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REVIEW: Covet Blossoms on Stage at The Rebel Lounge in Phoenix 7-22-18

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PHOENIX – Covet, touring with special guests and friends HOLY FAWN and Vasudeva, bloomed in a magnificent way at The Rebel Lounge and shared their sublime sounds during the hottest period of the unrelenting desert summer. Luckily, nobody was a pile of goo by the time the show started.

This esoteric collection of musicians was a sight to behold, sharing a fascinating mix of influences from genres such as post-rock, math rock, ambient music, alternative rock, indie rock, experimental sounds, and many more. While stage banter and lyrics may have been at a minimum, fans certainly have a lot to talk about after witnessing this stunning bouquet of musical aptitude.

HOLY FAWN

Kicking off the evening was local band HOLY FAWN, self-described as “four creatures making loud heavy pretty noises.” They certainly lived up to their description, as the noises varied from gentle electric sounds to earth-shattering riffs and screams. They were also the only band of the evening to feature some vocals in their songs, but for the most part, they fit right in with a heavy focus on unique instrumentals.

HOLY FAWN - Photography: Rodrigo Izquierdo
HOLY FAWN
Photography:
Rodrigo Izquierdo © All Rights Reserved.

HOLY FAWN began their set with some ambient music playing over a dark stage covered in laser lights. The darkness and the soothing sounds made for some great ambiance, but soon it was time to rock. Without really announcing themselves, HOLY FAWN made their way to the stage from the merch booth area — not a long walk at all in the cozy, intimate Rebel Lounge. One member said “alright, let’s do this,” as they prepared for the show.

As HOLY FAWN began to play along with the ambient music, their energy slowly rose until climaxing with some epic, loud sounds. The vocals were hard to discern in The Rebel Lounge, but the music was still enjoyable. It was all about the instruments, with some screaming thrown in every once in a while for good measure.

Vasudeva

Vasudeva took the stage shortly after HOLY FAWN, and they brought a different sound to the room. Their approach is purely instrumental, and each band member can play their instruments brilliantly. Watching all three of them on stage is a beautiful sight, and it is clear they love playing music together. Not only is their music beautiful and enjoyable, but so is their presence on stage. Their commitment to the craft is hypnotic.

Vasudeva - Photography: Rodrigo Izquierdo
Vasudeva
Photography:
Rodrigo Izquierdo © All Rights Reserved.

Vasudeva spent most of their time on stage rocking out and sharing their captivating sounds with the crowd, but they were sure to add a quick “thank you” after each song was over. They were also sure to throw in a few other tidbits, such as “this is dope,” “this is so cool,” and “righteous.” They were also sure to thank Covet for asking them to go on tour together. Vasudeva said, “Our friends Covet are on after us. Give it up for them! We’ve been touring with them for about a week now. Wish it was longer.”

Each member of Vasudeva was really into the music and the performance, and they finished their set with an energizing finale. While many people may have come to The Rebel Lounge to see Covet, Vasudeva certainly gave them their money’s worth. The crowd was prepped for more scintillating instrumental music, but it was clear that everyone had immensely enjoyed the show so far. Unfortunately for Vasudeva fans, merch was sparse; as they said, “we’ve been on tour for a while, so we’re running low on merch. We have 2 records left. It’s crazy.” That didn’t stop people from rushing to buy things later, though.

Covet

At long last, it was time to effloresce. Similar to how HOLY FAWN began, there was ambient music playing — a prologue to the epic odyssey that was about to commence. Covet took the stage by gentle storm, with David Adamiak coming out to join the ambient music and add some bass currents to the mix. Shortly after that, Yvette Young and Forrest Rice joined him on stage to a ton of applause.

Covet - Photography: Rodrigo Izquierdo
Covet
Photography:
Rodrigo Izquierdo © All Rights Reserved.

As Covet says, they are “just 3 people making music” — this is the best way to describe their performance on stage. Rather than one person taking center stage, with the others supporting them, Covet is a group of musicians who somehow share the spotlight evenly. What could easily devolve into a discordant mix of conflicting instrumentals becomes a truly majestic melody.

Covet - Photography: Rodrigo Izquierdo
Forrest Rice (Drummer), Covet
Photography:
Rodrigo Izquierdo © All Rights Reserved.

Rice, the drummer, truly rocked The Rebel Lounge into oblivion. His performance was spectacular, and by the look on his face, he loved every second of it. He gave the music so much energy, and his massive smile could pierce even the darkest of sorrows. Meanwhile, Young was in the zone, hyper-focused on plucking the strings on her collection of beautiful, unique guitars. Tying it all together was Adamiak, traipsing around the stage with his bass guitar, really getting into the music and the moment.

Covet - Photography: Rodrigo Izquierdo
Yvette Young (Guitarist), Covet
Photography:
Rodrigo Izquierdo © All Rights Reserved.

Young has made waves in recent years with her unique style of playing the guitar, and she has also recently been featured in a few interesting articles that reveal some insights into her artistic powers. While she plays many instruments, the way she plucks the guitar strings is quite unique; the sounds this technique creates are fascinating and entrancing. Not only does this show off her sheer mastery of guitar, but her immense creativity as well. It is no wonder she has been called a true “Renaissance woman” by many. 

Covet - Photography: Rodrigo Izquierdo
David Adamiak (Bassist), Covet
Photography:
Rodrigo Izquierdo © All Rights Reserved.

Adamiak brought his own creative spin to the show as well. While he merrily wandered all over stage, he made sure to engage with the audience whenever possible. If he didn’t make eye contact with every single person in The Rebel Lounge, it must have been close! He also seemed to have a great time making silly faces at people, as well as jumping out at the crowd from time to time to really rock out. At the end of the show, he made sure to dispense plenty of high fives to those at the front, too! Rice ran up to join him in the high fiving at that point, so there was plenty of love to go around.

Covet had such a pleasant presence on stage and infected the entire crowd with their joy. Along with spreading the music love, they also shared some beautiful stories and useful information. They referred to HOLY FAWN and Vasudeva as their “ultra homies,” told a story about the importance of staying hydrated, and thanked the audience profusely for joining them that evening. As Adamiak said, “thanks for staying out so late with us, on a Sunday night of all nights.” He repeated similar sentiments at the end of the show.

effloresce - Album Cover

At the end of the show, Covet performed “Howl” from their new album effloresce, which just came out on July 13th; this song is a great way to send a crowd on their way, as it is full of phenomenal energy truly worthy of a grand finale. After, Adamiak said “you guys make us really happy” and mentioned they’d all be by the merch later if anyone wanted to say hi. However, the crowd chanted “one more song” for a brief time after they had left the stage, so the grand finale wasn’t so final after all.

They came back on stage, and Adamiak said “y’all are a bunch of sweethearts, thank you.” As he was letting his hair down, he added, “we’re gonna do one that doesn’t require hair ties.” Then, “on a very serious note,” he introduced the song “Ares” as their actual final song for the evening. While not quite as thunderous as “Howl,” it is still a superb way to end a show.

When the show was over, Covet, Vasudeva, and HOLY FAWN were all hanging around the merch area waiting to greet fans, sign merch, and say some farewells. For fans of HOLY FAWN, the farewell isn’t so long either — earlier in the show, Adamiak also added that HOLY FAWN will be having an album release at The Rebel Lounge on September 21st, so mark that one on your calendar!

