Tag Archives: Alt AZ

REVIEW: Bleachers, Bishop Briggs, New Politics, and Others Rock Mesa for Dia De Los ALT! 9-22-17

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MESA — As the first day of fall descended upon the Phoenix metro area, locals were preparing for a much-anticipated event hosted by local alternative radio station ALT AZ 93.3, featuring many wonderful bands and headlined by Bleachers. While it was maybe a little long for a concert, and a little short for a music festival, it was just the perfect length of time for music fans attending the Dia De Los ALT music festival in Mesa Amphitheatre on Friday, September 22, 2017. Luckily, the weather this year also seemed to participate, with a lower-than-average high of 86 degrees. A beautiful afternoon of music entertained a slowly-growing crowd, preparing them for a fantastic night of great alternative bands and temperatures in the 70s. What a wonderful way to welcome these musicians to the Valley of the Sun.

Dia De Los ALT may have been headlined by Bleachers, but 5 other incredible bands also blessed Mesa Amphitheatre with their presence – and their tunes. The lineup included local band Rival Coast, Los Angeles/Seattle band Tangerine, Los Angeles-based Sir Sly, the Copenhagen/New York musical sensation New Politics, and finally the London (by way of Los Angeles) queen of alternative, Bishop Briggs. Each band brought their unique style and sound to the festival, showing how truly diverse and interesting alternative music can be. This was also reflected by those in attendance – Dia De Los ALT was a wonderful way for all types to come together and enjoy beautiful music and a fantastic time.

Rival Coast

First up was Rival Coast, a young yet capable local Phoenix band. The festival started at 4pm, and with the recent venue change and rush hour traffic in Phoenix, the venue was just starting to gain a sizeable number of attendees. While Rival Coast are still just getting started, they just recently released their first EP – Red Lights. These young men may have only recently graduated from high school, but their talent and love for music are both crystal clear. Since they have all been friends since childhood, it was also easy to see that they love playing music with one another.

Each band member totally rocked the stage and entertained a small yet enthusiastic crowd. They only had the spotlight for 20 minutes, but they made ample use of the time they were allotted. They have likely gained at least a few new fans after their stellaalr performance. They are energetic and enthusiastic, and they pair fantastic vocals with excellent instrumentals. The highlight of their performance was definitely their last song, “Shiver,” a portentous yet spirited tune with a fun, memorable chorus. It was certainly a great choice with which to end their brief performance.

Tangerine

After a brief break and a word from some of the ALT AZ hosts who thanked everyone for coming out early, the next band – Tangerine – was introduced. They started with great energy, fun vibes, and a very chill stage presence. Their music is considered alternative pop, and they certainly have a unique sound. The band consists of two sisters, Marika and Miro, and their best friend Toby. It was easy to tell how close they are to one another, and this made their performance a seriously enjoyable experience.

Tangerine has been making music for quite a while, but they have yet to release a full album. They do have singles and EPs out, however, and their latest song ”Sly Moon” was released last month. Other highlights from the show include the songs “Sunset,” “Girls Like Us,” and “Nothing Better.” They seriously brought out some fun and chill vibes for the growing crowd near the stage as others found seating in the shade around Mesa Amphitheatre; attendees were throwing beach balls around, eating some snacks, enjoying some beverages, or getting some free face painting done with various Sugar Skull themes. Their music perfectly complimented the easy-going nature of the festival. Prior to playing their last song, they threw in a wonderful comment: “We love Phoenix so much! This is our second time here.” It was great to have them visit again – Phoenix loves you too, Tangerine!

Sir Sly

Between shows, ALT AZ played some select songs from Bleachers, New Politics, and Bishop Briggs to hype up the valley for their performances later in the evening. However, Sir Sly was on next. Sir Sly dominated the stage with their interesting music and fantastic stage presence, bringing the energy levels of the festival up a few notches. The synth music was out in full force, and the bass was certainly bumping. There were some tinges of 80s music in there, but this was certainly a unique musical experience. Landon, the vocalist, concentrated all of his energy into moving around the stage and sharing his fantastic vocals with the crowd. Most importantly, he shared his smooth dance moves with the audience, with a PBR in hand. That man can move!

Sir Sly recently released a new album – Don’t You Worry, Honey – and played a few of these new songs during their set. The best part was that the band members are very close to one another, and Landon said it was wonderful to create this new music with his best friends, Jason and Hayden. He also shared that “it’s good to be back once again,” as their very first show outside of California was here in Phoenix; it obviously holds a special place in their hearts, so being back was a truly special experience for everyone that night.

