Category Archives: Reviews

REVIEW: A Hart to Hart – Sex, Drugs, Rock & Roll, and Sobering Moments at The Van Buren 9-12-17

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PHOENIXJust as the heat started to break, Phoenix began its transition from a seemingly-endless scorching summer to the fall and winter temperatures locals seem to live for. A perfect night for Phoenicians to head down to the brand new venue downtown – The Van Buren. Beth Hart, along with Marina V, headed to the Valley of the Sun to serenade and entertain a diverse crowd in this beautiful new downtown space.

Marina V set the stage for a beautiful, emotional evening, slowly warming up a relaxed crowd with her melodic voice and piano-playing skills. She shared many tender, intimate moments with the audience, making it seem as if it was a private show for each and every one of them. Her passion for the art she creates and shares with the world is obvious, and her performance was a mixture of the subtle and the sublime.

Marina V, short for Verenikina, hails from Moscow, Russia, but she has lived in the US for quite some time now. When she first started performing live, one of her first shows was opening for Beth Hart, making this tour very special – she was happy to be sharing the stage yet again with Beth. She also shared that she has performed over 1000 live shows by now, with her husband always by her side. In fact, after a few solo songs on stage and sharing her recent health struggles which she has recently recovered from – singing her song “Bring It On,” the anthem she wrote in some of her darkest moments – she brought out her husband to play guitar. Together, they rocked the stage, slowly ramping up their music and playing more stimulating songs and slowly warming the crowd up.

Eventually, Marina V told the crowd a bit more of her backstory, about growing up in Russia among tense relations with the US, and how she wishes peace, love, and unity for the two countries. To seal this deal, she confessed that she learned about most American music much later in her life, discovering Neil Diamond only recently. She sang “Solitary Man” in Russian, which was quite a pleasant surprise for the audience.

Marina V shared a few songs from her newer albums, and in fact plans to release her second album of the year soon. Her first one of this year, Inner Superhero, was released in January, and her latest album, Born to the Stars, comes out later this month. Fortunately for attendees, she was selling the newest album at her merch booth, giving fans a bit of a head start.

At the end of Marina V’s set, she offered for everyone to email her at love@marinav.com for 4 free songs, and a promise that she would read each and every message personally. She also invited everyone to visit her in the merch area, where she offered to sign every piece of merch sold, and to hug anyone who came to see her. As a bonus, she made sure to write fans’ names in both English and Russian on any merchandise sold.

During a short break, people were able to explore The Van Buren a bit more, enjoying its spacious lobby, beautiful outdoor patio area, a drink or three from one of its bars, and maybe even a snack. As people were returning to their seats, Beth Hart took the stage by storm, starting the show with a “bang bang” and a “boom boom.” She rocked out hardcore, along with her band, moving all around the stage and singing her heart and soul out. It was crystal clear that she was enjoying her performance just as much as the audience, if not more so.

Beth Hart recently released a new album, Fire on the Floor, in the US this February, and what better way to celebrate than with a worldwide tour? On top of playing some of her newer songs, Beth Hart played some of her greatest hits since the early 90s. She also made sure to play one of her own mother’s favorite songs – something she thinks is a pretty sexy song: “Close to My Fire.” What she didn’t reveal just yet was that her mother was actually in the crowd at that very moment.

Beth Hart went through a great sampling of her best songs from over the years, transitioning from high energy to intimate, sobering, somber moments, and just about every other feeling in between. Her music is a mix of blues, rock and roll, jazz, and soul, and it is no wonder that The Blues Magazine called her “the ultimate female rock star.” Her voice has such a unique, enchanting sound, and her commanding stage presence only helps to amplify this.

The crowd was also treated to Beth playing acoustic guitar on stage for a few songs, and of course she pulled out a few of her singer-songwriter-esque piano songs. Eventually, she had a heart-to-heart with the crowd, revealing her struggles with bipolar disorder and how it took her a very long time to “figure it out.” She also shared what was probably one of her proudest moments – reconnecting with her mom and showing her that she can do this thing called life. It was in that moment that she shared the fact that her mom was in the audience, somewhere towards the front, stage left. The lights went out, and they put the spotlight on Mama Hart, right as Beth prepared to play a song she had written just for her: “Mama This One’s For You.”

After this heartwarming moment, Beth wanted to get back to the business at hand – rocking the house, and she sure rocked it good. She shared how she hasn’t been to Phoenix in a very long time, and that she “really f*cked things up bad” last time she was here. She expressed how ridiculously happy she was to be back, how she has overcome many of her past struggles, and that she is in a truly good place in life now. All of this, combined with her supreme performance and masterful presence on stage, made the concert feel like a treat for all in the audience.

In addition to some of those more tender moments, she also shared how, as a young girl, she would go to the beach, see all the beautiful men, and imagine that they all looked delicious. Her line of choice? “I bet they taste like Coca-Cola.” This, as she informed the crowd, is what inspired her song “Coca Cola.” She also shared how her brother’s ex-girlfriend, who was “crazier” than Beth herself, inspired another one of her songs: “Get Your Sh*t Together.” In fact, she loved her brother’s ex, but she felt the need to write that song for both her and herself.

Later on, she shared how she always wanted to get the hell out of LA, as many people apparently do, leading into “LA Song (Out of this Town);” she expressed how she loves to tour but always seems to long for home when on the road. This lead to her final song, “No Place Like Home,” which was a raw, sincere moment where she shared how she wanted nothing more than to be at home with her husband, who does everything for her. She also changed some of the lyrics for a more contemporary look at her life, such as switching “have someone curl up at my feet” to “have Stella curl up at my feet” and interjecting with “Stella’s my dog” between lines.

As all good things tend to do, the show came to an end after her solo performance of “No Place Like Home,” to which Beth said her farewells to the crowd and ended with some wise parting words: “Now go home and take care of each other!” A bittersweet moment of the band coming back out on stage and motioning their own farewells to emphatic applause and cheering ensued before the stage lights went off, the venue lights came back on, and people were left to find their way home.