Photo Album

Photos by Rodrigo Izquierdo

Covet, Vasudeva, & HOLY FAWN – The Rebel Lounge 7-22-18

Flickr Album Gallery Powered By: WP Frank

Photography © Reagle Photography
All Rights Reserved

REVIEW: Poppy Catches Phoenix in Her Interweb on Valentine’s Day at Crescent Ballroom 2-14-18

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PHOENIX – A rainy Valentine’s Day evening in Phoenix, Arizona – what a perfect night for one of the most bizarre acts to come through town. Moriah Rose Pereira, who goes by the name Poppy on the internet, is a multi-talented internet phenomenon. A young veteran in dancing, singing, acting, and creativity, Poppy was able to bring her peculiar act to the desert. Fans and onlookers of all shapes, sizes, and types gathered together at the Crescent Ballroom to see the internet come to life and behold the spectacle that is the “Poppy.Computer Tour. It certainly did not disappoint.

What Exactly is Poppy?

Believed to be an android by many, a cult leader by some, and an all-around weirdo by “normies” on the internet, Poppy found massive notoriety over YouTube after releasing her infamous video “I’m Poppy,” which can be viewed here. Produced with the help of Titanic Sinclair, another well-known internet phenomenon, musician, and director, Poppy was quickly able to gain the attention of the modern world, mostly through her series of outlandish videos.

She eventually turned this YouTube sensation into an effective tool in the pursuit of her ultimate dream: becoming a pop star. In fact, Poppy even won a Streamy Award in late 2017 for “Breakthrough Artist.” However, it would likely be more apt to label her an anti-pop star, as her work seems to revolve around calling out the absurdities of contemporary popular culture, pop music, and fame in the modern world.

While Poppy originally claimed not to be in a cult a little over a year ago, with Titanic Sinclair vouching for the accuracy of this claim, the “Poppy.Computer Tour” seemed to prove otherwise. This humorous take on possibly spinning criticism on its own head and turned it into another powerful tool in their digital and cultural arsenals; Titanic Sinclair and Poppy seem to embrace this cultish mentality, and they certainly took it and ran with it.

This cultish theme led to some fabulously interesting and entertaining moments during the show; from the computer-rendered speech synthesis-style narration, to fans “drinking the Kool-Aid,” this cult-themed joke certainly balances itself on a thin line between satire and reality. Nonetheless, the screaming fans—aka “Poppy Seeds”—and fascinated observers did not seem to mind either way. After all, is this not the essence of modern popular culture? Undying fealty to those famous people all fans have sworn allegiance to.

Poppy.Computer Tour

The “Poppy.Computer Tour” is Poppy’s first time visiting real people as a musician, and it was originally planned to visit only 20 cities across North America, but likely due to its greater-than-expected success, the tour was expanded to include a stop in London, Tokyo, and 15 other stops in North America. Poppy and Titanic Sinclair planned this epic adventure in order to promote Poppy’s first official album, Poppy.Computer.

The most interesting aspect of this tour is that, with the exception of her Toronto show, there were no opening acts. Instead, Poppy substituted the time slot traditionally reserved for an opener for one of the characters off her YouTube channel – Charlotte the Mannequin. This same character also happens to be the main antagonist from Poppy’s new YouTube Red film, with a potential to become a series, titled I’m Poppy.

Poppy also traveled with two amazingly talented backup dancers, Alec and Jason. These two stole the spotlight during many points, yet they always made sure to give it back to Poppy when the time was right. They were their to support and augment her, after all, with their keytar dance moves, air drums, and even their own take on what looked like a Thousand Arms Dance. Complete with tutus, bleach blonde wigs, and face masks, they offered an unsettling yet oddly charming addition to the stage.

Charlotte the Mannequin

As fans eagerly awaited the unexpected, uncertainty swirled in the air. Would there be an opener? How would they start the show? What, exactly, was this going to be like? Those who knew Poppy from the internet likely had all sorts of wild ideas, and “Africa” by Toto was playing on loop as they contemplated the imminent future. As the song itself has become its own infamous meme, it seemed only fitting to fill the void of time while everyone waited for the show to start.

Charlotte Quin, or Charlotte the Mannequin, sat alone on the stage, aside a MacBook DJ setup and between two massive screens. She opened the show with a pre-selected audio set. While she isn’t the most animated character, she does have her very own YouTube channel where she occasionally copies Poppy’s ideas, makes her own versions of Poppy’s songs, and otherwise wreaks havoc on Poppy’s online presence. She also happens to have a diverse but excellent taste in music, sampling and playing songs of all genres and eras. There was certainly something for just about everyone in her playlist, and her transitions were seamless.

Songs and artists featured during this most interesting of opening DJ acts include: Daft Punk, Baha Men, Missy Elliot, N.W.A., Vanessa Carlton, TLC, Cake, Abba, Ke$ha, The B-52s, Of Montreal, Talking Heads, Madonna, Rihanna, LMFAO, Justin Bieber, Billy Joel, Britney Spears, Lou Bega’s Mambo No. 5, Jimmy Eat World, Electric Light Orchestra (ELO), Dr. Dre, Cyndi Lauper, Ed Sheeran, Nena’s (Original German) “99 Red Balloons”, and Miley Cyrus.

Throughout this playlist, symbols resembling every meme about the Illuminati played, mixed in with some of the visuals from Poppy’s videos—most notably, “This Birdcage” and “Where is Poppy?”, a video made in collaboration with entertainment company and internet phenomenon Super Deluxe. Strung throughout the set were also sound clips from various Poppy videos, most notably increasingly-frequent statements of “I’m Poppy.” Charlotte’s own statements of “Hello Internet and how she is going to be the “Queen of YouTube.” It also featured some sound clips of Poppy and Charlotte discussing the Bible, internet meme sensation Ain’t Nobody Got Time for That, and an old Blockbuster commercial.

Towards the end of Charlotte’s set, there was some banter between her and Poppy, ending with Poppy stating she was “Uncomfortable,” with Charlotte replying, “Uncomfortable? I’ll show you uncomfortable!” Poppy called for “Security!” As the final two songs played, the unusual opening act ended with the question, “Are you ready for Poppy?” playing over and over. They then played just about every ending theme ever, and random noises or themes, from things such as: The Simpsons, Castle Rock Entertainment, Windows ME, Viacom, Paramount, 20th Century Fox, and so on. It was hard to keep track of since they were only samples given in rapid succession, but the result was immensely entertaining.

Initiating

To capitalize on this hype, Titanic Sinclair came out on stage just before the show began. He presented what was most likely a delicious Poppy beverage (Kool-Aid) prior to sampling some himself. He then set down the pitcher and prepared the crowd for initiation. Warning messages popped up on the screens, and then fans were inducted into the Cult of Poppy over three different Programming Sequences, complete with all the necessary digital and broadcast noises to make it just weird enough. Titanic Sinclair proceeded to pour cups of the delicious Poppy beverage during this time.

With all the grace granted to an android, Poppy slowly and quietly proceeded on stage with her two gender-ambiguous backup dancers, taking her place center stage with her back facing the audience. Her fans were ravenous, but Poppy is the master of timing and patience. Once the appropriate time came, she began to perform her iconic song and first single from her new album, “I’m Poppy“. She followed this up with “Computer Boy,” the second single from her new album.

P O P P Y I’m Poppy!

A post shared by Sean Tingle (@music_seen) on

These backup dancers have the BEST job in the universe!