It was clear Sir Sly loved performing their music, and some highlights were new songs “Altar” and “Change.” The songs were full of fun, yet sometimes sardonic and cutting lyrics and backed up with lots of bass, guitar, drums, and synth. They also employed some voice filters to interesting effect during songs. The highlight of their performance, however, was when they played the song “&Run” just as the sun began to set over Mesa; they sang the lyrics, “Heavy as a setting sun…” and “I’ll run into the setting sun…” at the perfect moment. This truly made their presence at the show truly unforgettable.

During another brief break, as dusk set itself upon the Phoenix metro area, more people began to arrive to the Mesa Amphitheatre. The temperature was dipping into the 70s, and people were getting excited for New Politics coming on next. People were grabbing more beers and cocktails, more people were getting some face painting done, lots of people were finding spots to sit down or hang out with one another, and entire families were enjoying one another’s company; in fact, there was one family with small children playing with one of the many beach balls floating around the amphitheater. One young boy had ear protection on and a shirt that read, “HERE TO ROCK.” I’m sure he wasn’t alone!

A beautiful evening and a very happy crowd. #altaz #diadelosalt #altaz933 @altaz933 @newpoliticsrock

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New Politics

Just as twilight was setting in, New Politics came on at about 6:30pm. They were the first to have a dramatic entrance onto the stage, and dramatic it was – they played some epic background music while the band members came on stage one at a time. First up was the drummer, Louis Vecchio, followed by guitarist Søren Hansen, and finally, lead vocalist David Boyd. The crowd was screaming, and they did not waste any time getting into things. They started the show with a huge bang, rocking out pretty hard and getting the crowd jumping. Now that it was getting dark, it was time for some fantastic lighting, and New Politics’ light show definitely delivered.

New Politics was great at getting the crowd involved, and everyone certainly loved the attention and engagement. They discussed how it was great to be back in Phoenix, how they have a new album coming out next month (Lost In Translation), and sang one of their new songs, “CIA.” During this song, David threw his hat off to really get into the mood of rocking out and moving all over stage with his ridiculous yet entertaining dance moves while sporting his bright red microphone. He even told the audience he hoped they had their dancing shoes on so they could join him. During the show, they played some of their greatest hits, such as: “West End Kids,” “One of Us,” and “Just Like Me.” They also played a new song, “Color Green,” while illuminating the entire stage in green lighting (of course).

Not only did New Politics play some amazing songs, but they also brought a message of hope and love. They thanked ALT AZ for having them and bringing everyone together, citing them as the main reason they were all there that evening. They also praised ALT AZ for spreading music and love, how they love alternative music because it is truly the best. Continuing on this theme, they also discussed how, when we all have each other, through all the bad stuff like hurricanes and earthquakes, we’re here for each other; “All it is is just a lot of good people listening to music and sharing love.” This is when they started singing “One of Us,” which was perfect timing.

The most beautiful moment of New Politics’ performance was when they busted out the ukulele sang “Fall Into These Arms,” at which point a little girl popped up on her parents’ shoulders towards the front of the crowd. In the middle of the song, David pointed out to her and said, “I LIKE YOU!” The little girl was overjoyed, but that wasn’t the end of this beautiful moment. David also, quite literally, fell into those arms by gently diving into the crowd. The excitement levels of the crowd were off the charts by this point, and it was such a wonderful moment where everyone truly was brought together by some beautiful music.

Sadly, at about 7:15pm, New Politics’ time was up. Before parting ways, they announced that Bleachers were coming up later, but first, the “most beautiful woman in alternative rock” was coming on – Bishop Briggs. They then got together at the front of the stage, bowed to the audience, and threw some guitar picks and drumsticks into the crowd for a few delighted fans to catch. After that, they were off, and after another short break consisting of an awkward word from the show’s sponsors, Bishop Briggs took the stage.

Bishop Briggs

First on the stage were Bishop Briggs’ band members, and the lighting was quite dark. They started playing music, and after a few moments, Bishop Briggs herself jumped out on stage with incredible energy. Dark purple lighting flooded the stage, but right at the perfect moment, the big 93.3 ALT AZ banner in the back was lit up in bright red right as Bishop Briggs started singing the first lyrics of her first song of the night.  It may have been a bit difficult to see anything on stage, but what stood out were her signature dual hair buns and jumpsuit – a black Adidas tracksuit that evening, with bright white iconic stripes down the sides. This was just the outfit she needed, because not only was she singing, she was also running! This made the show feel a bit like a high energy workout routine, but it certainly made the audience move and jump too.