All in all, The Van Buren was a perfect place to hold such an intimate, surreal show filled with all the emotions under the sky – and then some. The sound was near-perfect, despite Beth’s requests for the sound engineer to tweak what she was hearing. The light show was on point, illuminating the band, highlighting Beth, and casting some interesting shadows with the TOS-era Star Trek-esque alien planet-looking props in the background. The crowd was full of true Beth Hart fans, calmly swaying to her more soothing tunes and rocking out to her more upbeat songs. All in all, this was a fantastic insight into the downtown Phoenix music scene, and Beth Hart herself certainly seemed to love every moment of her visit.

REVIEW: Incubus, Jimmy Eat World, and Judah & The Lion Blow Away Ak-Chin Pavilion 8-12-17

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PHOENIX — It was a hot and humid evening on August 12th as the lines of cars slowly filled the parking lot of Ak-Chin Pavilion in Phoenix. Incubus was headlining the night’s show with special guests Jimmy Eat World.

Opening act Judah & The Lion was on stage first to warm up the crowd and promote their recent Folk Hop ‘N Roll Deluxe LP, released earlier this year on St. Patrick’s day. The Nashville-based band brought their own unique brand of genre-bending grooves to the valley before heading to Los Angeles for a show at the Hollywood Bowl on August 14th. Frontman Judah Akers is high energy, even running through the audience at one point and doling out high fives to the amused delight of concertgoers. This band definitely did their job setting the mood for the rest of the evening.

At approximately 7:42 PM, Jimmy Eat World took the stage to an uproar of applause as the lights lit up a sea of faces throughout the Pavilion with “Sure and Certain” as their opening song, followed by the title track of their 2001 album Bleed American. As the sun disappeared over the horizon, the purple clouds in the distance began to take a darker hue, with quick flashes of lightning bursts illuminating sky. This would foreshadow what would come later in the evening.

For the time being, everyone was worry-free and soaking up the nostalgia of seeing this amazing band again. It was even more special for the folks in attendance because Jimmy Eat World are one of the few mainstream bands from Arizona. Formed in Mesa back in 1993, the band has been a source of inspiration for many Arizona musicians for nearly two and a half decades. There are most likely a lot of people in the audience that saw them live in one of the famed and now closed Arizona music venues from the 90’s heyday before the band made it big. So many couples are singing along and embracing with the lyrics, “Sure and certain, wander ‘til we’re old”.

Lead vocalist and guitarist Jim Adkins eventually addresses the audience admitting “We’ve actually never played here before,” later adding, “It means a lot for us to be here playing music for you tonight”.

This was surprising news to many because the venue has been a staple for live music for the last 27 years. How could they not have played the pavilion before? When it had originally opened to the public in 1990 it was the Desert Sky Pavilion. In 1996 the name was changed to the Blockbuster Desert Sky Pavilion until 2001 when it was renamed the Cricket Pavilion, which it remained… Until it was again rebranded as the Cricket Wireless Pavilion. In 2010 it was renamed yet again as Ashley Furniture HomeStore Pavilion for 3 years until things came full circle and it once again retained the name Desert Sky Pavilion. That was short lived as the Ak-Chin Indian Community purchased the naming rights later that year and it has remained Ak-Chin Pavilion ever since.

There was a chilling performance of “Pass the Baby”, and the people swayed like blades of grass in a summer’s wind, back and forth to the beat. An entire field of people moving their bodies and mouths to the lyrics, reflecting the light off of their faces, brought to mind the sharpness of the lyrics as the wind stirred palms in the distance beneath a tapestry of ever-changing clouds growing more and more menacing. A little later. the mood lightens and the versatility of the evening begins to betray the current mood with an about-face.

I’m gonna need a lot of help with this one. Get those lights out!

As fans activated their cell phone flashlights, the entire of the pavilion transformed into a sea of dotted illumination reminiscent of stars dancing in the night sky. “Hear You Me” trickled out of the sound system for a beautiful performance that many there will not soon forget.

Shortly afterward, Jim sang, “If you’re listening…

His Fender Telecaster began to sing the beginning riff of “Sweetness”, and it was evident how many people were immediately transported to another place in time. They’re bobbing their heads stuffing laundry into dryclean safe bags at Delia’s cleaners. They’re skating to station 13 at Sonic Drive-Thru. A girl is scanning Eddie Bauer jackets at Target overnight for inventory while mouthing the words. The guy at the front counter is stocking parts at Autozone. The aforementioned couple is at prom again. A few of them are crying. This was a time when they were happiest. Back when mom and dad were still alive and all they had to worry about was homework. They’re all conscious that the year is 2017… But they’re all in another time. Some are in 2001. Some 2003. Some in 2005.

What’s refreshing is that there were also teenagers in the audience, all that same age as the older crowd when these beloved songs were released. This music has somehow transcended time as these few but long years have passed.

“The Middle” ended Jimmy’s set. Once again, the mood was notched up to a positive crescendo.

Incubus hit the stage after a lengthy intermission and wasted no time getting started. Amongst rolling thunder, Brandon Boyd asked, “So how you guys doin’?!

The audience is echoing a cacophony of applause as Incubus opens with “Quicksand”, executing masterful precision. That would end up being a theme for the evening between the three bands. With the exception of Judah And The Lion, Jimmy Eat World and Incubus are veterans in their own right. This is one of thousands of shows these bands have played and their abilities haven’t diminished in the slightest after twenty plus years of touring year in and year out. Each and every song sounds studio- quality, with the perfect charm of the inequitous distribution of sound in a live setting. Everything sounds fresh, which is a true indication of each band’s maturity, and an excellent high water mark to distinguish their respective careers.

When the beginning of “I Wish You Were Here” began, people got quiet. It seemed like everyone within a mile radius is singing along loudly to the lyrics. Once again, the phones were out and that same illusion of stars dancing across the seats was visible, to the delight of observers. As they wrapped this song up, they closed it out with the intro Pink Floyd’s “Wish You Were Here”, to the same lyrical zealousness of the few who knew the lyrics.

The clouds got closer and were nearly directly overhead when Incubus began “Stellar”, which elicited audible reactions of delight. Brandon Boyd is flawless in his recitation. At 41 years of age, he’s still very much an attractive man as well as a fantastic vocalist, but now with the age and wisdom of a distinguished older gentleman. Co-founder Mike Einzeiger is still ever the lead guitar slinger, hitting every melodic scale and harmonic with deft accuracy. The original drummer Jose Pasillas nailed the beats with the impeccable timing of a metronome. It would be criminal to discount the beautiful bounce of Ben Kenney’s bass, and the power of DJ Kilmore’s scratch. On this night they were in rare form as a unit and in tight unison. By the time they played “Drive”, there was a definite shift in the atmosphere.