A post shared by Sean Tingle (@music_seen) on

Once “Computer Boy” concluded, Poppy played her video “Doritos Monster Energy Drink,” because when else is a perfect time?

She continued the weirdness by asking the audience, “Do you love me?” She then proceeded to hand out her delicious Poppy beverage, passing out Kool-Aid to a few people in the front row. Titanic Sinclair and the backup dancers also helped with cup distribution. It was a beautiful, if not strange, moment.

Later on, Poppy also brought up the LOVE METER on the large screens, and her backup dancers hyped the audience up – everyone screamed, cheered, and clapped as loud as they could in order to fill the meter up. It turns out that the crowd does, in fact, love Poppy, as they were able to fill the meter up completely. What a way to spend Valentine’s Day!

Illuminati confirmed.

A post shared by Sean Tingle (@music_seen) on

Poppy performed many of her popular songs from the new album, including “Let’s Make a Video,” “Moshi Moshi,” “Interweb,” and “Bleach Blonde Baby.” The music videos, styles, and live performances are all uniquely performed and designed, and they are all quite reminiscent of Japanese Pop Music (J-Pop).

Kyary Pamyu Pamyu (KPP) especially comes to mind when exploring Poppy’s musical styles and approaches – especially her songs “PONPONPON,” “CANDY CANDY,” and “Invader Invader.” The latter two of these are especially reminiscent of Poppy’s live performance, particularly regarding her backup dancers; CANDY CANDY features what is likely a male impersonator of KPP, dancing behind her with a wig in her same hairstyle and a mask that is an anime version of her face. In Invader Invader, she has many gender-ambiguous backup dancers as well. There certainly seems to be a lot of inspiration here from J-Pop, making Poppy’s performance a great mix of American and Japanese pop music styles.

Another marriage between pop styles can be seen with French pop artist Yelle, who is also famous for her interesting approaches to music, live performances, and music videos. While the connections aren’t as clear as between Poppy and KPP, Yelle’s upbeat and interesting approaches to pop culture certainly are sights to behold. Yelle’s hit song “Ba$$in” is particularly apt, as well as “Comme Un Enfant,” “Safari Disco Club,” “Complètement fou,” and “Ici & Maintenant.” If anything, her unique dancing styles are certainly comparable to Poppy’s own take on dance, which was Poppy’s first love.

I’ve caught you in my interweb… I’ve caught you in my internet…

A post shared by Sean Tingle (@music_seen) on

In the middle of Poppy’s performance, she played her video “3:36 and followed it up with some live additions: “Should we end the show early?” The audience, of course, said no, and she replied, “Okay.” However, it would not have been much of a surprise if she had ended it early.

Throughout the show, Poppy made excellent eye contact with just about everyone in the crowd. She was excellent at engaging people in that way while still maintaining her android-like, robotic façade. At one point, she did go through the front row and gave high fives or held hands, briefly, with as many fans as she could. Her backup dancers also, at one point, took 2 phones from fans in the crowd and took some photos of Poppy from their perspectives on the stage. It is clear that Poppy and company are trying their best to maintain their fans’ loyalty and love.

As the end approached, Poppy asked, “Can I be your Valentine?” The crowd, of course, agreed with great enthusiasm. However, all was not perfect, as Charlotte had to make her final attempt of the night at overthrowing Poppy – her voice popped up over the speakers, as she had just been sitting there, quietly, on stage throughout Poppy’s performance.

Can I sing a song?” Charlotte asked.  “You’ve already had your turn,” Poppy replied. She then requested for the crowd to join her in chanting, “Bye bye, Charlotte!” Apparently, at some point, Charlotte’s head was removed, so it is clear the crowd was quite serious about quieting her pleas for fame and recognition.

Upload Complete

Poppy’s penultimate song for the show was her song, “Where’s My Microphone?” The audience, backup dancers, Titanic Sinclair, and Poppy all joined in on worrying about where Poppy’s microphone was, but everyone was quite relieved when she realized it was in her hands the whole time! “Oh, there it is!”

Finally, the time came for Poppy’s last song, “Software Upgrade.” She gave it her all, and her energy was quite infectious. Most in the crowd were having such a great time singing and dancing along, with a few wallflowers hanging around and enjoying their interesting Valentine’s Day adventure. Poppy finished the song by assuring everyone that she loved them prior to departing the stage as mysteriously as she had appeared, and the crowd chanted and screamed for an encore.

A beautiful finale with some Kyary Pamyu Pamyu vibes! That dancing! 😂💃🕺

A post shared by Sean Tingle (@music_seen) on

Unfortunately, that encore never came, and it ended up being an early evening for Poppy fans and Crescent Ballroom guests. Charlotte the Mannequin had played her set from about 8pm to 8:40pm, and Poppy performed from that point until 9:30pm. It was a short show, but it can be said this was certainly not the most traditional concert or musical experience anyway. While it would have been nice to see Poppy perform a couple of her original songs prior to the Poppy.Computer album, such as “Money or “Lowlife,” it was still an immensely surrealistic and enjoyable experience to see such an internet phenomenon in real life.

Overall, Valentine’s Day with Poppy at the Crescent Ballroom was an interesting yet amusing way to spend an evening, and it is clear Poppy will be going places. Her partnership with Titanic Sinclair has, so far, been wildly successful, and it will be interesting to see where they go and what they do next. If they do choose to come back to Phoenix, however, it might be best to visit another venue – Crescent Ballroom was a bit too small for her sold out show, and the stage is too low for everyone in the audience to see the screens fully. At times, it was even difficult to see the backup dancers or Poppy herself, which was disappointing during certain moments. This was a show one did not want to miss a moment of – so many small details were hidden throughout.

One thing is for certain, though – the lack of encore and the resuming of “Africa” by Toto at the end of the show was the greatest troll moment of all. Disappointing and unexpected, yes, but one cannot help to smile after such a thoroughly bizarre experience.

REVIEW: Lights Returns to Arizona Stronger Than Ever at Marquee Theatre 2-8-18

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TEMPE, AZ – Lights, along with special guests Chase Atlantic and DCF, illuminated Marquee Theatre last Thursday. This eclectic mix of musicians magnetized a diverse crowd to The Marquee’s doors, and together, the entire venue celebrated a night of pure joy and musical euphoria. Fans of all ages blissfully enjoyed the great sound, atmosphere, and company of each band, but Lights certainly shone brightest of all — fans were dazzled by their otherworldly sounds and gorgeous visuals on stage, and it is clear for any outside observer to understand why they command an army of such devoted fans.

For those who know and love Lights already, they’re aware that this is certainly not Lights’ first rodeo — they’ve been to Phoenix many times since 2008, but as lead singer Lights Valerie Poxleitner put it, they come back stronger every time. From The Nile to Warped Tour, Lights certainly know how to command a stage of any size and location, and their attention to detail certainly transfixes audiences on multiple levels. As Poxleitner is an artist in more ways than one, it is no surprise that Lights’ live performances are as much visual spectacle as they are aural extravaganza. It’s no wonder that Lights has recently received nominations for the Pop Album of the Year and Artist of the Year categories in the 2018 JUNO Awards.

DCF

The first performance of the evening was DCF, an artist who is a compelling example of contemporary pop, alternative, and indie music styles. His was a solo act, yet he projected enough energy and personality to decently command the entire stage and crowd. Concert-goers, in fact, were somewhat devastated when it came time for Prince DCF to exit the stage after an acoustic version of “Misery Business” by Paramore, letting out an audible sigh as he departed.