The first song Bishop Briggs played was “Dark Side,” containing the lyrics “Welcome to my dark side, it’s gonna be a long night;” perhaps that’s why the stage was so dark during her show! Regardless, the intense beats and maximum bass were perfect accompaniments to her high-energy lyrics and her almost-non-stop jogging and jumping around the stage. What also stood out was her massive smile the entire time, and it was easy to tell she was truly enjoying her time up on stage. She also had a unique style of inserting a little scream into the perfect moments in her lyrics and just talking to the crowd, with such moments like “How is everybody DOING?!” followed by an enthusiastic “GOOD!!!

Her music was loud, aggressive, and entertaining, and there were even guests staying in the nearby Marriott hotel who came to their windows to look down at the amphitheatre to see what all the commotion was about. Hopefully they enjoyed their free view of the show! The crowd definitely did – everyone seemed to be jumping up and down, dancing, and singing along with Bishop Briggs’ songs. To show her appreciation for everyone, she stated that she was “so honored to be in this lineup. It’s great to be alive in this little bubble we have going on here.” On that note, she ended her show with her wildly famous hit single, “River.” The crowd went wild!

During another short break, it was easy to feel the anticipation in the air; clearly, there were many people at Dia De Los ALT who were there to see Bleachers. During this break, one could hear the final calls of the Lemonade man, who had been shouting all evening: “Lemonade, Lemonade, like Grandma… made!” Attendees had grown accustomed to him and his impressive set of lungs, particularly those who had been in the amphitheater since the doors opened at 3pm. During this time, technicians took down the huge 93.3 ALT AZ banner and replaced it with the new stuff for Bleachers’ elaborate stage setup.

Bleachers

Finally, at about 8:50pm, the moment many had been waiting for had arrived. Bleachers came out on stage to the screams, shouts, and claps of the audience. They started out with the fact that they are from New Jersey and that they have never headlined in this part of the world before, so this was a very special night for them. They also continued to hilariously decide if it was okay for them to call everyone “Phoenix” since they were in Mesa, and they asked if that was offensive. They decided, “f*ck it, we’ve never headlined in Arizona before. All of AZ is here tonight!

Their high-energy, anthemic songs uplifted and roused the crowd; their music was coupled with one of the best light shows possible, which added a new level to the experience and pumped the crowd up even more. Their songs encourage people to sing along in many ways, compounded by the fact that four out of five of the band members pipe in from time to time to sing along with Jack Antonoff. Not only that, but Jack frequently encouraged the crowd to sing along with shouts like “SING IT LOUD!” and “holy sh*t, you guys don’t f*ck around!

After a few of their songs, Jack ripped off his jacket; things were getting serious now. They also had a huge surprise for everyone that night – Jack announced they had a birthday in Bleachers very recently. The crowd cheered a bit, but to his displeasure, not loud enough: “Come on, you can do better than that! Do you guys not give a sh*t?! There was a birthday, like, a WEEK ago!” The cheering got much louder at this point, to which he shouted, “That’s more like it!” At this point, everyone sang happy birthday together with the band to one of its drummers, Mike Riddleberger. Jack then brought out a cake and handed it to the crowd, stating “You all can share it.

Jack then followed the birthday celebration up with how he knows Bleachers hasn’t been to Arizona enough, but he considers Phoenix a home away from home; it meant a lot for them to be there at Dia De Los ALT. After a few more songs, Jack punctuated the show with another little personal story. He first made the crowd get quiet, and then he made bass guitarist and keyboardist Mikey Hart stop all background music. Everyone then listened to how quiet it was outside in Mesa, and then Jack had Mikey start playing a low, humming sound. He then went on to explain how he loved Yaz (Yazoo) when he was young, and he heard this beautiful yet sad synth humming sound in the song “Only You.”

He became obsessed with that sound, and he bought the type of synth Yaz used to make it. He would play it all night long in his bedroom, which inspired him to write the lyrics to the songs that would one day become Bleachers. He wanted to make sad sounds, sad lyrics, and sad stories sound beautiful. He then stated that it would “sound something like this,” and then the other sounds of the beginning of their massively popular song “Rollercoaster” began to play. The crowd instantly screamed and cheered; this was truly one of the greatest build-up moments, and the crowd loved it. They were hanging off Bleachers’ every note, every lyric, and every word. Of course, Jack inspired the audience to sing it with him, and they most definitely sang along.

