PHOENIX — Electronic indie pop duo MRCH did not disappoint as they rocked out with the crowd at their album release party at Valley Bar on Saturday night. MRCH (pronounced “march”) filled the venue with aesthetically pleasing visuals and entrancing music. Drummer Jesse Pangburn’s, sparkly silver drum kit and Vocalist/Guitarist/Synthist Mickey Pangburn’s black sparkly dress added to the October atmosphere and the band’s image.
Mickey Pangburn gave off Stevie Nicks vibes with her 70s inspired outfit which incorporated red velvet boots. At one point, she took off her boots, showing how comfortable she was with the crowd.
Heavy drums and synthesizer are the duo’s signature sound. One might consider some of their sound to be like a cross of Phoenix locals Vial of Sound, and The Birthday Massacre. Jesse Pangburn played the drums with seemingly effortless power and precision. Many times during the set, Mickey would ask the sound person to ease up on the drums due to the strong beats.
One of their songs “Spooky”, the title lived up to its name, had a strong bass feel that even made the ground shake. Mickey’s vocals were fittingly haunting, and the song would’ve made an excellent soundtrack for those donning costumes for early Halloween celebrations outside the venue in downtown Phoenix.
Mickey incorporated guitar into some songs, often playing catchy riffs such as those in “Spin” and “Dark Days + Disco”.
The duo paid a lot of attention to details in organizing the whole concert experience. They focused not only on their music, but also on the lighting and visuals. Green, blue, red, purple, pink and white lights cast over a background of white sheets added extra effect to their show setting the mood for the song.
Their visuals were just as amazing as their stage presence and musicianship. With a geometric theme, triangles and lines differed in shapes and colors varied per each song. Just as with lighting, their visuals helped make their songs and added to their meaning.
Mickey’s vocals were truly enchanting and transported the audience to another time in such songs as “Something Beautiful”, “Spin” and “We Are the Strange Ones”.
Mickey also really engaged with the crowd, making silly jokes during stage banter. At one point a girl in the crowd asked for her number, and Mickey playfully asked if she was referring to her favorite number. The crowd was completely invested into the duo as they danced and enjoyed themselves as the night went on. Mickey was also having fun and dancing while singing and moving across the stage when she wasn’t playing guitar or her synthesizer.
MRCH’s cover of Metric’s “Black Sheep” from Scott Pilgrim vs. The World was clearly a crowd-pleaser; amping up the power with strong vocals and crashing drums.
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At the end of the set, if fans had a wristband, they received a free CD of their new album Reactions. This was a kind gesture from MRCH that seemed to be their ‘thank you’ for supporting them, and the audience was grateful to the band in return.
MRCH is certainly a local band in Phoenix who you won’t want to miss! Follow them on their Instagram, Twitter, and Facebook to find out more about their future tour plans.
PHOENIX — The city’s weather was perfect on Thursday, October 12th as it enthusiastically welcomed Halestorm to the stage. People of all ages swarmed the Arizona State Fairgrounds for one of two reasons; fun rides and fried food, or heading to the Coliseum for a show that would allow them to experience rock at its pure essence.
Lzzy (Elizabeth) Hale is and has been the lead vocalist since the band came into existence in 1997. Anyone who has been to a Halestorm show can confirm that she posses a stage presence unlike any other female artist in the industry. From the moment she stepped up to the mic, there was a fierce connection between her and the crowd that remained throughout the entire show.
Even as the music shifted from fast-paced, bass pumping rhythms to slower, more haunting ballads and back again, her passion for their music poured from her. Literally and figuratively in this case, as sweat dripped from every pore, whether she was dancing around the stage during “I Am the Fire” or aggressively playing her piano for her more emotional ballad “Dear Daughter.” One would think she would steal any show completely, but with this band that is simply not the case.