The wind was now slightly oppressive and cups are blowing across the isles. The good vibes were still there but the weather really began to become more pronounced. The sprinkling began with “Pantomime”, to the dismay of the audience, and just as the band was finishing up “Sick Sad Little World” it began to pour significantly. It actually came in sideways toward the stage. As the song concluded, Boyd remarked nervously “We’ll be right back guys, I promise… We’ll be back”, as they exited view. Moments later a promoter or employee with the pavilion appears and explains that they’ll do everything they can while staff cover the electrical equipment from the elements. “We’re here for your safety.

Giant thunderbolt and lightning (very very frightening). The crowd went wild and cheered with the revelry of a rebel yell. Masses poured out of the grass and into the stands for cover. Many beneath the ramada begin sprinting for the gates. By all appearances it looked as though this show was over. The parking lot was in shambles. Cars were scrambling toward the exit. The stack turning left at 83rd ave and Monte Vista began to congest as the downpour continued onto the policemen stopping traffic in opposite ways to assist those fleeing the venue.

…But Boyd kept good on his promise.

When the rainfall began to calm, Incubus DID come back with “Nice To Know You” and finished the show with “Warning” to close out the evening for good. Any other band could have ended the concert right then and there when conditions became dangerous and half the audience left. They must have done it just for those few fans that stayed. It was truly a rare sign of integrity to match the humbleness of Jimmy Eat World; both bands being the measure of ethics and class to the very fullest. It was a remarkable show; one that can be easily recounted for years to come for anyone who was fortunate enough to be there. Like a Strawberry Cheesecake Shake from Sonic.

Thank you #Phoenix that felt amazing ⚡️

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REVIEW: Sedona’s Michelle Branch Returns to AZ to Serenade Fans at Crescent Ballroom 07-26-17

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PHOENIX — Even the intense July heat could not exhaust the bubbling excitement surrounding the sold out Crescent Ballroom last Wednesday night as fans of all ages poured into the venue, ready to watch Michelle Branch take the stage. It was almost as if the city itself knew that one of it’s own had come home. Once inside, people gathered in little bundles or nestled themselves in corners and around tables in the bar, loudly chattering with excitement for Michelle’s set to begin.

In the concert area, the opener HAERTS had just begun, guiding the audience into a mellow atmosphere that would last throughout their set. As the songs continued, it was apparent that the crowd was not going to do this band justice. Side conversation and constant movement drowned out the soulful lyrics vocalist Nini Fabi sang. However, the fans closest to the stage were completely entranced by her beautiful words, and could be seen swaying back and forth.

As soon as HAERTS took their leave from the stage, everyone in the room gathered close and waited in anticipation for Michelle to come on. She was met with rousing applause and cheers as she came from backstage, and without a word strapped on her guitar, and went right into her first song, “Last Night.” Like most of her set, the first song and the two that followed came from her brand new album Hopeless Romantic, which was released back in April of this year.

Michelle Branch - Photo Credit: Katherine Amy Vega
Michelle Branch
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

People who listened to her music before know Michelle Branch to have more of a pop/country vibe to her music. However, this time she has completely revamped her musical style, and it showed as she went effortlessly from one song to the next, dancing around the stage or making subtle hand movements around the mic as she sang. The crowd was loving it, especially during the third song “You Get Me” when she suddenly exclaimed “Phoenix how you guys doing tonight?! It’s so good to be home, even if it is too hot to go outside!” This was met with loud, amused cheering. Along with their excitement came a moment of uncertainty however, as to how to respond to her new style of music. There were various people moving back and forth or clapping lightly to the beat. Some were even singing along or just cheering the entire time. It took until she played “All You Wanted” for the crowd to really get into it. She took a different approach to the old crowd favorite, slowing down the tempo and singing in a lower pitch, but that didn’t stop everyone in the room from singing along joyously to the lyrics they had come to know and love.

Once the thunderous applause died down from our first moment of nostalgia that evening, she took a moment to talk about her new album and the steps that it took her to produce it. After that she took a moment to introduce us to her “family from the road”, including her drummer and now fiance Patrick Carney who also happens to be the drummer for The Black Keys. When the introductions concluded, the lights dimmed as Michelle and her female band mates gathered around a microphone and prepared to “bring a little Nashville to Phoenix” with their rendition of “Leave the Pieces” from Michelle’s 2006 album Stand Still, Look Pretty, which she produced as part of the band The Wreckers.

She then continued our trip down memory lane with a slow tempoed, almost seductive version of “Game of Love,” written and produced with Santana. She rounded out this part of her set with the ever popular “Breathe” which produced the biggest crowd response of any song so far. Everyone was up and dancing, jumping up and down to the beat, and singing loudly to the words, threatening to drown her out completely. Even the band moved around the stage as they played, giving off the exact vibe expected to come from her show.

Wanting to bring the focus back to her current album, she finished out the show playing more upbeat songs, not stopping as she effortlessly navigated through “City”, “Fault Line” and “Living in a Lie.” The energy from these songs was enough to keep the crowd fully drawn in, even when she had to pause a time or two in between songs to tune her different guitars. She brought the set to a close with one last oldie but goodie “Are You Happy Now?” Following her flow from earlier on in the show, she slowed this one down as well, singing very closely to the mic while keeping her eyes closed. The vibe around the whole room was warm and satisfied as they gently swayed in unison to the lyrics in the dim lighting. She was met with a resounding applause as she stated a simple, “Thank you Phoenix”, and left the stage with her bad in tow.

Michelle Branch - Photo Credit: Katherine Amy Vega
Michelle Branch
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

She didn’t make it far before the crowd exuberantly began yelling “Encore!!”. This went on for about a minute before Michelle and her band returned to the stage. She began by thanking Haerts for playing with her that evening, explaining, “I listened to Haerts a lot while writing this new album.”. Then, she went on to remind us one more time, “It is so nice to be home! I cannot believe I’m playing here again.”, giving us all a sense of pride to share our hometown with her.