Since Jack has been a part of many beautiful moments in recent alternative music history, including being a part of the band Fun., they just had to include a slowed down version of “Carry On.” The crowd enjoyed this lull in the hype, sang along, and swayed solemnly. This more somber moment was followed up by additional slower songs, such as “Foreign Girls.” After this point, Jack discussed how they were excited to be touring with Bishop Briggs again in November, and they asked, “How are we doing on time? Someone give me a sign… I don’t want to f*ck this up.” Someone in the audience jokingly announced that it was over, to which Jack replied, “Oh, that’s it? Okay, I guess we’re done then!” However, they were far from done.

Jack next shouted out to the audience, “We’ve gotta keep it moving!” and inspired the crowd to pick up the pace once more. Next up was the song “You’re Still a Mystery,” which certainly brought the energy back again. After this, it was time to introduce the band, which was a significant moment in the show. They did a musical introduction to each member, along with a fun fact about each. Some even got to do a sort of musical solo after being announced.

Some exceptional moments were when the audience found out that Sean Hutchinson lived in Phoenix for a few years. We also learned how Mike Riddleberger is the “original Jersey hipster;” apparently, he started the entire movement! Finally, Mikey Hart was introduced, and the crowd learned he has a brother who lives in Phoenix. Mikey then treated the audience to a wickedly awesome saxophone solo, which was met with raucous applause.

Bleachers ended the evening strong, with two high-energy songs: “I Wanna Get Better” and “Don’t Take the Money.” While the crowd desperately wanted an encore, time was unfortunately up, and the festival had to come to an end. The guests staying at the adjacent Marriott were likely relieved, at least!

Closing Thoughts

All in all, despite the last-minute venue change from Fear Farm on the west side of the valley over to the Mesa Amphitheatre, Dia De Los ALT was a raging success! Citizens of the Phoenix metro area truly did come together to share love and music, and it was wonderful to see so many people of all ages and types enjoying these bands and the beautiful fall weather together. With any luck, the Phoenix area will continue to enjoy beautiful weather from here on out, and it would be great for all the bands from the Dia De Los ALT lineup to return and play in Phoenix again soon. After all, many of them seem to love Phoenix, and many of them did throw Phoenix into their lyrics as frequently as possible!

That's a wrap! What a great show! 😁😁😁 Good night! #altaz #diadelosalt #altaz933 @altaz933 @bleachersmusic

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REVIEW: Falling For The 1975 at ALT AZ’s Spring Fling 4-22-17

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MESA, Ariz. — As I approached Mesa Amphitheatre on the hot Arizona day, I saw many of the almost-5,000 people walking in to fill out the sold out show to see The 1975. I was surprised to see the wide range of fans who filled the venue. A very different scene from when I first saw The 1975 at Comerica Theatre in 2014 where the venue was filled mostly teenagers. This shows how much the band has grown in reaching their music to a broader audience.

The first opener, Pale Waves set the indie pop mood for the night. The up-and-coming British indie pop band got the crowd moving with their catchy guitar riffs and the lead singer’s enchanting voice. Pale Waves played a song called “Kiss” which had an ‘80s pop nostalgia vibe that I loved. The strong female presence was amazing with the lead singer and drummer both being girls. With a sound reminiscent to The 1975, it was no wonder they were opening for the band. Pale Waves is definitely a band you’ll want to listen to.

Phantogram

came out next and the crowds excitement roared when they walked out on stage. Lead singer, Sarah Barthel, commanded the stage with her electric voice and 70’s fringe, Stevie Nicks, inspired outfit. Her captivating psychedelic-pop voice hypnotized the crowd. Energized guitar solos, powerful drums and added keyboard for a synthesizer effect got the crowd moving.

The 1975 finally came on, and to say the crowd was excited was an understatement. Pink lights flooded the stage and the beginning of “Love Me” caused the crowd to scream with excitement, myself included.  It was the perfect opener, showcasing the new image and sound of the band.

Phantogram Phone pic from Mckayla Hull
Phantogram
Phone pic from Mckayla Hull

Throughout the set, when the band played songs from their first self-titled album, the lighting fit the aesthetic of a darker mood with darker colors. During the transition to “I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It”, the lighting consisted of neon pink and white. I loved how the band made it a point to showcase the different album styles through lighting.  Not to mention how amazing their backdrops were! The 1975 is definitely an aesthetically pleasing band.