SCF - Photography: Katherine Amy Vega
DCF
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
Click for More DCF Photos

DCF’s interesting style, mix of genres, and unique take on what is considered pop music all went well with what could only have been a Napoleonic-era Royal Navy Admiral’s Coat. Together with his stylish hairstyle and glasses, DCF exudes confidence and mirth as he DJs, sings, cracks jokes, and finds any other way to entertain a crowd. His performance was certainly a great ice breaker for the evening, though it did end on a relatively anticlimactic note.

Chase Atlantic

Next up was Chase Atlantic, a wonderful group visiting all the way from Australia; they likely chased the Pacific in this case, but everyone at The Marquee was certainly happy to see them. They instantly took over the stage and crowd, carrying the momentum over from DCF and further building fans up for Lights later in the evening. Their high energy was contagious, and they also shared a unique take on contemporary music, just as DCF had done before them. It would be difficult to say exactly what they sound like, but all alternative musicians seem to be elusive when it comes to absolute definition.

Chase Atlantic - Photography: Katherine Amy Vega
Mitchel Cave (Lead Singer), Chase Atlantic
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
Click for More Chase Atlantic Photos

Due to their eclectic mix of sounds, it was easy for everyone in the crowd to join in on the fun. Lead singer Mitchel Cave, who first got his big start on the world stage by performing on X-Factor Australia, must have chugged several energy drinks prior to coming out, because he was moving at the speed of light all over the stage. He also seemed to love having the audience join him in the adventure, jumping down to join them briefly, before hopping back up on stage to hype everyone up even further. Chase Atlantic was definitely a great act to follow DCF with, and these boys made the transition into Lights’ scintillating performance a flawless one.

LIGHTS

Though the performances of Chase Atlantic and DCF were fantastic, some fans simply could not contain their excitement for the main act of the evening — Lights; in fact, one young fan was spotted running all over The Marquee, seemingly unable to contain her excitement. It was clear this was likely not her first time seeing Lights, and her excitement proved to be quite the harbinger of the incredible musical and visual adventure ahead.

Lights came out on stage after quite the setup time, but the wait was certainly well worth it. Immediately, fans were greeted by lead vocalist Lights Valerie Poxleitner’s silhouette in front of a massive screen; the bright, neon lights behind her perfectly symbolized the band’s name, and the hype and tension felt throughout the crowd instantly reached a breaking point. The buildup to her full visual reveal was palpable, and her glamorous, vogue-like poses as she sang in her spectral, ethereal form brought out the best fashion week vibes. Finally, she emerged from the darkness and into the light to a feverish sea of fans.

Lights - Photography: Katherine Amy Vega
Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

We Were Here Tour – Issue One

Lights performed in 3 major acts throughout the evening. During the first act, Poxleitner kept the energy from Chase Atlantic going, with some of their most exciting, upbeat songs. During this portion of the show, she asked the audience if anyone here has seen them live before. There was a resounding, screaming yes, with the majority of hands within the crowd immediately shooting up as high as they could go. She continued, clearly pleased by this reaction, explaining that they love coming back to Phoenix, and that their first time here was at The Nile (Nile Theater) over in Mesa, AZ back in 2008, where they performed with Copeland. They’ve been back many times, including to Warped Tour, and she stated, “Year after year, we keep coming back stronger.” For fans who missed out on this tour, I think it is safe to assume that Lights will surely be back soon.

Lights - Photography: Katherine Amy Vega
Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

As the mood seemed to chill out a bit, Poxleitner began a new discussion: “I wrote this song when I was going through a shitty time. Who’s been through a shitty time?” The oddly enthusiastic screams from the crowd were certainly clear answer enough; “We’ve all been through shitty times. Do you know what helps get us through it? Friendship, a little bit of wine, and music.” The crowd loved this strategy, and prior to performing “Face Up,” Poxleitner gave them further inspiration: “Your weaknesses become your strengths.” This phrase would certainly make a great tattoo.

“Your weaknesses become your strengths” – Lights

We Were Here Tour – Issue Two

After “Face Up,” Lights retreated off stage for a brief respite. During this time, Poxleitner displayed some of her artwork on the huge screen on stage. Since she is an artist and illustrator, it only made sense — we got to see some of her characters and settings from her Skin & Earth comic series, synonymous with Lights’ new album of the same name, which currently has 6 issues out for purchase. The images and scenes shown were quite similar to the trailer for Skin & Earth, which can be viewed here: https://youtu.be/FnbL7ZE4hmo

Skin & Earth illustration at concert - Photography: Katherine Amy Vega
Illustration on screen from Lights’ comic book series Skin & Earth
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

During this phase of the performance, Lights returned to the stage with a more somber attitude. The setup had changed during this short intermission as well — suddenly, there was a piano with lots of candles on top, helping to relax the mood even further. It was time for some calm, more acoustic songs. Poxleitner was back on stage in a new outfit, sporting an acoustic guitar. It was a pleasant change of pace, and it certainly kept the vibes fresh for the evening. It also made the grand finale that much more powerful.

Lights - Photography: Katherine Amy Vega
Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

We Were Here Tour – Issue Three

After another quick break and some more stunning illustrations on the big screen, Lights was back on stage, and Poxleitner was sporting a third and final outfit. They brought back the high energy with a vengeance this time around, and Poxleitner joined the band with her own electric guitar. This guitar, she explained, represented her second character in her comic books, and it sported the beautiful Skin & Earth logo seen on stage, on the cover of her books, and all over her website and social media accounts — not to mention she also has it tattooed on her arm. She transitioned into her song “Running with the Boys” after this interesting discussion.

Lights - Photography: Katherine Amy Vega
Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

A highlight from this phase of the show was the video clips of Sailor Moon’s transformation and Street Fighter’s Chun Li pronouncing, “I am the strongest woman in the world!” playing in the background, which perfectly complemented the power behind Lights’ performance. Towards the end of this third act, Poxleitner brought up her song “We Were Here,” asking everyone, “When the song starts, do you hear waves or a storm?” The majority seemed to scream, “WAVES!” Poxleitner replied with, “Fuck. I always hear a storm.” She continued to discuss the music video for “We Were Here,” saying that she doesn’t recommend burning a bus, but that it was definitely a lot of fun: “Full disclosure — a pyrotech got to do it. But I got to throw the lighter.

Bonus Issue – The Encore

Once more unto the breach, Lights came back on stage for a quick encore. They weren’t off stage long, likely because the crowd’s chants, screams, and claps were so demanding. Poxleitner picked the mic back up and asked, “Do you guys wanna hear another song?” Everyone, of course, responded with a loud “YES!” She replied, “Alright, so be it, but you guys gotta dance, and you gotta sing,” and the crowd certainly complied. To reward fans, Poxleitner jumped down into the crowd for a bit to give most people up front the best high-fives ever before jumping back on stage for a special surprise for Poxleitner’s sister.

Poxleitner pulled out her phone near the very end of the show and told everyone that it was her sister’s birthday. She wanted to get a video of herself singing “Happy Birthday” with everyone in the audience, so the lights lit the house up, and everyone sang along while she recorded. “I’ve never done one of these before!” she exclaimed after. Her sister certainly got the best little gift from that moment.