Midway through their set she did something often seen at a concert by pausing midway through one of their main hits titled “I Like it Heavy”, from their third album Into the Wild Life, to introduce Arejay Hale, who is her little brother and Halestorm’s drummer. He is also an original member of the band, asking his sister over breakfast, at 10 years old, if he could play drums for her when she was telling her parents about wanting to start a band. Without returning to the song, Arejay instead spent the next six minutes in an intense, heart-pounding drum solo that shook the Coliseum walls and drove the crowd insane. “WHAT’S UP PHOENIX?!”, he yelled into his mic as he brought the solo to an end. He then took out chopsticks and proceeded to prove his pure talent as he effortlessly played the drums with them as if used them everyday. People cheered loudly, and it was obvious this bit is a crowd favorite. Still not finished, he pulled out broomsticks next and successfully played the same beat he just had with much smaller sticks. The crowd was losing their minds with amazement at this point, so Lzzy Hale took the stage once more to finally bring the song they had started playing nearly fifteen minutes before to an end. It was truly a unique transition of focus and made for an unforgettable introduction.
One other thing Halestorm always makes clear when they perform is the love they have for their fans. After spending a good portion of the last half of the show playing upbeat, intense songs, Lzzy took a moment to toast the crowd with these words; “Thank you Phoenix for having us. Here’s to Rock and Roll, here’s to us being excellent to one another, and here’s to Arizona!”, which received thunderous applause and exuberant screams that were quickly drowned out as she launched into the beginning chords of “Here’s to Us.” This song brought out more emotion in the crowd than any song had yet. There were people pumping their fists and they sang back the lyrics they knew so well next to people hugging one another as they also sang along.
This band really knows how to evoke emotions from a crowd. Even as they closed their set with the ever popular “I Miss the Misery” everyone was out of their seat, head-banging along to the beat and dancing with their hands in the air. The band didn’t give on their end either, wrapping up their final song with so much intensity from the music and the light show you could feel it at your core. “Thank you so much Arizona, we fucking love you!”, Lzzy said, which was met with roaring applause and a room full of metal horns.
The band bowed together as one and exited the stage. As the lights came on and everyone began to file out of the Coliseum, various chatter had already started about the show and how unforgettable it was. For never meeting a majority of their fans, they have a way of making every one of them feel like family. So it’s only natural that Phoenix will anxiously await the next time Halestorm returns to rock this city, and our hearts.
PHOENIX — While genre-bending musician & DJ Bonobo was electrifying The Van Buren downtown, The Rebel Lounge was being taken over by post-hardcore, indie, and alternative rock. On the bill were co-headlining classic Drive-Thru Records artists The Movielife & The Early November, along with Racquet Club, & locals Daylight Heist.
Phoenix was the first night that Racquet Club joined this tour, and they will continue through to the last show on October 14. Racquet Club features members of Knapsack, The Jealous Sound, and Samiam. They released their debut self-titled album on September 29, just 4 days before this Phoenix show. Fans of local legends The Format, whose lead vocalist was Nate Ruess, may have recognized vocalist Blair Shehan from The Jealous Sound when they performed together in 2003 along with Limbeck and The Like.
The Early November
The Early November played their debut album, The Room’s Too Cold, in it’s entirety, to the delight of the crowd that sang 3/4 of the songs. The band took a break from 2007 to 2011, and has been active up until the present, with their fifth studio album Fifteen Years released in January of this year. The Early November performed as part of the Taste of Chaos line-up at Comerica Theatre in July of 2016; alongside Saosin, Taking Back Sunday, & Dashboard Confessional. (View our review & photos here.)
The Movielife released their first new album in 14 years, Cities in Search of A Heart, on September 22. Their 2014 reunion was a dream come true for fans who didn’t expect their return 11 years after their 2003 break-up, those who never had a chance to see them before, and for Phoenix fans who didn’t expect the band to play outside of New York.