The Birthday Massacre setlist Phoenix 7-26-17
Michelle Branch setlist
Crescent Ballroom 7-26-17
(Click to Enlarge)

She finished her set by singing two more old favorites; the soulful “Goodbye to You” and an unexpected solo version of “Everywhere.” Before starting her final song, she made a promise to the crowd that. “it won’t ever be this long ever again” in terms of her producing new music. Almost as if she didn’t want the show to end, she beautifully sang the lyrics of her biggest hit in a sensual, almost haunting manner, keeping the crowd entranced up until the last note.

Thank you again Phoenix”, were her parting words as she waved at everyone as she exited the stage, hugging people along the sides as she went. As the crowd left the concert area, there was a feeling of content in the air knowing that everyone got exactly what they wanted from this show, and that it will not be another decade before we welcome Michelle home once more.

REVIEW: Post Animal Right at Home at Valley Bar 7-23-17

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PHOENIX — Valley Bar’s retro interior design was the perfect setting for psychedelic rock band Post Animal’s entrancing show on Sunday, July 23. Their music and the atmosphere of the rain outside were the perfect combination for a show that made the crowd exude happiness and dance throughout the entire set.

Post Animal on retro couch
Post Animal
Photo Credit: Jim Hesterman, Burning Hot Events © All Rights Reserved

The show was opened by Femny and Stef Chura. Stef Chura had a female lead singer /guitarist, as well as a female bassist. Their music echoed underground vibes, and it had a reminiscent sound of the Yeah Yeah Yeahs.

When Post Animal came on stage, they began their set with an electrifying new song. The crowd was quickly out of their seats to dance, and filled up the previously barren space by the stage. “Swamp Fruit”, the next song, brought ambiance that made for the perfect transition.

Post Animal live at Valley Bar
Post Animal
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

Jake Hirshland (Guitarist/Keyboardist/Vocalist) bolstered the crowd as he complimented their presence saying, “Beautiful, Phoenix, Arizona!”. There’s always something special about hearing a band say the name of your hometown.

Jake Hirshland, Guitarist Keyboardist, Post Animal
Jake Hirshland (Guitarist/Keyboardist/Vocalist), Post Animal
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

The entrancing guitar in the following song, “Alabaster”, took you somewhere else; it’s truly a psychedelic must-hear! The crowd was feeling the band’s energy, and head banging was in full swing.

Dalton Allison holding bass with hair flying
Dalton Allison (Vocalist/Bassist), Post Animal
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

The band played fan favorites, including “When I Get Home”. After Hirshland let the crowd know they had nowhere to sleep that night and were looking to crash at someone’s place, Javi Reyes (Guitarist) said, “Let’s talk!”.

Javi Reyes smiling
Javi Reyes (Guitarist), Post Animal
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

They ended their set with another new song. You could feel the high energy of the crowd the from beginning to the end of Post Animal’s set.

Wes Toledo drummer Post Animal
Wes Toledo (Drums), Post Animal
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

Post Animal brings a modern touch to classic psychedelic rock with heavy drums and powerful guitar solos. Each member plays their role perfectly as they synchronize with each other. Their music is just as good live as it is on their records, with the added bonus of an impressive energy worth the experience. Undeniably, they are a band you will want to listen to and make sure to come out to see next time they are in Phoenix!

Check out our interview with Vocalist/Bassist, Dalton Allison, for interesting facts and trivia about Post Animal and their background!

PHOTO ALBUM

by Katherine Amy Vega

Post Animal – Valley Bar 7-23-17

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All Content © Kataklizmic Design.
ALL RIGHTS RESERVED. No Stealing

PHOTOS: Ikonoklast Hosts SINister Fetish Party & Concert at Joe’s Grotto 7-15-17

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PHOENIX — With two stages to alternate between, Joe’s Grotto music venue has always been a favorite local spot for deliciously gritty punk & metal shows, and unusual performances. This made it an obvious venue of choice for a “sexy fetish party” like SINister  – calling out for Phoenix fans to rock out as their wildest, freaky selves. Amongst murky shadows of dimly lit stages and strobing rainbow LEDs, a true sense of community could be felt as this unique local scene came together to support a myriad of eye-catching, emerging artists.

Lucky for you, Burning Hot Events was on the scene to capture fans and performers alike. Our photo booth was hosted by our event photographer Mat Montgomery, who donned his very best sexy maid outfit – complete with a matching wig and frosty makeup perfection.

Photo Booth

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(Click Arrows to Scroll Images)

SINister Photo Booth - Joe's Grotto 7-15-17
SINister Photo Booth - Joe's Grotto 7-15-17

Organized as a birthday celebration for Ikonoklast vocalist, Jonah Foree, the night boasted a hard-hitting lineup including musical acts on the main stage like Scar Eater, Amensic, S.L.U.T. (Satanic League of Underground Techno), and of course Ikonoklast. Agents of LUST heated things up during the sets of both S.L.U.T. and Ikonoklast, sending arches of electrified metal sparks onto the dancers and into the crowd below.

The party also featured DJ Beautiful John, live body painting by El Spawk, and burlesque & fetish performances by Pain Proof Punks on the second stage. The performers on the second stage included Little Jae Sinclair, Lexi Locket, Katara Fox, Crystal Frost, Dr. Copperchops, Miss Wonderland, and Luna Sky.

Performer Photos

View Band Photo Albums: S.L.U.T. | Amnestic | Scar Eater | Ikonoklast

Photos by Katherine Amy Vega

SINister Fetish Party & Concert – Joe’s Grotto 7-15-17

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All Content © Kataklizmic Design.
ALL RIGHTS RESERVED. No Stealing

REVIEW: Phoenix Lassoed in the Marquee Theatre Crowd with Their Electrifying Performance 6-13-17

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TEMPE, Ariz. — Marquee Theatre was heated up by Phoenix’s electric performance on June 13th. Just four days earlier, Phoenix released their sixth studio album Ti Amo and played a few songs from it. It was an unusually cool night (well, as cool as Arizona in June can get), and everyone was lining up to enter into the venue. The atmosphere was filled with excitement as the Marquee was quickly filling up, and looked to be a nearly sold out show.

