Be a part of one of the nation’s most well-known music competitions, “Proof is in the Pudding”, produced by Alice Cooper’s Rock Teen Center. In 2016, the competition had 300 plus musicians from many diverse music genres.
The winning band and the winning solo artist will open for Alice Cooper and other famous musicians on December 9 at the annual Christmas Pudding show at Celebrity Theatre.
There are over 100 prizes and live performance opportunities; including performing before an Arizona Cardinals game, a free guitar from Taylor Guitars, free recording studio time, opening for national bands, and more.
Sign up early and you can enter for a chance to see Pat Benatar and Neil Giraldo and meet them backstage on August 29 at Comerica Theatre.
You can win the opportunity to open for P.O.D. at Mesa Music Festival on November 11.
The winning band and the solo artist will also receive $1,000 and $500 cash.
Join this amazing community of over 300 musicians to network, receive exposure, and to showcase your music.
Musicians ages 25 and under that sign up and are registered for the upcoming annual music competition “Proof Is In The Pudding” are eligible to be considered for these experiences. Deadline to enter is September 1st, 2017.
Alice Cooper’s Rock Teen Center’s mission is to make an everlasting difference in the lives of teenagers.
Tempe, Ariz. — Dead Cross, the band comprised of Dave Lombardo (Slayer), Mike Patton (Faith No More/Tomahawk), Justin Pearson (Retox/The Locust) and Michael Crain (Retox), stopped at Marquee Theatre on their first national tour, supporting their self-titled debut album.
Scottsdale, Ariz. — Think About It, an alt rock band from Mesa, AZ, brought soul and energy to Scottsdale’s The Rogue Bar late on a Thursday night. Headlining a show with supporting acts Wurmfur, M. Crane, Dwarf, and Brother Cousin; they topped off an evening of impressive performances in Rogue Bar’s intimate atmosphere. Brother Cousin filled in last-minute for the original opener in the line-up, FutureSpeak.
The band’s Facebook page bio describes their sound’s unique blend: “Think About It combines the diverse influences of a rock & soul singer, a blues rock guitarist, a punk bassist, and a metalcore & pop-punk drummer to bring you a unique blend of passion-fueled alternative rock and roll you won’t hear anywhere else.“
The full personal investment of heart into the music from frontman Lee Taggart is visible in his stage presence. Think About It’s intentions are quite clear, as they close out their bio with, “If you’re not thinking about it, you’re not thinking.”
PHOENIX — Valley Bar’s retro interior design was the perfect setting for psychedelic rock band Post Animal’s entrancing show on Sunday, July 23. Their music and the atmosphere of the rain outside were the perfect combination for a show that made the crowd exude happiness and dance throughout the entire set.
The show was opened by Femny and Stef Chura. Stef Chura had a female lead singer /guitarist, as well as a female bassist. Their music echoed underground vibes, and it had a reminiscent sound of the Yeah Yeah Yeahs.
When Post Animal came on stage, they began their set with an electrifying new song. The crowd was quickly out of their seats to dance, and filled up the previously barren space by the stage. “Swamp Fruit”, the next song, brought ambiance that made for the perfect transition.
Jake Hirshland (Guitarist/Keyboardist/Vocalist) bolstered the crowd as he complimented their presence saying, “Beautiful, Phoenix, Arizona!”. There’s always something special about hearing a band say the name of your hometown.
The entrancing guitar in the following song, “Alabaster”, took you somewhere else; it’s truly a psychedelic must-hear! The crowd was feeling the band’s energy, and head banging was in full swing.
The band played fan favorites, including “When I Get Home”. After Hirshland let the crowd know they had nowhere to sleep that night and were looking to crash at someone’s place, Javi Reyes (Guitarist) said, “Let’s talk!”.
They ended their set with another new song. You could feel the high energy of the crowd the from beginning to the end of Post Animal’s set.
Post Animal brings a modern touch to classic psychedelic rock with heavy drums and powerful guitar solos. Each member plays their role perfectly as they synchronize with each other. Their music is just as good live as it is on their records, with the added bonus of an impressive energy worth the experience. Undeniably, they are a band you will want to listen to and make sure to come out to see next time they are in Phoenix!