Overall, the Phoenix stop of Lights’ We Were Here Tour was an exhilarating experience for everyone, and it was clear the entire band had just as great of a time as the crowd. In fact, Poxleitner may have had the most fun of all — she truly seems to love what she does, and this shines through in her incredible displays of creativity. From the life-sized cardboard cutouts of her comic book character illustrations out in the lobby to the strange vegan pizza box introduction to some synthy song intro tunes, her contagious enthusiasm spread throughout Marquee Theatre and well beyond. This went well with her aura of power her music, and she herself exudes, in addition to her uplifting spirit. She is an inspiration in many ways — a true Renaissance Woman.

Lights - Photography: Katherine Amy Vega
Lights Valerie Poxleitner (Lead Vocalist), Lights
Photo Credit:
Katherine Amy Vega © Kataklizmic Design. All Rights Reserved
(Lights Photo Gallery Below)

Prior to heading out for the evening, Poxleitner explained that Lights is part of Plus 1, a movement and organization that ensures $1 from every ticket sold for participating shows and artists goes to causes they believe in. Lights decided on GRID Alternatives, an organization that helps to bring solar power to places across the states. Poxleitner closed by stating we all need to “protect this little planet that we have… it’s all we got.” They left the stage to resounding cheers of joy, leaving everyone to their evenings with a little positive thinking and a lot of great memories.

PHOTO ALBUM

by Katherine Amy Vega

Lights – Marquee Theatre 2-8-18

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ALL RIGHTS RESERVED. No Stealing

VIDEO INTERVIEW & REVIEW: Phoenix Got Lost in Nostalgia at The Maine’s Hometown Show 11-22-17

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PHOENIX — Visibly and audibly enthusiastic for their homecoming, and impressed by the new The Van Buren music venue, The Maine put on a show that was both charged and endearing for their close-knit fans. They are a great example of a local band that made it big, not changing who they are and their beliefs in the ever-evolving industry. The five-piece band native to Tempe, consisting of John O’Callaghan (Lead Vocalist/Guitarist), Kennedy Brock (Guitarist), Pat Kirch (Drummer),  Jared Monaco (Guitarist), and Garrett Nickelsen (Bassist), rocked out with a packed crowd Wednesday night. Following opening bands Night Riots and DREAMERS, they tore it up with their two newest albums Lovely Little Lonely (2017) and American Candy (2015) in full, back-to-back.

Night Riots

Night Riots - Photo Credit: Katherine Amy Vega
Nick Fotinakes (Guitarist), Night Riots
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.
Click to view band photo album.

The show began with alternative rock band Night Riots, who got the crowd excited with the powerful voice of lead singer Travis Hawley.  During their set, the band played “Free Fallin” as a tribute to the late Tom Petty. Hawley said, “Holy sh*t that sounds good,” after the crowd sang the words “free fallin”.

The band engaged the crowd and hyped them up for the rest of the show. At one point in the band’s set, a person in the crowd was seen clapping with their shoe, which had neon lights at the bottom. Such innovation! It really added to the unique atmosphere of the show, which seemed to say that for one night, surrounded by strangers, everyone could be themselves and not care what anyone thinks. (View Photo Album)

DREAMERS

DREAMERS - Photo Credit: Katherine Amy Vega
Nick Wold (Vocalist/Guitarist), DREAMERS
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.
Click to view band photo album.

Rock trio DREAMERS came on next, and the crowd exuded excitement as they danced and sang along. The band brought their name to life on stage as Nick Wold (Vocalist/Guitarist), had a dream catcher hung on his mic stand. They performed their hits “Painkiller” and “Sweet Disaster” to an eager crowd that danced and sang along. They also covered “Zombie” by the Cranberries, which segued into their own song “Drugs”.

Night Riots and DREAMERS were the perfect opening acts. Their energy and the way they commanded the stage, captivated the audience, making it an all-around solid line-up. They amped up the crowd and proved that you never want to miss the openers at shows. Night Riots’ stage presence showcased a seasoned band, while DREAMERS proved a rock trio can be just as compelling on stage as a traditional band setup. (View Photo Album)

The Van Buren did not seem full at the beginning of the show. However, as The Maine’s set approached, the venue began to fill up and one could feel the anticipation for the hometown success-story.

The Maine

The Maine started off with “Don’t Come Down” from their latest album Lovely Little Lonely, and their all white suits fit the aesthetic of the album. Hit singles “Bad Behavior” and “Black Butterflies and DéJà Vu” were played with immense reactions from the crowd.

The Maine - Photo Credit: Katherine Amy Vega
The Maine
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

This album portrays a sense of “oneness,” and that was felt in the room. It came off as if The Maine put everything they had into making that album for anyone who has felt different or alone. For a period of time, while they played through every track of the album, it appeared that everyone in the room felt the words being sung as if they were sung for them.

During “How Do You Feel,” the line, “You are alive, but are you living?,” was met with the crowd singing back passionately as they jumped along to the beat of the song.

Amidst the first half of the set, O’Callaghan said, “Thanks for letting us make this album right here.” Passion exuded from the band, and it was evident how much The Maine cares about their music and fans.

After finishing Lovely Little Lonely, there was a brief intermission, and before the band came back on, a man in a Christmas suit came out to declare that American Candy was next. When the band came back on stage, they surprised fans by having changed into dark blue jackets to fit the aesthetic of American Candy.

 “24 Floors” and “(Un)Lost” have a similar vibe to the songs off of Lovely Little Lonely. The lyrics seemed to be aimed at those going through a tough time. They give off a feeling that in the end, everything will turn out fine.

During this portion of the set, the band’s heavier sound became prominent, with songs such as the album’s title track “American Candy,” as well as the song “Diet Soda Society.”

While gazing out into the crowd in the beginning half of the second album O’Callaghan proclaimed to the audience, “I want to remember this one, I don’t want to remember Anaheim.”

The Maine - Photo Credit: Katherine Amy Vega
John O’Callaghan (Lead Vocalist/Guitarist), The Maine
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

This show had a special feeling to it, where the fans and the band had a connection that could be felt. The Maine and their fans have a one-of-a-kind relationship, and every lyric sung, felt personal, as if directed to everyone individually and collectively.

O’Callaghan reminded the crowd, “Remember to tell the people that you love, that you f****ing love them.” He also thanked the fans on behalf of the band for, “making us feel less lonely.”

The Maine - Photo Credit: Katherine Amy Vega
Pat Kirch (Drummer), The Maine
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

A highlight for the show was during “Am I Pretty” when O’Callaghan got the crowd to crouch to the floor. The crowd was together in this moment and listened carefully to O’Callaghan’s words. It’s moving to watch as a band can get a room full of strangers to bond with their words and music.

The Maine - Photo Credit: Katherine Amy Vega
Garrett Nickelsen (Bassist), The Maine
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

The show ended perfectly with the ever-nostalgic “Another Night On Mars”.  The lyrics, “this one goes out to my closest friends, the ones who make me feel less alien,” showcase the importance of friendship and how friends allow us to be ourselves.

With friends like ours, anywhere is home,” insinuates that everyone in the room that night, was each other’s friends, and that you don’t physically have to be at home to feel “home”.

The Maine is one of those bands that if you listen to them live, it sounds just like the album. They truly are a talented band, with a unique relationship with their fans. After each show, they make the effort to meet their fans and give them the meet-and-greet experience for FREE.