The venue seemed to be filled with mostly ages 21 and over, as many people had a drink in their hand as they watched the opening act, The Lemon Twigs, perform. The Lemon Twigs owned the stage with their vintage style and sound. Brothers Michael (Lead Vocalist/Guitarist) and Brian (Drummer/Backing Vocalist) D’Addario front the band; with Megan Zeankowski on bass, and Danny Ayala on keyboards/backing vocals. Michael D’Addario commanded the stage with his flare pants and teal shaggy hair. He did numerous high kicks into the air and had a reminiscent look and presence of Mick Jagger and Keith Richards combined. They played a song “Bay Baby”, which gave a 70s feel-good heartbreak vibe. The Lemon Twigs are about to take the music industry by storm, so make sure to check them out!

After a long anticipated wait, Phoenix walked onto stage and the crowd roared with excitement. They started with “Ti Amo”, the title-track of their newly released album Ti Amo. Next came “Lasso” which was met by a pleased crowd that cheered after hearing the first few seconds of the song.

Thomas Mars, Phoenix - Photo Credit: Katherine Amy Vega
Thomas Mars (Vocalist), Phoenix
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved.

Phoenix played “Entertainment”, and were immersed in an incredible light show during parts of the song. White lights created a curtain cover and our concert photographer, Katherine Amy Vega, described it as being like a holographic effect. The lighting really complemented the electric rock sound. Strobe lights of white, red, blue and yellow filled their set. During some songs, there was a rainbow lighting effect, which may have hinted to Phoenix’s support of the LGBTQ community during Pride Month.

Phoenix - Photo Credit: Katherine Amy Vega
Phoenix
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved.

Phoenix seemed to have one of those awe-struck moments as the band paused after playing “Lisztomania”, and smiled at the crowd. During most of the set, balloons with a heart and “Ti Amo” printed on floated through the air amongst the crowd. The whole band put on an energized performance and played their part in creating a music loving atmosphere.

Christian Mazzalai (Guitarist), Phoenix - Photo Credit: Katherine Amy Vega
Christian Mazzalai (Guitarist), Phoenix
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

One of the most amazing intimate moments of the show was during the encore when Thomas Mars (Lead Vocalist), climbed off the stage and came to the barricade while singing a stripped-down version of “Countdown” to the crowd as guitarist Christian Mazzalai played on stage.

Phoenix played many fan favorites including “1901” and “Fior Di Latte”. The band took over the stage and created an exhilarating atmosphere. Constant dancing, singing along, cheering and pure happiness filled the venue. It was a concert where you couldn’t help but feel joy because the band projected their happiness and love for music onto the crowd.

Laurent Brancowitz (Guitarist), Phoenix - Photo Credit: Katherine Amy Vega
Laurent Brancowitz (Guitarist), Phoenix
Photo Credit: Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

To end the show, in the BEST way, Thomas Mars came off stage and joined the crowd in the final song “Ti Amo Di Piu”. He walked through the full crowd with his microphone connected to a glowing red cable that the crowd held up; and he said “Thank you!” over and over again, showing his gratitude to the loving fans. At one point he seemed to be hoistered on someone’s shoulders, possibly a fan, and said “Thank you!” again; followed by crowdsurfing back up to the stage . It was truly a moment no one will forget!

Phoenix put on an amazing performance that rocked the Marquee. Fans will definitely be awaiting the next time they come to Arizona!

PHOTO ALBUM
by Katherine Amy Vega

Phoenix (The Band) – Marquee Theatre 6-13-17

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REVIEW: Under The Birthday Massacre’s Spell at Pub Rock 6-5-17

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SCOTTSDALE, Ariz. — Gothic rock band The Birthday Massacre, along with supporting acts Army of the Universe and Sumo Cyco, brought their 2017 North American tour to Pub Rock on the verge of releasing their seventh full-length studio album Under Your Spell. The Scottsdale stop was the 15th of 27 tour dates. With a whopping 20-song setlist and tireless energy, The Birthday Massacre brought their signature animated and dark stage presence to a packed crowd on a Monday night.

Sever, Sumo Cyco - Photo Credit: Katherine Amy Vega
Sever (Vocalist), Sumo Cyco
Band Photo Album
Photos by Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

Fronted by Sever (formerly solo artist Skye Sweetnam), punk metal band Sumo Cyco from Ontario opened the show. Their 2nd album, Opus Mar, was released recently on March 31, 2017. The charismatic front-woman with teal hair, matching bustier, high-waisted shorts, and fishnet stockings easily caught the attention of The Birthday Massacre’s fans. Sumo Cyco’s song “Danger” well-represents the image of the band and it’s lead singer, with lyrics like, “If you want it, we’ll give you danger“, and “I’m young and feisty, so tongue me and try me“. At one point, Sever rode on the shoulders of the guitarist Matt Drake amongst the crowd. With her sex-appeal and aggressive movements, and the band’s lively performance, they drew the crowd in and left them pleased.

Lord K, Army of the Universe - Photo Credit: Katherine Amy Vega
Lord K (Vocalist), Army of the Universe
Band Photo Album
Photos by Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved

The next band to play before the headliner took the stage was an Italian industrial band named Army of the Universe. Vocalist Lord K is also the lead singer of the band Kult of the Skull God. The audience was visibly impressed with the power that the band brought to the stage. Lord K took the stage with ferocity and cocky mannerisms; yelling and thrusting his mic into the faces of audience members, raising up and pumping the mic stand above his head, dripping with sweat and shirtless by the end of the set. While DJ, producer, and band co-founder Trebla primarily focused intently on his synthesizers and laptops; guitarist Davide Tavecchia and drummer Giuseppe Amato wildly played their instruments with their hair flying like they were caught in a storm while donning big smiles and roaring facial expressions. It was clear that the band members were having a blast, which made them equally fun to experience.

Army of the Universe was a fitting choice to set the mood and round-out the audience appeal following Sumo Cyco, with the style of The Birthday Massacre somewhat being a combination of that of the two openers.

The Birthday Massacre’s new album was funded through PledgeMusic, with full-album downloads being sent out on June 1st exclusively to pledgers in advance of the June 9th release. When they hit the stage, they kicked off their set with the first track of the new album, “One”, with instant force.

