the name Desert Sky Pavilion. That was short lived as the Ak-Chin Indian Community purchased the naming rights later that year and it has remained Ak-Chin Pavilion ever since.

There was a chilling performance of “Pass the Baby”, and the people swayed like blades of grass in a summer’s wind, back and forth to the beat. An entire field of people moving their bodies and mouths to the lyrics, reflecting the light off of their faces, brought to mind the sharpness of the lyrics as the wind stirred palms in the distance beneath a tapestry of ever-changing clouds growing more and more menacing. A little later. the mood lightens and the versatility of the evening begins to betray the current mood with an about-face.

I’m gonna need a lot of help with this one. Get those lights out!

As fans activated their cell phone flashlights, the entire of the pavilion transformed into a sea of dotted illumination reminiscent of stars dancing in the night sky. “Hear You Me” trickled out of the sound system for a beautiful performance that many there will not soon forget.

Shortly afterward, Jim sang, “If you’re listening…

His Fender Telecaster began to sing the beginning riff of “Sweetness”, and it was evident how many people were immediately transported to another place in time. They’re bobbing their heads stuffing laundry into dryclean safe bags at Delia’s cleaners. They’re skating to station 13 at Sonic Drive-Thru. A girl is scanning Eddie Bauer jackets at Target overnight for inventory while mouthing the words. The guy at the front counter is stocking parts at Autozone. The aforementioned couple is at prom again. A few of them are crying. This was a time when they were happiest. Back when mom and dad were still alive and all they had to worry about was homework. They’re all conscious that the year is 2017… But they’re all in another time. Some are in 2001. Some 2003. Some in 2005.

What’s refreshing is that there were also teenagers in the audience, all that same age as the older crowd when these beloved songs were released. This music has somehow transcended time as these few but long years have passed.

“The Middle” ended Jimmy’s set. Once again, the mood was notched up to a positive crescendo.

Incubus hit the stage after a lengthy intermission and wasted no time getting started. Amongst rolling thunder, Brandon Boyd asked, “So how you guys doin’?!

The audience is echoing a cacophony of applause as Incubus opens with “Quicksand”, executing masterful precision. That would end up being a theme for the evening between the three bands. With the exception of Judah And The Lion, Jimmy Eat World and Incubus are veterans in their own right. This is one of thousands of shows these bands have played and their abilities haven’t diminished in the slightest after twenty plus years of touring year in and year out. Each and every song sounds studio- quality, with the perfect charm of the inequitous distribution of sound in a live setting. Everything sounds fresh, which is a true indication of each band’s maturity, and an excellent high water mark to distinguish their respective careers.

When the beginning of “I Wish You Were Here” began, people got quiet. It seemed like everyone within a mile radius is singing along loudly to the lyrics. Once again, the phones were out and that same illusion of stars dancing across the seats was visible, to the delight of observers. As they wrapped this song up, they closed it out with the intro Pink Floyd’s “Wish You Were Here”, to the same lyrical zealousness of the few who knew the lyrics.

The clouds got closer and were nearly directly overhead when Incubus began “Stellar”, which elicited audible reactions of delight. Brandon Boyd is flawless in his recitation. At 41 years of age, he’s still very much an attractive man as well as a fantastic vocalist, but now with the age and wisdom of a distinguished older gentleman. Co-founder Mike Einzeiger is still ever the lead guitar slinger, hitting every melodic scale and harmonic with deft accuracy. The original drummer Jose Pasillas nailed the beats with the impeccable timing of a metronome. It would be criminal to discount the beautiful bounce of Ben Kenney’s bass, and the power of DJ Kilmore’s scratch. On this night they were in rare form as a unit and in tight unison. By the time they played “Drive”, there was a definite shift in the atmosphere.

The wind was now slightly oppressive and cups are blowing across the isles. The good vibes were still there but the weather really began to become more pronounced. The sprinkling began with “Pantomime”, to the dismay of the audience, and just as the band was finishing up “Sick Sad Little World” it began to pour significantly. It actually came in sideways toward the stage. As the song concluded, Boyd remarked nervously “We’ll be right back guys, I promise… We’ll be back”, as they exited view. Moments later a promoter or employee with the pavilion appears and explains that they’ll do everything they can while staff cover the electrical equipment from the elements. “We’re here for your safety.

Giant thunderbolt and lightning (very very frightening). The crowd went wild and cheered with the revelry of a rebel yell. Masses poured out of the grass and into the stands for cover. Many beneath the ramada begin sprinting for the gates. By all appearances it looked as though this show was over. The parking lot was in shambles. Cars were scrambling toward the exit. The stack turning left at 83rd ave and Monte Vista began to congest as the downpour continued onto the policemen stopping traffic in opposite ways to assist those fleeing the venue.

…But Boyd kept good on his promise.