PHOENIX — With two stages to alternate between, Joe’s Grotto music venue has always been a favorite local spot for deliciously gritty punk & metal shows, and unusual performances. This made it an obvious venue of choice for a “sexy fetish party” like SINister – calling out for Phoenix fans to rock out as their wildest, freaky selves. Amongst murky shadows of dimly lit stages and strobing rainbow LEDs, a true sense of community could be felt as this unique local scene came together to support a myriad of eye-catching, emerging artists.
Lucky for you, Burning Hot Events was on the scene to capture fans and performers alike. Our photo booth was hosted by our event photographer Mat Montgomery, who donned his very best sexy maid outfit – complete with a matching wig and frosty makeup perfection.
Organized as a birthday celebration for Ikonoklast vocalist, Jonah Foree, the night boasted a hard-hitting lineup including musical acts on the main stage like Scar Eater, Amensic, S.L.U.T. (Satanic League of Underground Techno), and of course Ikonoklast. Agents of LUST heated things up during the sets of both S.L.U.T. and Ikonoklast, sending arches of electrified metal sparks onto the dancers and into the crowd below.
The party also featured DJ Beautiful John, live body painting by El Spawk, and burlesque & fetish performances by Pain Proof Punks on the second stage. The performers on the second stage included Little Jae Sinclair, Lexi Locket, Katara Fox, Crystal Frost, Dr. Copperchops, Miss Wonderland, and Luna Sky.
TEMPE, Ariz. — Marquee Theatre was heated up by Phoenix’s electric performance on June 13th. Just four days earlier, Phoenix released their sixth studio album Ti Amo and played a few songs from it. It was an unusually cool night (well, as cool as Arizona in June can get), and everyone was lining up to enter into the venue. The atmosphere was filled with excitement as the Marquee was quickly filling up, and looked to be a nearly sold out show.
The venue seemed to be filled with mostly ages 21 and over, as many people had a drink in their hand as they watched the opening act, The Lemon Twigs, perform. The Lemon Twigs owned the stage with their vintage style and sound. Brothers Michael (Lead Vocalist/Guitarist) and Brian (Drummer/Backing Vocalist) D’Addario front the band; with Megan Zeankowski on bass, and Danny Ayala on keyboards/backing vocals. Michael D’Addario commanded the stage with his flare pants and teal shaggy hair. He did numerous high kicks into the air and had a reminiscent look and presence of Mick Jagger and Keith Richards combined. They played a song “Bay Baby”, which gave a 70s feel-good heartbreak vibe. The Lemon Twigs are about to take the music industry by storm, so make sure to check them out!
After a long anticipated wait, Phoenix walked onto stage and the crowd roared with excitement. They started with “Ti Amo”, the title-track of their newly released album Ti Amo. Next came “Lasso” which was met by a pleased crowd that cheered after hearing the first few seconds of the song.
Phoenix played “Entertainment”, and were immersed in an incredible light show during parts of the song. White lights created a curtain cover and our concert photographer, Katherine Amy Vega, described it as being like a holographic effect. The lighting really complemented the electric rock sound. Strobe lights of white, red, blue and yellow filled their set. During some songs, there was a rainbow lighting effect, which may have hinted to Phoenix’s support of the LGBTQ community during Pride Month.
Phoenix seemed to have one of those awe-struck moments as the band paused after playing “Lisztomania”, and smiled at the crowd. During most of the set, balloons with a heart and “Ti Amo” printed on floated through the air amongst the crowd. The whole band put on an energized performance and played their part in creating a music loving atmosphere.
One of the most amazing intimate moments of the show was during the encore when Thomas Mars (Lead Vocalist), climbed off the stage and came to the barricade while singing a stripped-down version of “Countdown” to the crowd as guitarist Christian Mazzalai played on stage.
Phoenix played many fan favorites including “1901” and “Fior Di Latte”. The band took over the stage and created an exhilarating atmosphere. Constant dancing, singing along, cheering and pure happiness filled the venue. It was a concert where you couldn’t help but feel joy because the band projected their happiness and love for music onto the crowd.
To end the show, in the BEST way, Thomas Mars came off stage and joined the crowd in the final song “Ti Amo Di Piu”. He walked through the full crowd with his microphone connected to a glowing red cable that the crowd held up; and he said “Thank you!” over and over again, showing his gratitude to the loving fans. At one point he seemed to be hoistered on someone’s shoulders, possibly a fan, and said “Thank you!” again; followed by crowdsurfing back up to the stage . It was truly a moment no one will forget!
Phoenix put on an amazing performance that rocked the Marquee. Fans will definitely be awaiting the next time they come to Arizona!