Chibi, The Birthday Massacre - Photo Credit: Katherine Amy Vega
Chibi (Vocalist), The Birthday Massacre
Band Photo Album
Photos by Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

The Ontario-based band was formed in 1999, and their well-seasoned prowess is clearly evident in their performance. Their fanbase at the venue that night was also a mature crowd, who interacted with the band like loyal, long-time friends. Front-woman Chibi engages with the audience, grabbing hands and emoting delightfully vicious facial expressions throughout the night; while the rest of the band also contorts their faces, violently headbangs, pounds on and swings their instruments around. With such a dynamic, The Birthday Massacre is a band that it would feel off to experience with a substantial distance from the stage; so it’s just as well that Pub Rock has no barricade between the crowd and the stage.

The Birthday Massacre - Photo Credit: Katherine Amy Vega
Nate Manor (Bassist) & Rainbow (Guitarist), The Birthday Massacre
Band Photo Album
Photos by Katherine Amy Vega © Kataklizmic Design. All Rights Reserved.

The next two songs the band played were “Red Stars” and “Looking Glass”, the first and second singles from their 2007 album, Walking With Strangers. “Red Stars” is a personal favorite due to it’s raging power-chords. Following, were a couple more songs from their new release, “All of Nothing” and “Counterpane”. Then, a few songs from the Superstition album; “Destroyer”, “Divide”, and “Superstition”.

The Birthday Massacre - Photo Credit: Katherine Amy Vega
Chibi (Vocalist) & Falcore (Guitarist), The Birthday Massacre
Band Photo Album
Photos by Katherine Amy Vega © Kataklizmic Design. All Rights Reserved.

“Lovers End” from the 2004 Violet album came next, followed by “Happy Birthday” and “Video Kid”. These two songs were originally from 2002’s Nothing and Nowhere, and then appeared again on the Violet album. They next played the new album’s title track “Under Your Spell”, and then “No Tomorrow”.

Owen, The Birthday Massacre - Photo Credit: Katherine Amy Vega
Owen (Synthesist), The Birthday Massacre
Band Photo Album
Photos by Katherine Amy Vega
© Kataklizmic Design. All Rights Reserved.

Chibi exudes such confidence and comfort on stage, it is inspirational and it garners respect. Event when forgetting some of the lyrics, she simply burst into laughter, which caused guitarist Rainbow to crack up too. It was very endearing as they continued through the song, unable to hold back more laughter between them. Temporary mic issues didn’t snuff out the fire of her enthusiasm either. During “Lovers End”, Chibi grabbed a fan’s phone that was recording video, and walked around stage singing into it.

The Birthday Massacre setlist Scottsdale
The Birthday Massacre setlist
Pub Rock 6-5-17
(Click to Enlarge)

Continuing to give a full-discography sampler, the next two songs performed were “Leaving Tonight” and “Alibis” from Hide and Seek, which was released in 2012. Lastly, from the 2010 Pins and Needles album, “Pins and Needs” and “In the Dark”.

Almost immediately after the band exited the stage before returning for the encore, the enthusiastic fans started chanting, “Ten more songs! Ten more songs!”. While they didn’t get their 10, they seemed to be satiated with the long set and an intense finale, which included “Blue”, “I Think We’re Alone Now”, and “Broken”.

PHOTO ALBUM
by Katherine Amy Vega

The Birthday Massacre – Pub Rock 6-5-17

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REVIEW: Falling For The 1975 at ALT AZ’s Spring Fling 4-22-17

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MESA, Ariz. — As I approached Mesa Amphitheatre on the hot Arizona day, I saw many of the almost-5,000 people walking in to fill out the sold out show to see The 1975. I was surprised to see the wide range of fans who filled the venue. A very different scene from when I first saw The 1975 at Comerica Theatre in 2014 where the venue was filled mostly teenagers. This shows how much the band has grown in reaching their music to a broader audience.

The first opener, Pale Waves set the indie pop mood for the night. The up-and-coming British indie pop band got the crowd moving with their catchy guitar riffs and the lead singer’s enchanting voice. Pale Waves played a song called “Kiss” which had an ‘80s pop nostalgia vibe that I loved. The strong female presence was amazing with the lead singer and drummer both being girls. With a sound reminiscent to The 1975, it was no wonder they were opening for the band. Pale Waves is definitely a band you’ll want to listen to.

Phantogram

came out next and the crowds excitement roared when they walked out on stage. Lead singer, Sarah Barthel, commanded the stage with her electric voice and 70’s fringe, Stevie Nicks, inspired outfit. Her captivating psychedelic-pop voice hypnotized the crowd. Energized guitar solos, powerful drums and added keyboard for a synthesizer effect got the crowd moving.

The 1975 finally came on, and to say the crowd was excited was an understatement. Pink lights flooded the stage and the beginning of “Love Me” caused the crowd to scream with excitement, myself included.  It was the perfect opener, showcasing the new image and sound of the band.

Phantogram Phone pic from Mckayla Hull
Phantogram
Phone pic from Mckayla Hull

Throughout the set, when the band played songs from their first self-titled album, the lighting fit the aesthetic of a darker mood with darker colors. During the transition to “I Like It When You Sleep, for You Are So Beautiful Yet So Unaware of It”, the lighting consisted of neon pink and white. I loved how the band made it a point to showcase the different album styles through lighting.  Not to mention how amazing their backdrops were! The 1975 is definitely an aesthetically pleasing band.

A post shared by The1975 (@the1975) on

Lead singer and frontman, Matty Healy, commanded the stage and engaged the eager fans as he climbed on top of the speaker and lit a cigarette, while singing “A Change of Heart” to mesmerized girls. Before playing “Falling For You” Matty asked for “no phones”, adding, “let’s live right now”. The sheer silence and lack of phones, with the exception of the few fans who couldn’t possibly resist capturing how beautiful Matty looked, made “Falling For You” a unforgettable song. The outside venue made this moment even more magical because for just a few minutes the outside seemed calm and everyone free of any worries.

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One of the most captivating moments of the concert was when “Loving Someone” started play and suddenly the lights projected the LGBT flag colors into the crowd. I couldn’t help but smile and feel comfort in knowing one of my favorite bands is using their music to show support.

The band played many fan favorites including “Robbers”, “Sex”, “Girls”, and “Somebody Else”. They ended the set with “The Sound”. On the last verse, Matty asked for everyone to jump. Seeing close to 5,000 people jumping and singing along will definitely be one of my favorite sights I’ve witnessed. In that moment, nothing but pure joy exuded from the crowd.