When the rainfall began to calm, Incubus DID come back with “Nice To Know You” and finished the show with “Warning” to close out the evening for good. Any other band could have ended the concert right then and there when conditions became dangerous and half the audience left. They must have done it just for those few fans that stayed. It was truly a rare sign of integrity to match the humbleness of Jimmy Eat World; both bands being the measure of ethics and class to the very fullest. It was a remarkable show; one that can be easily recounted for years to come for anyone who was fortunate enough to be there. Like a Strawberry Cheesecake Shake from Sonic.

Thank you #Phoenix that felt amazing ⚡️

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REVIEW: Jimmy Eat World & Good Charlotte Wake the Dead at Zombie Prom 10-22-16

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PHOENIX One day after the release of their ninth studio album Integrity Blues, as well as an intimate in-store performance and signing at Zia Records (Mesa) in homage to their roots, Arizona’s own Jimmy Eat World returned to the stage for 93.3 ALT AZ’s Zombie Prom Music Festival.

Now more than halfway through the U.S. leg of their album release tour, J.E.W. was slated as the night’s headliner, preceded by a long-awaited performance by pop-punk legend Good Charlotte. The full lineup also included The Struts, Lewis Del Mar, Barns Courtney, K. Flay, and The Hunna.

It’s hard to believe both of these iconic bands have been dominating the alternative rock scene since the early nineties, famed for timeless hits like Good Charlotte’s “Anthem” (2002) and Jimmy Eat World’s “The Middle.” (2001). Blood-spattered prom dresses and tattered tuxedos speckled the lawn of Fear Farm this past Saturday while undead fans began spilling through venue gates as early as 2:30p.m.

Following a Steven Tyler-esque performance by The Struts frontman Luke Spiller later that night, Good Charlotte collectively stepped into the spotlight for the first time in five years. The group announced an end to their hiatus in November of 2015, and have since released their sixth studio album Youth Authority, a revitalizing tribute to the heavy-handed, punk rock sound Good Charlotte fans have come to know and love.

Good Charlotte - Photo Credit: Katherine Amy Vega
Joel Madden, Good Charlotte © Kataklizmic Design
Photo Credit: Katherine Amy Vega

All at once the intro to “Anthem” roared across the stage, lights throbbing in rhythm as onlookers burst into a sea of fist-pumps, audibly singing along to every word. Good Charlotte’s drummer Dean Butterworth was unable to accompany his bandmates to their comeback performance. They were, however joined by Tony Palermo of post-hardcore band Papa Roach. Joel went on to explain that Tony had learned the setlist on his way to the show, with no rehearsals.

Good Charlotte, Zombie Prom
Good Charlotte at Zombie Prom © Kataklizmic Design
Photo Credit: Katherine Amy Vega

The energy of the crowd seemed to mirror the intensity of the music, surging through classic throwbacks like “The Story of My Old Man,” “Girls & Boys,” and “Riot Girl.” As the audience raged with excitement, Joel’s voice once again took over the speakers.

“We were off for five years! We made a new record and I want to play a song off of it. This is our first night on tour. If I teach you a song, will you sing it with me?”

Good Charlotte - Photo Credit: Katherine Amy Vega
Benji Madden, Good Charlotte
© Kataklizmic Design
Photo Credit: Katherine Amy Vega

His question of course, was met with a resounding and exuberant, “Yes!”

Next up on the setlist was “Life Changes” off of Good Charlotte’s latest album. Despite having been released in May of 2016, this track sounds like it could have been off their first album The Young and the Hopeless back in 2002. The band followed up their latest hit with Avenged Sevenfold collaboration, “The River” and lastly, “Lifestyles of the Rich and Famous.” Needless to say, Good Charlotte hasn’t lost their touch — and they still put on one hell of a show. (View Full Setlist)

After a brief soundcheck, members of Jimmy Eat World took the stage one-by-one. Some might say that Good Charlotte would be a tough band to follow after a year off from music, but Jimmy Eat World is one of those bands that is absolutely electrifying when seen live. Zombie Prom was slated to be J.E.W.’s first major Arizona performance since the Summer Ends Music Festival in 2015.

Jim Adkins, Jimmy Eat World
Jim Adkins, Jimmy Eat World © Kataklizmic Design
Photo Credit: Katherine Amy Vega

As a shimmering blanket of blue and violet fog billowed out above the stage, Jim Adkins humbly stepped forward, greeting the crowd as if we were all old friends. “We are Jimmy Eat World! Originally from Mesa, Arizona. Thanks for being a bunch of dead people,” he joked. The first few notes of “Get Right” echoed across the venue, and the audience was once again overjoyed, yelling out song titles in hopes of hearing their favorite tracks played live. Although Jimmy Eat World has a definite down-to-earth quality about them, their stage presence is one to be reckoned with.