The Maine - Photo Credit: Katherine Amy Vega
John O’Callaghan (Lead Vocalist/Guitarist), The Maine
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

The Maine has been a band for 10 years now, and in that decade, they have grown, and made sure their fans were on the journey alongside with them. With this special relationship with their supporters, and their devotion to their music, it seems The Maine will definitely be around for a long time – and Burning Hot Events is proud to call them part of Phoenix’s artistic community! Check out our interview with them to find out about their Modern Nostalgia Tour, growing up in the band, their band culture and MORE!

PHOTO ALBUM

by Katherine Amy Vega

The Maine – The Van Buren 11-22-17

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All Content © Kataklizmic Design.
ALL RIGHTS RESERVED.

REVIEW: Miss Krystle’s New EP “Inevitable” is Down to Make Fans Feel Good

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Miss Krystle recently released her new EP Inevitable earlier this fall. As Arizona cools down from a particularly “Cruel Summer,” and as the US at large continues to struggle with obstacles across the board, Inevitable is a breath of fresh air ready to bring a second wind to all who listen. The Inevitable EP will be “on your mind and in your dreams… burning in your memory,” as it is truly “Unforgettable.”

Photo Credit: Tony Mandarich Creatives

Ever the inspiration, Miss Krystle continues utilizing all her passions and talents to their fullest potentials in all 6 tracks on the EP. She is a humanitarian, a philanthropist, an intellectual juggernaut, and a phenomenally talented musician; not only is the EP immensely entertaining, it is also incredibly uplifting and nurturing.
Miss Krystle had this to say about her new EP: “It was my mission to be impactful. We were going for in-your-face, this is how it is. We also wanted it to be empowering. I wanted to tell my fans that despite everything that has been going on socially and politically this year, you can find your power and your voice. I want them to remember to never give up. Lastly, I wanted to showcase my own vulnerability.” Throughout the entire album, these words certainly do ring true.

The Inevitable EP is a wild journey through many of the emotions, passions, experiences, and darkest thoughts that the human mind is capable of. The energy levels of the album are like a rollercoaster, with some songs pumping the listener up and getting them ready for a night on the town and others making the listener wonder if they should curl up on the couch with a comfortable blanket and a pint of their favorite ice cream. Miss Krystle has a one-of-a-kind style in her approach to music, but it fits in perfectly with other contemporary pop artists. Some of her new songs also seem like they’d easily find a place on a Dance Dance Revolution playlist, as they would be delightfully fun to dance along to. Others still would be perfect for someone’s first pick at karaoke.

Photo Credit: Shot by Jonny

Generally, pop music and similar genres are not known for their depth or insight, yet Miss Krystle easily marries popular culture, philosophy, and deep introspection in her musical work. During a preliminary listen, her songs sound as if they’d easily find a home in any club or on one’s favorite Top 40 radio station. Don’t be fooled, however—upon further inspection, the lyrics peel away, layer by layer, revealing a deep exploration into the human condition and how it impacts contemporary society.

Inevitable

From anthemic, affirmational title-track “Inevitable”, Miss Krystle explores themes of fitting in, watching the world around us, learning from our experiences, seeing the horrors of humanity and the world around us, yet still keeping calm and carrying on. 

She tackles the concept of how “they tell us how to fit in… tell us how to get by,” while still struggling to find our own identities in this mad world. While the song could be about so many different topics, from love to revolution, it instantly becomes a bright beacon in the night, guiding all who may feel lost.

Photo Credit: That Orko

In fact, out of all the songs on this EP, “Inevitable” itself may be the most exceptional and singularly profound track. Coming out at a time when many of us may feel utterly lost and hopeless, Miss Krystle reminds us to “rise for what matters, lasting until the end.” She needs us standing with her, united. This is a call to arms, not to fight what is wrong in this world, but rather to fight for the ability to support one another, to remind ourselves that we are all in this together. “We are, none of us, alone,” as ancient Chinese philosopher Fushumongu stated long ago.

As we’ve seen, time and again across this country, people are “taking it to the streets, not afraid to take a stand.” We do have strength in numbers, and we will fight. We have had enough. We’ve all woken up to this new day, and we “can’t give up on what we love.” Victory truly is inevitable. This song, like a mantra, shall inspire countless others to greatness in the coming days.

On top of any newfound courage in the realms of love and activism, Miss Krystle also calls us to come “together, woman and man.” This is truer now more than ever before. None of us can ignore the future, no matter how hard we try. Now, let’s get ready to “spark it up.”

Wild Like Fire

While the more insightful songs and verses from Miss Krystle’s new EP are absolutely striking, the album has a great mix of fun and fiery tracks as well. When “Wild Like Fire” comes on, it’s difficult to not instantly get pumped up. This song is a true energy boost, from the lyrics to the beat. “Welcome to the show.” Miss Krystle “can’t control it,” because she really is a pro. This song is great to drive to with the volume up, but it would also find a home in any club or, perhaps, bedroom. While Miss Krystle certainly has her own, unique style, fans of Kylie Minogue and similar artists may really enjoy “Wild Like Fire” and other songs off this EP.

Photo Credit: Tony Mandarich Creatives

Better Than You Think

On top of Miss Krystle’s self-assuredness and self-knowledge of her more primal urges and experiences, she also covers those more intimate feelings that often accompany physical connections between lovers. “Better Than You Think” is a love ballad of sorts, reminiscent of a modern Shakespearean sonnet in its lyrics. The symbolism and imagery in this song are quite powerful, from “collecting stars like fireflies, I’ve never felt this much alive, living the life before we die, and we return back to the sky,” to “baby the altitude is fine, on this journey, you and I, watching auroras hypnotize, getting lost deeper in your eyes.” The romantic notions in this song would melt even the coldest of hearts.

Photo Credit: Larry Alan

As much as many of us know that the only person we can truly rely on in this universe is ourselves, Miss Krystle explores feelings most of us have felt before. She shows a serene vulnerability, acknowledging the dangers but also the securities that can come out of relying on another beautiful soul for sustenance. Someone else to share this journey, and the wonders of the universe, with, as she serenades us with “and if I burn up on reentry, I knew you’d want to be here with me, you knew that one last kiss could save me, floating with you for eternity… everything’s good as long as you’re here with me.” Miss Krystle takes us on an odyssey to space, giving us “galactic goosebumps everyplace” as we cruise “on highway milky way.”

Just as Miss Krystle explores these elements of our humanness, she also explores how the best intimate relationships involve two souls coming together, knowing more about each other than they may let on. Indeed, Miss Krystle shows that she knows us better than we think that she knows us, as our human experiences are similar to one another despite their singularity. In fact, through her work, Miss Krystle may also reveal how she may know herself better than she thinks that she knows herself.

Erase You

While many of us can relate to the feelings Miss Krystle explores in “Better Than You Think”, some of us may have unfortunately experienced some emotions and experiences that are quite antithetical to that beauty. “Erase You” is a song that explores the darker side of love, when we find ourselves in a relationship that ends up being something we were not quite expecting. Still, Miss Krystle’s penchant for self-examination and metacognition still shines through brightly in the lyrics. “I never understood your distance, I thought I got it right, but now you’re gone and I’m alone.” Anyone who has been through something like this can empathize with how painful this situation is.