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Lead singer and frontman, Matty Healy, commanded the stage and engaged the eager fans as he climbed on top of the speaker and lit a cigarette, while singing “A Change of Heart” to mesmerized girls. Before playing “Falling For You” Matty asked for “no phones”, adding, “let’s live right now”. The sheer silence and lack of phones, with the exception of the few fans who couldn’t possibly resist capturing how beautiful Matty looked, made “Falling For You” a unforgettable song. The outside venue made this moment even more magical because for just a few minutes the outside seemed calm and everyone free of any worries.

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One of the most captivating moments of the concert was when “Loving Someone” started play and suddenly the lights projected the LGBT flag colors into the crowd. I couldn’t help but smile and feel comfort in knowing one of my favorite bands is using their music to show support.

The band played many fan favorites including “Robbers”, “Sex”, “Girls”, and “Somebody Else”. They ended the set with “The Sound”. On the last verse, Matty asked for everyone to jump. Seeing close to 5,000 people jumping and singing along will definitely be one of my favorite sights I’ve witnessed. In that moment, nothing but pure joy exuded from the crowd.

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As I walked out of the venue, I couldn’t help but smile. I overheard girls telling their friends about the experiences they had with Matty being so close to them and the happiness they felt. It’s so amazing how The 1975 never fails to impress. Seeing them live is an experience that leaves me speechless every time.

REVIEW: Jimmy Eat World & Good Charlotte Wake the Dead at Zombie Prom 10-22-16

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PHOENIX One day after the release of their ninth studio album Integrity Blues, as well as an intimate in-store performance and signing at Zia Records (Mesa) in homage to their roots, Arizona’s own Jimmy Eat World returned to the stage for 93.3 ALT AZ’s Zombie Prom Music Festival.

Now more than halfway through the U.S. leg of their album release tour, J.E.W. was slated as the night’s headliner, preceded by a long-awaited performance by pop-punk legend Good Charlotte. The full lineup also included The Struts, Lewis Del Mar, Barns Courtney, K. Flay, and The Hunna.

It’s hard to believe both of these iconic bands have been dominating the alternative rock scene since the early nineties, famed for timeless hits like Good Charlotte’s “Anthem” (2002) and Jimmy Eat World’s “The Middle.” (2001). Blood-spattered prom dresses and tattered tuxedos speckled the lawn of Fear Farm this past Saturday while undead fans began spilling through venue gates as early as 2:30p.m.

Following a Steven Tyler-esque performance by The Struts frontman Luke Spiller later that night, Good Charlotte collectively stepped into the spotlight for the first time in five years. The group announced an end to their hiatus in November of 2015, and have since released their sixth studio album Youth Authority, a revitalizing tribute to the heavy-handed, punk rock sound Good Charlotte fans have come to know and love.

Good Charlotte - Photo Credit: Katherine Amy Vega
Joel Madden, Good Charlotte © Kataklizmic Design
Photo Credit: Katherine Amy Vega

All at once the intro to “Anthem” roared across the stage, lights throbbing in rhythm as onlookers burst into a sea of fist-pumps, audibly singing along to every word. Good Charlotte’s drummer Dean Butterworth was unable to accompany his bandmates to their comeback performance. They were, however joined by Tony Palermo of post-hardcore band Papa Roach. Joel went on to explain that Tony had learned the setlist on his way to the show, with no rehearsals.

Good Charlotte, Zombie Prom
Good Charlotte at Zombie Prom © Kataklizmic Design
Photo Credit: Katherine Amy Vega

The energy of the crowd seemed to mirror the intensity of the music, surging through classic throwbacks like “The Story of My Old Man,” “Girls & Boys,” and “Riot Girl.” As the audience raged with excitement, Joel’s voice once again took over the speakers.

“We were off for five years! We made a new record and I want to play a song off of it. This is our first night on tour. If I teach you a song, will you sing it with me?”

Good Charlotte - Photo Credit: Katherine Amy Vega
Benji Madden, Good Charlotte
© Kataklizmic Design
Photo Credit: Katherine Amy Vega

His question of course, was met with a resounding and exuberant, “Yes!”

Next up on the setlist was “Life Changes” off of Good Charlotte’s latest album. Despite having been released in May of 2016, this track sounds like it could have been off their first album The Young and the Hopeless back in 2002. The band followed up their latest hit with Avenged Sevenfold collaboration, “The River” and lastly, “Lifestyles of the Rich and Famous.” Needless to say, Good Charlotte hasn’t lost their touch — and they still put on one hell of a show. (View Full Setlist)

After a brief soundcheck, members of Jimmy Eat World took the stage one-by-one. Some might say that Good Charlotte would be a tough band to follow after a year off from music, but Jimmy Eat World is one of those bands that is absolutely electrifying when seen live. Zombie Prom was slated to be J.E.W.’s first major Arizona performance since the Summer Ends Music Festival in 2015.