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As I walked out of the venue, I couldn’t help but smile. I overheard girls telling their friends about the experiences they had with Matty being so close to them and the happiness they felt. It’s so amazing how The 1975 never fails to impress. Seeing them live is an experience that leaves me speechless every time.

REVIEW: Bayside Co-Headlining Show Has Low Vacancy at Marquee Theatre 4-21-17

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TEMPE, Ariz. — Tempe was bursting with anticipation Friday night as fans of co-headlining Bayside and Say Anything gathered early outside Marquee Theatre, pushing their way inside to claim their spot in the front row.There was a tangible buzz in the air as people of all ages lined up to be checked by security outside the theatre.

The air was crisp in my lungs as I walked rather quickly behind Burning Hot Events concert photographer Katherine towards Will Call to claim our press passes for the evening. As we arrived for Bayside in the nick of time following some transportation chaos, the opening band, Reggie and the Full Effect, had set a fast-paced tone for Bayside to take the stage after them. As the set change became evident, audience members rushed to claim their place before the stage, rumbling with shouts and claps in a flurry of excitement; and I hurriedly followed suit to find my place in the front corner near the security barrier.

As I quickly worked to get my things in order, I could feel the deep rumbling of the bass move from beneath my converse and slowly encompass the rest of me as the band did a quick warm up. The vast, dual-level concert area makes for great acoustics, which they used to their advantage as they dove into their set with the ever-popular “Already Gone.” The breakneck tempo of this A Day to Remember-esque song sent the crowd into a frenzy of cheers and metal hands as the band members danced around the stage to the opening chords.

Bayside - Photo Credit: Kataklizmic Design
Anthony Raneri (Lead Vocalist, Guitarist), Bayside
Photo Credit: Katherine Amy Vega © Kataklizmic Design

What’s up Phoenix?! We came to sing with you and dance with you!,” vocalist Anthony Raneri shouted into his mic, attempting to rouse the crowd even more. This song comes from the band’s fifth album Killing Time, which was released back in February of 2011, and it was obvious why they chose to open with it. The exuberant crowd danced and sang along in unison, receiving copious opportunities to sing back the words they’ve come to know so well. Raneri made it known immediately to everyone there that the rest of this particular set was going to be filled with high energy and vivacious songs. And they did not disappoint.

Bayside - Photo Credit: Kataklizmic Design
Nick Ghanbarian (Bassist), Bayside
Photo Credit: Katherine Amy Vega © Kataklizmic Design

This being my first time seeing Bayside live, I can honestly say I didn’t know what to expect, but the next 12 songs following the opener all had one thing in common: they were meant to make you move. Wanting to keep the electricity flowing, Raneri continued to captivate the crowd with other old favorites such as “Sick, Sick, Sick”, “Masterpiece”, and “Blame it on Bad Luck.”. Guitarist Jack O’Shea and bassist Nick Ghanbarian could be seen dancing around stage the entire performance, singing passionately as they moved fluidly from one song to the next.

They even included a few songs off of their new album Vacancy, and while it “isn’t a breakup album”, the songs were written to portray a very uncertain time in vocalist Raneli’s life. That doesn’t mean they have to sound that way, however, and as “Mary” followed hastily by “I’ve Been Dead All Along” were blasted through the speakers I was standing precariously close to, the frenzied tempo was enough to keep everyone moving.

Bayside - Photo Credit: Kataklizmic Design
Jack O’Shea (Lead Guitarist), Bayside
Photo Credit: Katherine Amy Vega © Kataklizmic Design

While the set was primarily focused on the music as opposed to engaging the crowd, Raneli did pause about halfway through the set to discuss their new album. “CDs are expensive to make and even more expensive to buy” he stated matter-of- factly, and went on to inform the concert goers that the band has created a $5 version of their new album that is available for purchase now. The roar in response was deafening, and all the motivation Raneli needed to jump into the next set of fiery songs that would steadily keep the energy of the room at maximum level right up to the final song “Devotion and Desire” off their very first album.

Bayside - Photo Credit: Kataklizmic Design
Bayside
Photo Credit: Katherine Amy Vega © Kataklizmic Design

As I left the Marquee that evening, I couldn’t help but notice how quickly I moved, or the extra spring in my step. This band had even found a way to keep the energy flowing through me, even after their set was over. They show true passion in their music on and off the stage, and gave me the motivation to be as fluid with my writing. This was admittedly my first time writing a concert review for Burning Hot Events, but I can easily say that if every show is like Bayside, I will definitely be back for more.    

PHOTO ALBUM
by Katherine Amy Vega

Bayside – Marquee Theatre 4-21-17

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REVIEW: A Perfect Circle Illuminates The Valley After Dark With Articulately Barbed Musical Oration 4-10-17

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PHOENIX — It’s around 7:30 PM on a Tuesday night and the streets are busy on 4th Ave and Washington. The throngs of people milling around are desperately searching for the end of the impossibly long line that will eventually lead them to the entrance they are only feet away from at the moment. The lights from the large electronic marquee reads “A Perfect Circle TONIGHT!” and casts a glow on the faces passing below. For many standing there on that night, this was a long anticipated show.

Oh my god, she just left her fuckin boyfriend back there!”, I heard a woman blurt out as I sat on a bench next to the box office at Comerica Theater. With lines stretching around the corner for several blocks, people of all different backgrounds are shuffling slowly past me toward the entrance gates. There are goth teens, soccer moms, bikers and hipsters all standing together in line. They’re chatting excitedly, talking about the last time they had seen the band perform and even dancing to Sublime’s “Wrong Way” as the sky gets darker.

I prepared myself for what would be the second time I would see A Perfect Circle since Lollapalooza 2003–the year they released their second album Thirteenth Step. In the nearly 14 years since that show, they’ve come a long way. Although the lineup has changed slightly, lead vocalist Maynard James Keenan of Tool-fame and lead guitarist Billy Howerdel have remained the central force of the band since its inception. Current bassist Matt McJunkins, who joined in 2010, has played with the likes of Thirty Seconds to Mars, Maynard James Keenan side band Puscifer and The Beta Machine, a band he formed with current APC drummer Jeff Friedl. McJunkins was also the touring bassist for Eagles of Death Metal during the Le Bataclan attack in Paris, France on November 13th, 2015. The audience was attacked by terrorists wielding automatic rifles, grenades and suicide vests, killing 89 fans including the band’s merchandise vendor. Rounding out the group is former Smashing Pumpkins alumnus and founding member James Iha on rhythm guitar, a superstar in his own right.