Miss Krystle counters this betrayal with self-empowerment, starting the song with a vigorous mantra: “You’re in the presence of a Goddess, but you forgot to bow, and now I got my eyes up on the blade I’ll use to take you out.” She continues with some conflicting lines later in the song, showing the sort of infighting and uncertainty our spirits must endure in terrible times such as this treachery of love. As she struggles with these feelings, she shares her efforts to forget: “You can hand it over, no more staying sober, I drink it away to erase you. I need to escape what you put me through. I drink it away to erase you.”

Photo Credit: Tony Mandarich Creatives

While coming to terms with reality and coping mechanisms, Miss Krystle also explains some positive strategies for her situation: “So you thought you’d be a martyr, and leave me with your sin, but little did you know, I gave it up before your words began… I’m glad you’re gone and I’m alone, so I can go and live my life.” While all is fair and love and war, this war takes no prisoners, and the cost is high.

Despite Miss Krystle’s best efforts, she is only human, and the song ends with more of this battle still to be fought. “If I could just wake up with you next to me, everything would be just how I need it to be. I don’t want to feel all this pain, don’t want to be alone. I need you to feel the same, and get your arms back around me.” These heart-wrenching lyrics make it apparent that there are no happy endings in the real world, but we all have the power to make it through as stronger versions of who we used to be.

Anything

From the second “Anything” begins playing, it is difficult to not imagine it being played while a model walks down the runway, or while a contestant on RuPaul’s Drag Race lip syncs for her life. The beat really gets the blood flowing, and it is great to drive or work out to. It’s nearly impossible to not feel sexy and powerful while “Anything” plays, so “why you actin’ so shy?” Miss Krystle shows us something that will make our hearts bleed, so we “best be getting ready” because she’s gonna get us rockin’ steady. While it may be hard to focus, Miss Krystle helps us learn to “live it up.”

Relevant

The song “Relevant” was saved for the end of the EP, and for good reason. “Relevant” is rife with self-awareness and introspection, and it is clear this song is very personal for Miss Krystle. However, it also serves as a reminder to the rest of us to let go of where we began “and be reborn in the wake of it.” These lyrics are quite relevant to the theme of symbolic rebirth, and it is also quite fitting for Phoenix, Arizona.

Photo Credit: Tony Mandarich Creatives

Miss Krystle also reminds us to “feel at home in the place” we’re in, and to “never mind the storm.” Our dreams will keep us warm. We all struggle to become relevant while traversing our own paths through this life, and “we constantly test our innocence.” Likely pulling from her own experiences, she reminds us of the ultimate cost of giving parts of ourselves away in order to reach our goals: “May our broken halos serve as evidence; pieces of our souls for percentages.” As she states proudly, “I’m holding on to me.” We all may get a little lost on the way, but we must always remember who we are and where we came from.

Continuing this philosophical journey through personal trials and tribulations, Miss Krystle explores how “we all wanna be somebody,” but in the end, “all we really need is somebody… down to make us feel we’re relevant now.” Perhaps that somebody is a lover, a family member, or a friend; that somebody may even be ourselves, especially when the path becomes increasingly treacherous, or when the storm becomes too tempestuous. To quote Miss Krystle, “At the end of the day, all we are really looking for is someone to make us feel like we matter. My message is that the only person who should make you feel relevant and loved is ultimately you.”

Closing Thoughts

Don’t forget, “we make our own strength, we make our own peace,” and we really are so strong. “We can do this.” We are all a part of history, but Miss Krystle and her new EP Inevitable have certainly found a comfortable home in modern popular culture. As we all enjoy these 6 sublime songs, we also wait with bated breath for future releases from Miss Krystle. Hers is a flame we do not want to go out, as she brings a lot of light to this oft dark world.

Photo Credit: Tony Mandarich Creatives

(Top featured photo by Tony Mandarich Creatives)

 

REVIEW: Nothing More Lets ‘Em Burn at The Van Buren in Phoenix 10-25-17

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PHOENIX — Nothing More put on an explosive performance in Phoenix Wednesday night at the city’s eye-catching new venue, The Van Buren; named in honor of the historic Martin Van Buren. Once inside, it was a pretty swanky setup: grandiose crystal chandeliers dripping from the ceiling, marble double-sided bars wrapping around the room and on the back wall, an enormous, technicolored mural of the Sonoran Desert surrounded the stage — a fitting theme considering the band was formed out of San Antonio, TX. Interestingly, Nothing More frontman Jonny Hawkins is actually an Arizona native. This is a fact he shares with drummer Ben Anderson who is known for his presence in local success story Digital Summer.

Nothing More - Photo Credit: Katherine Amy Vega
Ben Anderson (Drummer) – Nothing More
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

After stirring performances by Hell or Highwater, My Ticket Home, and Palisades, it was obvious the crowd’s anticipation was at its peak. All eyes were on the stage as the lights dimmed and the introduction to “Christ Copyright” rumbled out from beneath Anderson’s drum set. In a flash of white light, Hawkins entered the stage rocking his classic barefoot, shirtless style while yelling, “What’s up Phoenix?!”, as the remainder of the band stepped on stage behind him. A haze of blue and red light filled the room as the band moved right into meteoric performances of “Let ‘Em Burn”, “Mr. MTV”, “Don’t Stop”, and “Ripping Me Apart”; kicking things off with a mixture of heavy-handed tracks from Nothing More’s fourth and fifth studio albums, Nothing More and The Stories We Tell Ourselves.

The Stories We Tell Ourselves was an immediate favorite among fans after its release in mid-September of this year, coming in at 15 on the Billboard 200. And rightfully so, as the band’s live stage presence is both wildly unapologetic and deeply emotional.

Their set featured a variety of face-melting solos by each of the band’s highly talented members, but after their hit single “Go To War”, Hawkins and lead guitarist Mark Vollelunga decided to slow things down a bit. Midway through the night, the duo came together for a heart-wrenching acoustic performance of track “Just Say When”, which moved some neighboring fans and myself to tears. It’s a song that Hawkins said “almost didn’t make it onto the record” because they thought it might be “too sappy“. As is the case with many classic emo-toned favorites, the sad love story of the troubled rock star hit us right in the feels.

As “Just Say When” came to an impassioned end, the remaining members of Nothing More took the stage once again, throwing themselves into songs “I’ll Be Okay”, “Here’s To The Heartache”, and “Do You Really Want It”. Fans visibly rejoiced as bassist Daniel Oliver strapped his instrument into the infamous “Bassinator” while Vollelunga and Hawkins aggressively plucked and tapped along the fingerboard. They were, presumably, pumping up the audience for a prolific performance of profoundly personal track “Jenny”, the third single off Nothing More’s self-titled album which spotlights Hawkins’ sister’s struggle with mental illness — a topic that hits hard for many of the band’s listeners.

Nothing More - Photo Credit: Katherine Amy Vega
 Jonny Hawkins (Vocalist), Daniel Oliver (Bassist), & Mark Vollelunga (Guitarist) – Nothing More, playing The Bassinator
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

Just as we sang along to the closing lyrics of “This Is The Time”, Hawkins stepped forward to address the crowd for one of the last times that evening. “Well it’s that time of the night; it’s our last song. Who has seen us before? [Cheers] Who has never seen us before? [Cheers] We are a band that does not give encores because one: they’re fake, and two: they’re fake. We’re just going to play our last song instead, and give it all we’ve got.