Rick Burch, Jimmy Eat World
Rick Burch, Jimmy Eat World © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Adkins and Linton seemed to become one with their instruments as the group passionately moved through popular songs like “Bleed American” and “I Will Steal You Back.” The authentic quality of Adkins’ vocals was especially evident as the band transitioned into a few newly released tracks including “You Are Free” and “Pass the Baby” — a particularly unique composition off of Integrity Blues due to its soulful metaphors, hard-rock undertones and one mega-explosive breakdown.

Jim Adkins, Jimmy Eat World
Jim Adkins, Jimmy Eat World © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Saturday’s show also included “You With Me” and “Sure and Certain” off of Integrity Blues, among a myriad of other hits from previous records over the years. Of course, the night wouldn’t have been complete without a crowd-thumping performance of “The Middle” and “Sweetness,” each of us singing the lyrics back through every verse. It was the ultimate album homecoming party, with a robust 19-track set list to boot. (View Full Setlist)

PHOTO ALBUM
by Katherine Amy Vega

Zombie Prom: Jimmy Eat World & Good Charlotte

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REVIEW: Jim Adkins Returns to Phoenix 4-30-16

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Phoenix, Ariz. – Jim Adkins, lead singer of Jimmy Eat World, returned home to Arizona last night, bringing his solo project super chill “dude-with-a-guitar” gig to Valley Bar. The show sold out at least a month in advance, which is no surprise considering the success of the band he fronts, the success of his recent European tour,  and the special place he holds in the hearts of those in his hometown.

Set Times - Jim Adkins at Valley Bar 4-30-16
Set Times – Jim Adkins at Valley Bar 4-30-16

A refreshing deviation from the norm, the show unexpectedly opened with stand up from Anwar Newton instead of an opening band. Recruited by Adkins, he loosened up the crowd before it was going to “get emo”. Newton succeeded in garnering laughter from the audience with off-color humor about topics like self-righteous coworkers, a carjacker who couldn’t drive manual,  separation of food and politics, and paying taxes versus giving blowjobs (in his opinion… there’s no question, BJs FTW). For those that came to see Adkins, this was an engaging act, and time passed quickly before Adkins took the stage. It was unique that, as the headliner, he was the second act of the night with more bands following.

Jim Adkins at Valley Bar 4-30-16
Jim Adkins © Kataklizmic Design

As emotional as Adkins’ music is, he brought a very lighthearted, slightly goofy stage presence to Valley Bar. He was excited to be playing at Valley Bar for the first time! Despite 23 years in Jimmy Eat World, he is arguably the least pretentious major musician you could ever meet. Adkins effortlessly tapped into the vulnerable emotions of his music, while still interjecting his quirky sense of humor between songs. One moment he was singing heart-wrenching lyrics like, “Are we too damaged now to possibly connect?”, and the next, he was joking about learning Slayer songs to play upon request.

Jim Adkins setlist - Valley Bar 4-30-16
Setlist – Click to Enlarge

For the set, Adkins played songs from his “I Will Go” EP, as well as select J.E.W. songs and covers. Without falter, his vocals delivered exactly what you would expect from listening to his records, with the only noticeable difference being intentional changes to the melody for the performance. Adkins’ guitar is like an extension of himself, which lends itself to his ability to fully invest in the nuances of his vocal performance. He is a seasoned musician with the ability to genuinely connect with his adoring audience on the same level.

Jim Adkins at Valley Bar 4-30-16
Jim Adkins © Kataklizmic Design

For some solo projects, such as Nate Ruess and The Band Romantic or Amanda Palmer and The Grand Theft Orchestra, the artist performs with a full live band. For Adkins’ solo endeavors, he may be only one man with an acoustic guitar on a big empty stage, but these humble, low-key vibes are exactly what he goes for.

In a 2015 interview, Adkins told Substream Magazine that, “…planning out an encore makes me feel like an asshole.” So it was unsurprising that when Adkins exited the stage, that was the end of his set. He loaded up his equipment himself afterward, which he joked is what rock ‘n roll really is. Some in the crowd were overheard asking, “Why is he carrying out his stuff himself?”

Jim Adkins is a totally normal guy who happens to be a world-famous musician, and Arizona is proud to call him our own.

PHOTO ALBUM by Katherine Vega

Jim Adkins – Valley Bar 4-30-16

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Photography by Katherine Vega, © Kataklizmic Design
ALL RIGHTS RESERVED. (THAT MEANS NO STEALING)

A special thank you to Debbie Malone for editorial. You’re legit… Please forgive me for ignoring a few small bits of your advice!

PHOTOS: Jimmy Eat World – Summer Ends Music Festival 09-25-15

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Photos of Jimmy Eat World performing at Summer Ends Music Festival at Tempe Beach Park in Tempe, Arizona on September 25, 2015.

Jimmy Eat World – Summer Ends Music Festival 09-25-15

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Photography by Katherine Vega, © Kataklizmic Design
ALL RIGHTS RESERVED. NO STEALING