As the line seemed to shorten to a visible end, I took my place to be screened by security. It was a relatively short process. I got through the entrance within maybe 5 minutes of entering the line and spotted another long line snaking up the stairs to the second floor balcony. A friend remarked, “That’s the line for merchandise.” After purchasing my respective Cola and water bottles, I finally found my assigned seat just moments before the house lights come down and the uprising of applause and whistles begin. Smoke begins to seep from across the foot of the stage and everyone in attendance knows that this rocket is about to blast off.

A Perfect Circle - Photo Credit: Katherine Amy Vega
Billy Howerdel (Guitarist), A Perfect Circle
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

The first notes of “The Package” begin to trickle melodically from the speakers behind a hazy white cloth that encompasses the entirety of the stage. Hidden beyond the opaque white veil, the band members’ silhouettes can be seen in various distorted sizes dancing as the lights produce their shadows. With little silence to buffer, each of the beginning three pieces all vaguely kind of bleed into the other. This first medley, The Package, The Hollow, and The Noose perfectly set the tone for the remainder of the show.

A Perfect Circle - Photo Credit: Katherine Amy Vega
A Perfect Circle
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

It was then that Keenan finally addressed the crowd, explaining that this was their first show since their three show Vegas tour kickoff at the Palms Resort and Casino Pearl Concert Theater. “Normally we try to do this first so we don’t make a bunch of fuckin’ mistakes and then you guys judge us…”

“And now a song about anal sex!”

Keenan playfully muses into the mic as the band launches into “Weak and Powerless”, another track from Thirteenth Step, their 2003 sophomore masterpiece, followed by “Rose” from their debut album Mer De Noms. As the show goes on I feel as though I’m transported to a time when I first started listening to a group whose lead singer sounded like that guy from Tool. It would be months after first being introduced to this new band until I would find out who it was behind those vocals, and would ultimately turn me on to Tool after hearing A Perfect Circle, and not the other way around.

A Perfect Circle - Photo Credit: Katherine Amy Vega
Maynard James Keenan (Vocalist), A Perfect Circle
Photo Credit: Katherine Amy Vega © Kataklizmic Deslgn. All Rights Reserved

Keenan has been an eccentric figure in both his professional and personal life. Army veteran, musician, winemaker and entrepreneur; he is one of the most eclectic artists ever grace a stage. With a residence in Jerome, Arizona near his Merkin vineyard in Cornville, where he produces his Caduceus Cellars blends of wine; Keenan has singlehandedly raised the profile of Arizona wine nationally and internationally to break it out of mediocrity and make it a truly respectable region in the wine world… But that’s another story. We’re here to talk about the music.

(But seriously, watch the documentary Blood Into Wine)

A Perfect Circle - Photo Credit: Katherine Amy Vega
Billy Howerdel (Guitarist), A Perfect Circle
Photo Credit: Katherine Amy Vega
© Kataklizmic Deslgn. All Rights Reserved

The fourth movement and majority of the body of the show begins with a cover of John Lennon’s “Imagine” from 2004’s eMOTIVe album, in a style that one could only expect from A Perfect Circle. It’s brooding and not without the quintessential melancholy that only APC can produce. Truly a beautiful cover. As I ruminated on that thought, I scanned the crowd behind me. Not a single sarcastic smirk. The audience seemed to think it was as beautiful as I did. The show continues with several more amazing tracks from previous albums and including their incredible cover of Depeche Mode’s “People are People”. Keenan prefaces this performance with a few words to the audience regarding forgiveness.

“It’s those moments that forgiveness is the only thing that’s gonna get you through it, so, forgive each other, forgive yourself. Move to the light.”

For some people it was an emotional experience. I saw a woman across the aisle from my section wiping tears from her eyes during that particular track. It was evident that it meant something to her that only she understood. This band holds a special power that allows them to tap into the listener’s psyche. The feeling and raw emotion they emote entrances these fans with melodious distortion and precision combined with Keenan’s articulately barbed lyrical style. A Perfect Circle masterfully ends the main body of the show with “Blue” and Keenan once again addresses the masses before introducing all the players to their venerate fans.

A Perfect Circle - Photo Credit: Katherine Amy Vega
Billy Howerdel (Guitarist) & Maynard James Keenan (Vocalist), A Perfect Circle
Photo Credit: Katherine Amy Vega © Kataklizmic Design. All Rights Reserved

The final medley of the concert is comprised of two tracks from Thirteenth Step, and a new song they debuted in Las Vegas during the first dates of the tour. Keenan describes the first song, “The Outsider,” as song “sung from the perspective of an asshole who has no compassion, so think of the whole album as being parts in a play and this is the Rodney Dangerfield…. Being a dick.”

“So anyway, look out for each other. Don’t be a dick”

At this point, James Iha is introduced and expresses his distaste with the desert.

“The sand, it permeates my clothes. I don’t like it.”

A Perfect Circle setlist
Comerica Theatre 4-10-17
(Click to Enlarge)

The monologue goes on a little longer and almost seems necessary to lift the crowd back up from getting too cathartic and deep. It’s certainly a fun interlude as the final trio of pieces signals the beginning of the end of the show. By the close of “Feathers”, the final song and A Perfect Circle’s newest unreleased track, everyone is on their feet and cheering as Keenan speaks one last “Thank you”, and the band gives their final humble bows amid the silken forest of pillars amongst them and walks off stage.

Iha throws several handfuls of guitar picks into the front rows and the band disappears, never to be seen again by those hoping for an encore. Those dreams were dashed when the house lights immediately hit like a blast of reality and signaled that it was indeed time to go. I sauntered out into the streets and walked down Jefferson toward Squid Ink to wait for my Uber, and savored the sights and sounds I had just beheld.

PHOTO ALBUM
by Katherine Amy Vega

A Perfect Circle – Comerica Theatre 4-10-17

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