Daylight Heist, who were on after The Movielife, are the official resident DJs of EmoNightPHX, which has been taking place at The Rebel Lounge, but will next be at The Van Buren on October 21. You can check them out, along with out all-emo cover band Hands Down, and other special guests (TBA) that night. Some of the special guest DJs that EmoNightPHX has had this year include: Buddy Neilsen of Senses Fail (9/27), Ryan Key of Yellowcard (7/20), and JT Woodruff of Hawthorne Heights (6/22).
PHOENIX — With an Arizona summer solar-powered surge of ambition, Tempe-based Alternative HipHop artist DaDadoh started recording the 6-track You Can’t Rap Forever in June of this year. In only four months between then and the release show, he worked with a perfectionistic fervor to re-work and refine his songs that had already proven popular. Regardless of unwavering confidence in the songs he’s written, DaDadoh honed his insatiable appetite for challenging himself to accomplish beyond what he thought feasible before. In fact, he mixed and mastered the album, and performed all of the songs including all of the instrumentals, himself. The result was reaching the same kind of new heights as an artist that he is regularly helping other artists achieve as a music producer with his record label TVLiFE Entertainment.
Although You Can’t Rap Forever is a cohesive addition to DaDadoh’s discography, the release brings a fresh sound that comes with his growth and evolution as an artist and a person. Lyrically, he continues to cleverly inject commentary into his verses, using music as his platform to have a voice in matters. Steering away from his cocky, comedic, and sex-saturated themes of the 2016 release Radical, he takes a more sober tone, and channels angst into his music. The new release is both melodic, and infused with punk rock. The album feels sincere and intense – like it’s made of his very soul. Get ready to get f*cked up when you dive in.
You can buy You Can’t Rap Forever on Bandcamp as a digital download only, or with a physical copy in CD format:Here
While DaDadoh is a charismatic (and somewhat-eccentric) staple in the Phoenix local music scene, he isn’t one to boast; despite the fact that one might consider him a hiphop-flavored renaissance man. If you’re not familiar with his projects and you’re reading this now, it might have taken some online sleuthing to discover that on top of his solo project and music production, he also hosts “Before The Show: The Podcast,” and is a member of bands including Exxxtra Crispy and Militia Joan Hart. And during the four months leading up to the album release, he helped local musicians even further by recruiting 3 live band members – now known as The P.o.C. – Andy Warpigs (Guitar & Vocals), Jimmie Lewis (Bass), and Daviid Giiron (Drums).
The more you learn about DaDadoh, the more you come to understand that he passionately pours 100% into his artistic projects, and how important the community is to him. Although this release show was his time to shine, his gratitude for his new bandmates, and all of the fans and media people swarming around The Trunk Space venue, was no secret; nor was their willingness and enthusiasm to support his release show – and THAT reciprocal community is what Burning Hot Events is all about.
Tempe, Ariz. — Even before a band took the stage there was a sense of friendship and camaraderie sweeping the room at the Marquee Theatre that Friday, September 22. Ben Folds’ Paper Airplane tour had come to town, and the audience smiled and laughed as they waited excitedly for the show to start.
Tim Harrington and Paul Wright of the duo Tall Heights sauntered on stage, carrying their instruments: a guitar and a cello. The electrofolk group from Boston serenaded with haunting harmonies that lulled back and forth as an ocean’s tide, pulling the audience in and releasing them once again. Their emotive lyrics of songs like “Spirit Cold” and “Iron in the Fire”weighed on hearts and the duo used creative sounds like cell phone feedback to accompany the song “Cross my Mind”. The spell was eventually broken as their set came to an end, signalling to the crowd to usher forward for the main event, Ben Folds.
After holding the audience in eager anticipation Ben Folds entered the stage and seated himself at the piano, gave a short wave and sheepish grin to the crowd, then immediately slammed fingers to keys, playing “Annie Waits”. Arms slipped over shoulders and the audience sang along. It was as though everyone was invited to an intimate house party, every song a precious memory as it poured over the audience, friendly reminders of days now past.