Jim Adkins, Jimmy Eat World
Jim Adkins, Jimmy Eat World © Kataklizmic Design
Photo Credit: Katherine Amy Vega

As a shimmering blanket of blue and violet fog billowed out above the stage, Jim Adkins humbly stepped forward, greeting the crowd as if we were all old friends. “We are Jimmy Eat World! Originally from Mesa, Arizona. Thanks for being a bunch of dead people,” he joked. The first few notes of “Get Right” echoed across the venue, and the audience was once again overjoyed, yelling out song titles in hopes of hearing their favorite tracks played live. Although Jimmy Eat World has a definite down-to-earth quality about them, their stage presence is one to be reckoned with.

Rick Burch, Jimmy Eat World
Rick Burch, Jimmy Eat World © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Adkins and Linton seemed to become one with their instruments as the group passionately moved through popular songs like “Bleed American” and “I Will Steal You Back.” The authentic quality of Adkins’ vocals was especially evident as the band transitioned into a few newly released tracks including “You Are Free” and “Pass the Baby” — a particularly unique composition off of Integrity Blues due to its soulful metaphors, hard-rock undertones and one mega-explosive breakdown.

Jim Adkins, Jimmy Eat World
Jim Adkins, Jimmy Eat World © Kataklizmic Design
Photo Credit: Katherine Amy Vega

Saturday’s show also included “You With Me” and “Sure and Certain” off of Integrity Blues, among a myriad of other hits from previous records over the years. Of course, the night wouldn’t have been complete without a crowd-thumping performance of “The Middle” and “Sweetness,” each of us singing the lyrics back through every verse. It was the ultimate album homecoming party, with a robust 19-track set list to boot. (View Full Setlist)

PHOTO ALBUM
by Katherine Amy Vega

Zombie Prom: Jimmy Eat World & Good Charlotte

Flickr Album Gallery Powered By: Weblizar

All Content © Kataklizmic Design. ALL RIGHTS RESERVED.
NO STEALING

PHOTOS: Nate Ruess – FestivALT Phoenix 4-23-16

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Photos of Nate Ruess (fun., The Format) performing at ALT AZ 93.3’s FestivALT in downtown Phoenix, Arizona on April 23, 2016.

Nate Ruess – FestivALT Phoenix 4-23-16

Flickr Album Gallery Powered By: Weblizar

Photography by Katherine Vega, © Kataklizmic Design
ALL RIGHTS RESERVED. NO STEALING

CHECK OUT THE OFFICIAL LIVE VIDEO
OF NATE COVERING “LET’S GO CRAZY”
BY PRINCE! – PRODUCED BY KATAKLIZMIC DESIGN!

ORDER NATE RUESS’ SOLO ALBUM!

PHOTOS: KONGOS – FestivALT Phoenix 4-23-16

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Photos of KONGOS performing at ALT AZ 93.3’s FestivALT in downtown Phoenix, Arizona on April 23, 2016.

KONGOS – FestivALT Phoenix 4-23-16

Flickr Album Gallery Powered By: Weblizar

Photography by Katherine Vega, © Kataklizmic Design
ALL RIGHTS RESERVED. NO STEALING

PRE-ORDER KONGOS’ NEW ALBUM “EGOMANIAC”!

Listen to their sick new single “Take it From Me” on Spotify!

VIDEO: Nate Ruess Goes Crazy at Alt AZ 93.3’s FestivALT 4-23-16

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I had the honor of being asked to produce a video for Nate Ruess, as he paid homage to the late, great Prince last night at Alt AZ 93.3’s FestivALT in downtown Phoenix, Arizona!

Check out the mind-blowing performance from Nate Ruess and The Band Romantic below!

Video Production (Footage, Audio, and Editing)
by Katherine VegaKataklizmic Design

CHECK OUT KATAKLIZMIC DESIGN’S NATE RUESS PHOTOS FROM FESTIVALT!

BREAKING! Alt AZ 93.3 FestivAlt Schedule FINALLY Released!

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2PM (Doors Open)
2:30P Luxxe
3:30P Jason DeVore
4:35P Never Shout Never
5:40P JR JR
6:50P BØRNS
8P KONGOS
9:20P Nate Ruess (from fun. and The Format)

Regular tickets are $39 + fees,
and day of show will be about $45 + fees.

Click Here for Tickets