Nothing More - Photo Credit: Katherine Amy Vega
 Mark Vollelunga (Guitarist) – Nothing More
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

And just like that, Hawkins was back at it again, flinging his water bottle into the crowd and jumping all over the stage as he and his band mates poured their souls into iconic track “Salem – Burn The Witch”, standing atop their latest mega-futuristic, one-man-band machine – a 400-pound, 14-foot tall instrument. The members of Nothing More dubbed it as “The Scorpion Tail” in an interview with local radio station 98 KUPD earlier this week. The crowd went absolutely insane for it, cheering Hawkins on as he not only drummed with his feet, but sang as well. Even employees of the venue gathered to watch in awe, some with their fists thrust into the air.

Nothing More - Photo Credit: Katherine Amy Vega
 Jonny Hawkins (Vocalist) – Nothing More, on The Scorpion Tail
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

To say this performance was “impressive” would be to sell it short. Nothing More swept us off our feet yet again, and Phoenix will absolutely be back for more.

Nothing More - Photo Credit: Katherine Amy Vega
 Nothing More
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

PHOTO ALBUM

by Katherine Amy Vega

Nothing More – The Van Buren 10-25-17

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ALL RIGHTS RESERVED. No Stealing

#iwokeupbadass – Katherine Amy Vega, Kataklizmic Design | Web Series Episode 5

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Katherine Amy Vega of Kataklizmic Design provides services to artists, especially musicians, and opportunities to freelancers and entrepreneurs.

Watch #iwokeupbadass episode 5 to see how she became a media powerhouse, where her ambitions are leading her, and how her dream is building an artistic community! Katherine is also the Concert Photographer, Owner and Manager of Burning Hot Events.

#iwokeupbadass is a web series featuring the everyday movers and shakers who aim to create and change the world. Brought to you by Endless Dream Pictures, LLC.

PHOTOS: Lindsey Stirling – Comerica Theatre 11-12-16

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PHOENIX — Lindsey Stirling, the awe-inspiring dancing violinist, brought her Brave Enough Tour to Comerica Theatre last night. Hailing from Gilbert, Arizona, it’s no surprise that the venue posted low ticket warnings on social media, and a horde of fans came out to see her live.

High production light shows and other grand visual effects are a staple of her concerts, and they make for a truly magical experience. Watching her spirit take flight when she does what she was meant to do, and fought to succeed, sends chills through your body. Lindsey Stirling is a strong inspiration and encouragement for her fans, especially in Arizona, to aspire for great things and persevere.

PHOTO ALBUM
by Katherine Amy Vega

Lindsey Stirling – Comerica Theatre 11-12-16

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ALL RIGHTS RESERVED. NO STEALING

PHOTOS: Diarrhea Planet – Valley Bar 11-9-16

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PHOTO ALBUM
by Katherine Amy Vega

Diarrhea Planet – Valley Bar 11-9-16

Flickr Album Gallery Powered By: WP Frank

All Content © Kataklizmic Design.
ALL RIGHTS RESERVED. NO STEALING

REVIEW: Phoenix Rises Again for CHVRCHES’ Highly-Anticipated Return 10-6-2016

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TEMPE, Ariz. — Fans of Scottish synthpop / indietronica band CHVRCHES have been saving their tickets since the April show, when Martin Doherty charismatically fronted three songs before the trio had to cut their performance short unexpectedly. The group returned with an overwhelming response this past Thursday, selling out their second show at Tempe’s Marquee Theatre within six months. Frontwoman Lauren Mayberry announced last minute openers Thursday afternoon, adding local indie-electronic duo MRCH to the lineup.

MRCH - Photo Credit: Katherine Amy Vega
Mickey Pangburn, MRCH © Kataklizmic Design
Photo Credit: Katherine Amy Vega

MRCH took the stage at 8 p.m sharp, greeting fans through a haze of vibrant blue-green lights. “We are very excited to be here!” vocalist Mickey announced. “My last time at the Marquee was to see Bone Thugs-N-Harmony,” she added through smiles. Mickey radiated an energy similar to that of Debbie Harry while energetically serenading the audience with romantic, electronically-infused vocals — although the synth and percussion were a bit overpowering, making the quality of her performance difficult to hear at times. Towards the end of their set, MRCH won over the crowd with an effervescent performance of Blondie’s ‘Heart of Glass,’ showcasing Mickey’s unique, vintage pop sound.

CHVRCHES - Photo Credit: Katherine Amy Vega
CHVRCHES © Kataklizmic Design
Photo Credit: Katherine Amy Vega

CHVRCHES wasted no time getting started, drenching the audience in a mesmerizing, strobe-like display of geometric white light and signature esoteric beats. The crowd erupted as silhouettes of Iain Cook, Martin and Lauren marched across the stage, kicking off their performance with a throwback to the April show  — “Never Ending Circles,” the first track from their latest album Every Open Eye. The group immediately engaged listeners with a few fast-tempo favorites and of course, Iain’s electrifying dance moves behind the keyboard.

CHVRCHES - Photo Credit: Katherine Amy Vega
Iain Cook, CHVRCHES © Kataklizmic Design
Photo Credit: Katherine Amy Vega

As the audience sang along Lauren’s voice cut in, “We return to the scene of the crime!” The audience responded in applause once again. “Thank you for coming back to see CHVRCHES! I know many of you came to see us many months ago, but things didn’t go as planned,” she continued, struggling to untangle a mic cord at her feet. “Much like this,” she joked. “But this  — this I can deal with.”

She went on to give an electrifying performance before handing the mic over to bandmate Martin for “High Enough To Carry You Over” and “Under The Tide,” a nostalgic selection considering the band’s courageous performance last April, in which they continued without Lauren in order to satisfy their fans. Lauren did re-appear at the end of their shortened set during the April show, fighting extreme illness in order to give fans one final song.

The band’s dedication to their fans was not lost on the people of Phoenix. Lauren’s hypnotic stage presence combined with an impeccable sixteen track set list Thursday night colluded seamlessly with the crowd’s energy, truly making this heightened performance one for the books. CHVRCHES left the stage on a high note, leaving the audience excited and hungry for more. Spectators spottily chanted “One more song! One more song,” lingering to see if the band might continue.

CHVRCHES - Photo Credit: Katherine Amy Vega
Lauren Mayberry, CHVRCHES © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Suddenly Lauren took the stage once again, stepping forward to address the crowd. “I’m not trying to make you guys jealous,” she said coyly, “but I am going to see Beyonce tomorrow and I’ve got to make it all the way back to the east coast. So, we are going to play you a couple more songs.” The crowd exploded in ecstasy once again, vibrating the floor of the venue as they began to fist pump along to “Afterglow.”

At this point, the group had now performed more than double their set list from last April, and continued to pour their souls into each track making for an unforgettable display of commitment to their fans. Lauren paused, holding Martin’s drumsticks in a crisscross formation above her head as the crowd roared, begging to hear the final song of the night. CHVRCHES then concluded things with their timeless hit, “The Mother We Share” from album The Bones of What You Believe, drawing on the communal energy exhibited during the April show one last time.

Their show Thursday night was more than high enough to carry us over. In fact, we think it’s safe to say this was one of CHVRCHES’ most impressive performances to date.

PHOTO ALBUM
by Katherine Amy Vega

CHVRCHES & MRCH – Marquee Theatre 10-6-16

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Photography by Katherine Amy Vega, © Kataklizmic Design
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