Ben Folds warmly shared stories, talking about his father as a construction worker and being cornered by his Uncle Walter who talked about what he would do if he were president. Occasionally Ben Folds would stop singing and just listen to the audience sing instead. He stood and happily conducted the crowd in a five part harmony singing “Not the Same”. Tall Heights came back to the stage joining Ben Folds to sing “Still Fighting It”.
For the grand finale of the first half of his set he started playing a drum while walking across the stage and continued playing an amazing drum solo as they set up the remaining set around him. The stunned audience continued to watch intently, impressed into silence broken intermittently by hoots and screams. When it was over, a brief intermission began, but there was a catch.
The audience was instructed to go into the lobby and get a piece of paper. Write a request on it and fold it into a paper airplane to be sailed across the Marquee landing gently on the stage, where Ben Folds would take it and play what was written on it. People rushed to get their paper and pushed their way close to the stage, hoping that their paper would make it, and more importantly, that their paper would be chosen. It was none other than Arizona’s own Alice Cooper who came on to the stage, swinging red lights and wearing his signature black hat, who initiated the count down. The crowd chanted “10, 9, 8…” and at 0 the entire audience sailed airplanes towards the stage. The planes that didn’t make it were picked up by strangers and thrown again, everyone helping to get all the paper planes to the stage.
Ben Folds did explain he might not be able to sing every song, or occasionally a song wasn’t even written on the paper, making it impossible to play. However, the highlight of the second half of the set was when just that happened. He started to play a song that no one recognized, and went on to completely ad-lib a song based off what was written on the airplane, which was “Rock this B***h, Omaha Symphony 2017.” In the song Ben Folds told a story about how he acquired his favorite piano, his Frank LLoyd Wright piano for only $8000, singing that the guy who sold it “thought that was a lot.” The audience laughed over and over at the witty story set to music, all in the guise of a request written on an airplane.
Songs kept coming and wrists flung in the air to the beat of “Kate” while bodies moved back and forth to the sweet piano chords. Abruptly, Ben stood and bowed the audience, thanking them for coming out and left the stage. The audience continued to cheer and scream, knowing an encore had to be in store. In a few minutes he returned and played “Zak and Sara” for a rejoicing audience.
Then it really was over, the house lights came on and the crowd started to head to the doors. Their faces full of smiles, holding the hands of loved ones and already reminiscing about their favorite part of the concert. It was as though they were leaving a friend’s party who had come to town unexpectedly, hyped up and already awaiting the next chance they get to see each other. The next time Ben Folds comes to town, they’ll be ready.
Phoenix — A long of line of dark figures stood waiting outside the Marquee Theatre on September 17th. Even on a Sunday night, fans gathered together under the setting sun, bonding over their shared excitement of the night to come. The Dutch symphonic metal band Epica was joining the Italian gothfathers Lacuna Coil in a show that was sure to not be forgotten.
Elantris & Insomnium
As the stage glowed an ominous red the opening band Elantris, a female-fronted symphonic metal band, perched on the edge of the stage amping up the crowd. The melodic voice of Lindsay Victoria Ketchum mixed with the gravelly screams of Thomas Ullom made for a beautiful contrast and got hearts pumping, Thomas even joined the crowd for moshing. After Elantris, Insomnium took the stage, bringing the crowd to new heights with their super charged energy and in-sync head banging. All the way from Finland, they were excited to be celebrating their 7th album Winter’s Gate.
It was now time for Lacuna Coil to take the stage and the crowd pushed forward, the room thick and dripping with anticipation. One-by-one, the band members took to the stage, adorned in their sanitorium costumes. Straight jackets stained red and band members’ faces painted white and red to look like sadistic clowns.
Only the vocalists Cristina Scabbia and Andrea Ferro stood with unpainted faces, their clothes scrawled with lyrics such as “Leave me Alone” in erratic black marker. It was a sight to behold. They immediately launched into song and the crowd’s cheering filled the theatre.