SCOTTSDALE, Ariz. — Gothic rock band The Birthday Massacre, along with supporting acts Army of the Universe and Sumo Cyco, brought their 2017 North American tour to Pub Rock on the verge of releasing their seventh full-length studio album Under Your Spell. The Scottsdale stop was the 15th of 27 tour dates. With a whopping 20-song setlist and tireless energy, The Birthday Massacre brought their signature animated and dark stage presence to a packed crowd on a Monday night.
Fronted by Sever (formerly solo artist Skye Sweetnam), punk metal band Sumo Cyco from Ontario opened the show. Their 2nd album, Opus Mar, was released recently on March 31, 2017. The charismatic front-woman with teal hair, matching bustier, high-waisted shorts, and fishnet stockings easily caught the attention of The Birthday Massacre’s fans. Sumo Cyco’s song “Danger” well-represents the image of the band and it’s lead singer, with lyrics like, “If you want it, we’ll give you danger“, and “I’m young and feisty, so tongue me and try me“. At one point, Sever rode on the shoulders of the guitarist Matt Drake amongst the crowd. With her sex-appeal and aggressive movements, and the band’s lively performance, they drew the crowd in and left them pleased.
The next band to play before the headliner took the stage was an Italian industrial band named Army of the Universe. Vocalist Lord K is also the lead singer of the band Kult of the Skull God. The audience was visibly impressed with the power that the band brought to the stage. Lord K took the stage with ferocity and cocky mannerisms; yelling and thrusting his mic into the faces of audience members, raising up and pumping the mic stand above his head, dripping with sweat and shirtless by the end of the set. While DJ, producer, and band co-founder Trebla primarily focused intently on his synthesizers and laptops; guitarist Davide Tavecchia and drummer Giuseppe Amato wildly played their instruments with their hair flying like they were caught in a storm while donning big smiles and roaring facial expressions. It was clear that the band members were having a blast, which made them equally fun to experience.
Army of the Universe was a fitting choice to set the mood and round-out the audience appeal following Sumo Cyco, with the style of The Birthday Massacre somewhat being a combination of that of the two openers.
The Birthday Massacre’s new album was funded through PledgeMusic, with full-album downloads being sent out on June 1st exclusively to pledgers in advance of the June 9th release. When they hit the stage, they kicked off their set with the first track of the new album, “One”, with instant force.
The Ontario-based band was formed in 1999, and their well-seasoned prowess is clearly evident in their performance. Their fanbase at the venue that night was also a mature crowd, who interacted with the band like loyal, long-time friends. Front-woman Chibi engages with the audience, grabbing hands and emoting delightfully vicious facial expressions throughout the night; while the rest of the band also contorts their faces, violently headbangs, pounds on and swings their instruments around. With such a dynamic, The Birthday Massacre is a band that it would feel off to experience with a substantial distance from the stage; so it’s just as well that Pub Rock has no barricade between the crowd and the stage.
The next two songs the band played were “Red Stars” and “Looking Glass”, the first and second singles from their 2007 album, Walking With Strangers. “Red Stars” is a personal favorite due to it’s raging power-chords. Following, were a couple more songs from their new release, “All of Nothing” and “Counterpane”. Then, a few songs from the Superstition album; “Destroyer”, “Divide”, and “Superstition”.
“Lovers End” from the 2004 Violet album came next, followed by “Happy Birthday” and “Video Kid”. These two songs were originally from 2002’s Nothing and Nowhere, and then appeared again on the Violet album. They next played the new album’s title track “Under Your Spell”, and then “No Tomorrow”.
Chibi exudes such confidence and comfort on stage, it is inspirational and it garners respect. Event when forgetting some of the lyrics, she simply burst into laughter, which caused guitarist Rainbow to crack up too. It was very endearing as they continued through the song, unable to hold back more laughter between them. Temporary mic issues didn’t snuff out the fire of her enthusiasm either. During “Lovers End”, Chibi grabbed a fan’s phone that was recording video, and walked around stage singing into it.
Continuing to give a full-discography sampler, the next two songs performed were “Leaving Tonight” and “Alibis” from Hide and Seek, which was released in 2012. Lastly, from the 2010 Pins and Needles album, “Pins and Needs” and “In the Dark”.
Almost immediately after the band exited the stage before returning for the encore, the enthusiastic fans started chanting, “Ten more songs! Ten more songs!”. While they didn’t get their 10, they seemed to be satiated with the long set and an intense finale, which included “Blue”, “I Think We’re Alone Now”, and “Broken”.