They started off the night with some of their new songs from their latest album, Delirium which was released May, 2016. Songs such as “Delirium” as well as “House of Shame” and “Blood, Tears, Dust” all shook the theatre to the core. In between each song, vocalist Cristina Scabbia would address the crowd and make connections on a personal level. She told the audience to “Leave your problems at the door, because everyone is welcome in the sanatorium!”; and made them cheer as she told them, “We know where we are, and we are headed towards our destiny!”
Midway through their set, Cristina challenged the audience to raise the bar as she burst into their hit song “Swamped” the audience went wild, moshing and throwing their hands in the air. After singing “Come to Me” and “My Demons” Lacuna Coil brought it down a notch, asking the crowd to get out their lighters and cell phones and keep loved ones alive in their hearts as they sang “Downfall.”
Towards the end of their set Lacuna Coil announced a new project for their 20 year anniversary. They will be releasing a book entitled “We Fear Nothing” in 2018, which will document the band’s journey from beginning to their current platform. It should be an amazing and vivid illustration full of their accomplishments and past concerts. They finished their set with “Nothing Stands in Our Way” emphasizing that they believe in destiny! Even as the band members left stage, the audience was soaking in their message of love, acceptance, and strength. But the night wasn’t over.
The last band to take the stage was another female-fronted symphonic metal band, Epica. On their Ultimate Principle Tour, Epica promoted their newest album The Holographic Principle.
The band members took the stage as the eager crowd cheered them on. Vocalist Simone Simons appeared last, in a tight-fitting black leather like dress, flipping her iconic long red hair. Her operatic vocals filled the theatre as guitarists Mark Jansen and Isaac Dela haye wowed the crowd with their fingering skills, parading back and forth. Even the keyboardist Coen Janssen got into it, spinning his keyboard around and headbanging with his bandmates, even with his shaved head!
Green light emanated from behind them as though the audience was transported to a different world, as alternating lights flickered and flashed. Belting out the songs “Our Destiny” and “The Essence of Silence” the audience was electrified as though in a trance. It was the best way to end the night.
Afterwards, it was hard not to dwell on the lyrics and messages of the bands. It felt as though you could take on the world with a newfound passion and strength. With the words echoing in your head, “We Fear Nothing!”, it was time to tackle Monday.
PHOENIX — Just as the heat started to break, Phoenix began its transition from a seemingly-endless scorching summer to the fall and winter temperatures locals seem to live for. A perfect night for Phoenicians to head down to the brand new venue downtown – The Van Buren. Beth Hart, along with Marina V, headed to the Valley of the Sun to serenade and entertain a diverse crowd in this beautiful new downtown space.
Marina V set the stage for a beautiful, emotional evening, slowly warming up a relaxed crowd with her melodic voice and piano-playing skills. She shared many tender, intimate moments with the audience, making it seem as if it was a private show for each and every one of them. Her passion for the art she creates and shares with the world is obvious, and her performance was a mixture of the subtle and the sublime.
Marina V, short for Verenikina, hails from Moscow, Russia, but she has lived in the US for quite some time now. When she first started performing live, one of her first shows was opening for Beth Hart, making this tour very special – she was happy to be sharing the stage yet again with Beth. She also shared that she has performed over 1000 live shows by now, with her husband always by her side. In fact, after a few solo songs on stage and sharing her recent health struggles which she has recently recovered from – singing her song “Bring It On,” the anthem she wrote in some of her darkest moments – she brought out her husband to play guitar. Together, they rocked the stage, slowly ramping up their music and playing more stimulating songs and slowly warming the crowd up.
Eventually, Marina V told the crowd a bit more of her backstory, about growing up in Russia among tense relations with the US, and how she wishes peace, love, and unity for the two countries. To seal this deal, she confessed that she learned about most American music much later in her life, discovering Neil Diamond only recently. She sang “Solitary Man” in Russian, which was quite a pleasant surprise for the audience.
Marina V shared a few songs from her newer albums, and in fact plans to release her second album of the year soon. Her first one of this year, Inner Superhero,was released in January, and her latest album, Born to the Stars,comes out later this month. Fortunately for attendees, she was selling the newest album at her merch booth, giving fans a bit of a head start.
At the end of Marina V’s set, she offered for everyone to email her at email@example.com for 4 free songs, and a promise that she would read each and every message personally. She also invited everyone to visit her in the merch area, where she offered to sign every piece of merch sold, and to hug anyone who came to see her. As a bonus, she made sure to write fans’ names in both English and Russian on any merchandise sold.
During a short break, people were able to explore The Van Buren a bit more, enjoying its spacious lobby, beautiful outdoor patio area, a drink or three from one of its bars, and maybe even a snack. As people were returning to their seats, Beth Hart took the stage by storm, starting the show with a “bang bang” and a “boom boom.” She rocked out hardcore, along with her band, moving all around the stage and singing her heart and soul out. It was crystal clear that she was enjoying her performance just as much as the audience, if not more so.
Beth Hart recently released a new album, Fire on the Floor, in the US this February, and what better way to celebrate than with a worldwide tour? On top of playing some of her newer songs, Beth Hart played some of her greatest hits since the early 90s. She also made sure to play one of her own mother’s favorite songs – something she thinks is a pretty sexy song: “Close to My Fire.” What she didn’t reveal just yet was that her mother was actually in the crowd at that very moment.
Beth Hart went through a great sampling of her best songs from over the years, transitioning from high energy to intimate, sobering, somber moments, and just about every other feeling in between. Her music is a mix of blues, rock and roll, jazz, and soul, and it is no wonder that The Blues Magazine called her “the ultimate female rock star.” Her voice has such a unique, enchanting sound, and her commanding stage presence only helps to amplify this.
The crowd was also treated to Beth playing acoustic guitar on stage for a few songs, and of course she pulled out a few of her singer-songwriter-esque piano songs. Eventually, she had a heart-to-heart with the crowd, revealing her struggles with bipolar disorder and how it took her a very long time to “figure it out.” She also shared what was probably one of her proudest moments – reconnecting with her mom and showing her that she can do this thing called life. It was in that moment that she shared the fact that her mom was in the audience, somewhere towards the front, stage left. The lights went out, and they put the spotlight on Mama Hart, right as Beth prepared to play a song she had written just for her: “Mama This One’s For You.”
After this heartwarming moment, Beth wanted to get back to the business at hand – rocking the house, and she sure rocked it good. She shared how she hasn’t been to Phoenix in a very long time, and that she “really f*cked things up bad” last time she was here. She expressed how ridiculously happy she was to be back, how she has overcome many of her past struggles, and that she is in a truly good place in life now. All of this, combined with her supreme performance and masterful presence on stage, made the concert feel like a treat for all in the audience.
In addition to some of those more tender moments, she also shared how, as a young girl, she would go to the beach, see all the beautiful men, and imagine that they all looked delicious. Her line of choice? “I bet they taste like Coca-Cola.” This, as she informed the crowd, is what inspired her song “Coca Cola.” She also shared how her brother’s ex-girlfriend, who was “crazier” than Beth herself, inspired another one of her songs: “Get Your Sh*t Together.” In fact, she loved her brother’s ex, but she felt the need to write that song for both her and herself.
Later on, she shared how she always wanted to get the hell out of LA, as many people apparently do, leading into “LA Song (Out of this Town);” she expressed how she loves to tour but always seems to long for home when on the road. This lead to her final song, “No Place Like Home,” which was a raw, sincere moment where she shared how she wanted nothing more than to be at home with her husband, who does everything for her. She also changed some of the lyrics for a more contemporary look at her life, such as switching “have someone curl up at my feet” to “have Stella curl up at my feet” and interjecting with “Stella’s my dog” between lines.