TUCSON — Conor Oberst (of Bright Eyes, The Faint, and several other bands) brought an enthusiastic and appreciative performance to Rialto Theatre. His eighth solo studio album Salutations was released just a couple of months ago, on March 17. Oberst’s live band instrumentals not only included the usual live band setup of guitar, bass, and drums; but also violin, accordion, and harmonica.
Opening for Oberst was Phoebe Bridgers, who is signed to Ryan Adams’ record label. Bridgers has been featured in an iPhone commercial covering The Pixies, and a couple of TV shows.
TEMPE, Ariz. — Tempe was bursting with anticipation Friday night as fans of co-headlining Bayside and Say Anything gathered early outside Marquee Theatre, pushing their way inside to claim their spot in the front row.There was a tangible buzz in the air as people of all ages lined up to be checked by security outside the theatre.
The air was crisp in my lungs as I walked rather quickly behind Burning Hot Events concert photographer Katherine towards Will Call to claim our press passes for the evening. As we arrived for Bayside in the nick of time following some transportation chaos, the opening band, Reggie and the Full Effect, had set a fast-paced tone for Bayside to take the stage after them. As the set change became evident, audience members rushed to claim their place before the stage, rumbling with shouts and claps in a flurry of excitement; and I hurriedly followed suit to find my place in the front corner near the security barrier.
As I quickly worked to get my things in order, I could feel the deep rumbling of the bass move from beneath my converse and slowly encompass the rest of me as the band did a quick warm up. The vast, dual-level concert area makes for great acoustics, which they used to their advantage as they dove into their set with the ever-popular “Already Gone.” The breakneck tempo of this A Day to Remember-esque song sent the crowd into a frenzy of cheers and metal hands as the band members danced around the stage to the opening chords.
“What’s up Phoenix?! We came to sing with you and dance with you!,” vocalist Anthony Raneri shouted into his mic, attempting to rouse the crowd even more. This song comes from the band’s fifth album Killing Time, which was released back in February of 2011, and it was obvious why they chose to open with it. The exuberant crowd danced and sang along in unison, receiving copious opportunities to sing back the words they’ve come to know so well. Raneri made it known immediately to everyone there that the rest of this particular set was going to be filled with high energy and vivacious songs. And they did not disappoint.
This being my first time seeing Bayside live, I can honestly say I didn’t know what to expect, but the next 12 songs following the opener all had one thing in common: they were meant to make you move. Wanting to keep the electricity flowing, Raneri continued to captivate the crowd with other old favorites such as “Sick, Sick, Sick”, “Masterpiece”, and “Blame it on Bad Luck.”. Guitarist Jack O’Shea and bassist Nick Ghanbarian could be seen dancing around stage the entire performance, singing passionately as they moved fluidly from one song to the next.
They even included a few songs off of their new album Vacancy, and while it “isn’t a breakup album”, the songs were written to portray a very uncertain time in vocalist Raneli’s life. That doesn’t mean they have to sound that way, however, and as “Mary” followed hastily by “I’ve Been Dead All Along” were blasted through the speakers I was standing precariously close to, the frenzied tempo was enough to keep everyone moving.
While the set was primarily focused on the music as opposed to engaging the crowd, Raneli did pause about halfway through the set to discuss their new album. “CDs are expensive to make and even more expensive to buy” he stated matter-of- factly, and went on to inform the concert goers that the band has created a $5 version of their new album that is available for purchase now. The roar in response was deafening, and all the motivation Raneli needed to jump into the next set of fiery songs that would steadily keep the energy of the room at maximum level right up to the final song “Devotion and Desire” off their very first album.
As I left the Marquee that evening, I couldn’t help but notice how quickly I moved, or the extra spring in my step. This band had even found a way to keep the energy flowing through me, even after their set was over. They show true passion in their music on and off the stage, and gave me the motivation to be as fluid with my writing. This was admittedly my first time writing a concert review for Burning Hot Events, but I can easily say that if every show is like Bayside, I will definitely be back for more.
PHOENIX —The No Doubt & AFI hybrid Dreamcar drove into Crescent Ballroom and put on a colorful show! This band was everything fans expected of the union of Davey Havok & the No Doubt instrumentalists, and more! With a new single named “Kill for Candy”, this band of legends is solid and refreshing new ear candy that fans would kill for!