As all good things tend to do, the show came to an end after her solo performance of “No Place Like Home,” to which Beth said her farewells to the crowd and ended with some wise parting words: “Now go home and take care of each other!” A bittersweet moment of the band coming back out on stage and motioning their own farewells to emphatic applause and cheering ensued before the stage lights went off, the venue lights came back on, and people were left to find their way home.
All in all, The Van Buren was a perfect place to hold such an intimate, surreal show filled with all the emotions under the sky – and then some. The sound was near-perfect, despite Beth’s requests for the sound engineer to tweak what she was hearing. The light show was on point, illuminating the band, highlighting Beth, and casting some interesting shadows with the TOS-era Star Trek-esque alien planet-looking props in the background. The crowd was full of true Beth Hart fans, calmly swaying to her more soothing tunes and rocking out to her more upbeat songs. All in all, this was a fantastic insight into the downtown Phoenix music scene, and Beth Hart herself certainly seemed to love every moment of her visit.
Tempe, Ariz. — Dead Cross, the band comprised of Dave Lombardo (Slayer), Mike Patton (Faith No More/Tomahawk), Justin Pearson (Retox/The Locust) and Michael Crain (Retox), stopped at Marquee Theatre on their first national tour, supporting their self-titled debut album.
Scottsdale, Ariz. — Think About It, an alt rock band from Mesa, AZ, brought soul and energy to Scottsdale’s The Rogue Bar late on a Thursday night. Headlining a show with supporting acts Wurmfur, M. Crane, Dwarf, and Brother Cousin; they topped off an evening of impressive performances in Rogue Bar’s intimate atmosphere. Brother Cousin filled in last-minute for the original opener in the line-up, FutureSpeak.
The band’s Facebook page bio describes their sound’s unique blend: “Think About It combines the diverse influences of a rock & soul singer, a blues rock guitarist, a punk bassist, and a metalcore & pop-punk drummer to bring you a unique blend of passion-fueled alternative rock and roll you won’t hear anywhere else.“
The full personal investment of heart into the music from frontman Lee Taggart is visible in his stage presence. Think About It’s intentions are quite clear, as they close out their bio with, “If you’re not thinking about it, you’re not thinking.”
PHOENIX — Valley Bar’s retro interior design was the perfect setting for psychedelic rock band Post Animal’s entrancing show on Sunday, July 23. Their music and the atmosphere of the rain outside were the perfect combination for a show that made the crowd exude happiness and dance throughout the entire set.
The show was opened by Femny and Stef Chura. Stef Chura had a female lead singer /guitarist, as well as a female bassist. Their music echoed underground vibes, and it had a reminiscent sound of the Yeah Yeah Yeahs.
When Post Animal came on stage, they began their set with an electrifying new song. The crowd was quickly out of their seats to dance, and filled up the previously barren space by the stage. “Swamp Fruit”, the next song, brought ambiance that made for the perfect transition.
Jake Hirshland (Guitarist/Keyboardist/Vocalist) bolstered the crowd as he complimented their presence saying, “Beautiful, Phoenix, Arizona!”. There’s always something special about hearing a band say the name of your hometown.
The entrancing guitar in the following song, “Alabaster”, took you somewhere else; it’s truly a psychedelic must-hear! The crowd was feeling the band’s energy, and head banging was in full swing.
The band played fan favorites, including “When I Get Home”. After Hirshland let the crowd know they had nowhere to sleep that night and were looking to crash at someone’s place, Javi Reyes (Guitarist) said, “Let’s talk!”.
They ended their set with another new song. You could feel the high energy of the crowd the from beginning to the end of Post Animal’s set.
Post Animal brings a modern touch to classic psychedelic rock with heavy drums and powerful guitar solos. Each member plays their role perfectly as they synchronize with each other. Their music is just as good live as it is on their records, with the added bonus of an impressive energy worth the experience. Undeniably, they are a band you will want to listen to and make sure to come out to see next time they are in Phoenix!