All posts by Clarice Wziatek

Professionally trained journalist with a BA from the Walter Cronkite school at ASU and a International Journalism MA from DCU (Ireland). Every year I make it a point to travel to a new destination. I've been to 14 countries and counting. Bring on the coffee and red wine. Interests include collecting vinyl, sewing clothing/costumes, and I'm a fan of the Oxford comma.

REVIEW: Stabbing Westward’s 30th Reunion at Club Red, ft. Swindy, Amnestic, There Is No Us and Paranova 1-12-18

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Mesa, Ariz. — Stabbing Westward has been rocking out for more than 30 years, but the energy they brought to the intimate Club Red was dynamic, like they were fledglings on their first tour. They brought 90s rock nostalgia to the crowd gathered inside the dark brick walls of the venue after their 14 year hiatus. This performance was part of their 30th Reunion show, which featured local openers; Paranova, There Is No Us, Amnestic and Swindy, who all performed with stamina and grit to wow the crowd.

Stabbing Westward

Stabbing Westward keyboardist Walter Flakus and drummer Johnny Haro prepared for their set by carrying up multiple 12-packs of Coronas to the stage, and vocalist Christopher Hall walked out on stage during the sound check to record footage of the excited crowd for social media.

Photography: Russ Broty © All Rights Reserved.

When Stabbing Westward took the stage, the crowd’s energy rose even more, with Hall embracing the space of the stage to engage the crowd during the opening song, “Drugstore.” During the second song, “Falls Apart,” guitarist Mark Eliopulos was playing so aggressively, pushing his guitar against the mic stand like a capo, that he broke his bottom E-string. When Hall asked him if he needed a break to replace it, Eliopulos replied, “…it was the one at the bottom, you know, the one no one uses,” and he played the rest of the show on only five strings.

Stabbing Westward - Photography: Russ Broty
Carlton Bost (Bassist), Stabbing Westward (View Band Photo Album)
Photography:
Russ Broty © All Rights Reserved

They played “Lies” and “Nothing” off their 1994 Ungod album; “What Do I Have To Do?” and “Shame” off their 1996 album Wither, Blister, Burn & Peel; “Sometimes It Hurts” and “Save Yourself” off the 1998 Darkest Days album, in addition to six other songs from their expansive career. In between the songs, Hall poked fun at himself and his bandmates telling the crowd “old people” jokes and attributing it to their current lifestyle. However, with the way Hall strutted his stuff all over the stage and jumped down into the crowd, one could have guessed him only 25-years-old. Hall closed out the show with a proper drop-mic after announcing to the crowd, “We are Stabbing Westward bitches! Good night!

Stabbing Westward - Photography: Russ Broty
Christopher Hall (Vocalist), Stabbing Westward (View Band Photo Album)
Photography: Russ Broty © All Rights Reserved

Prior to headliner act Stabbing Westward, four local bands played opening sets to amp up the crowd. Each band brought diversity to the stage with their original songs and performance styles filled with vigor and moxie. The bands provided an eclectic, yet complimentary sampling of folk goth, industrial, metal and alt-rock styles.

Swindy

Swindy was on first playing their ethereal folk goth and industrial-rock inspired songs. They started out with “Synergy” followed by the electro-tech “iBegin,” and a new song, “Animal.”

Lead vocalist Randall Swindell’s stage presence oozed sex appeal in his black, wet-look tee shirt and ripped, black denim skinny jeans, and even more when he stopped playing guitar mid-song to run his hands through his cheek-length blond hair.

Swindy - Photography: Russ Broty
Randall Swindell (Vocalist, Guitarist), Swindy (View Band Photo Album)
Photography:
Russ Broty © All Rights Reserved

During the show, it was announced that this would be vocalist Alyson Precie’s last show for a while as she recently enlisted in the Navy. Her strong voice and harmonizing vocals will be missed. Swindy also consists of members Tamara Jenney on keyboard, Mike Jenney on bass, and drummer Steven Escalante.

Swindy - Photography: Russ Broty
Alyson Precie (Vocalist), Swindy (View Band Photo Album)
Photography:
Russ Broty © All Rights Reserved.

Swindell’s passion really came through with the song “Reflection,” as he opened his arms to metaphorically embrace the crowd and pull them in. They finished the set with “Just Don’t Like It,” and “Ignite My Love” from their self-titled EP Swindy.

Amnestic

Amnestic took the stage with their industrial electro-hard rock, which they self-describe as “angry robot noises.” Vocalist Brook Thomas’ growlesque screams set the tone for a post-apocalyptic robot revolt. Amnestic comprises two other members, keyboardist Sarah Elizabeth and guitarist Aaron Coldblood. The dark stage and bold red lighting cast a demonic glow over the band intensifying the message of their music. The trio played “Harbringer,” “Desensitization,” “Discipline,” and “Absent Affect” from their current album Future; as well as “Nervous System” from their album Real Bad Day.

Amnestic - Photography: Russ Broty
Amnestic (View Band Photo Album)
Photography:
Russ Broty © All Rights Reserved

There Is No Us

The third band to play, There Is No Us, came at the crowd no holds barred with their opening song, “Chemical Murder,” followed up by “Farewell to Humanity,” which is interspersed with snippets from tragic news broadcasts. Vocalist Jim Louvau’s aggressive vocals are a good representation of the societal angst reflected in their political lyrics.

There Is No Us - Photography: Russ Broty
Jim Lovau (Vocalist) & Andy Gerold (Guitarist), There Is No Us (View Band Photo Album)
Photography:
Russ Broty © All Rights Reserved

The five person band consists of Andy Gerold (former guitarist for Marilyn Manson) and Jared Bakin on guitar, Eddie Lopez on bass and PHEET on drums. They played “Kings & Queens,” and  “Angels Face with Devils Hands,” which Louvau described as a love song. Louvau finished out the set screaming at the crowd to throw their fists in the air for “In Violence We Trust,” getting the crowd pumped for the headlining band.

Paranova

Right before Stabbing Westward, Paranova took the stage. Vocalist Owen Doheny walked on with an instrument one does not usually see at a rock or metal concert, a saxophone. They opened with the song “Lazarus,” and guitarist Dylan Ewing executed a flawless guitar solo. The band followed with “Hyperhollow” and “Sanctuary.” Bass player Erin Sperduti’s intense bass lines and drummer Logan Dolezal’s punchy drumming really bring their sound full circle.

Paranova - Photography: Russ Broty
Owen Doheny (Vocalist), Paranova (View Band Photo Album)
Photography:
Russ Broty © All Rights Reserved

The band covered NIN’s “March of the Pigs,” then finished out with their original songs “Enfilade,” and “Headline.” During the last song, Doheny pulled out the sax and gave it a short-lived appearance playing it for 15 seconds right at the end of the song. All songs, except the cover of NIN’s “March of the Pigs,” are on their album Hyperhollow.

In Closing

The entire show was a high energy rock fest for the mid-size Club Red. Each opening band brought their original style and sound to the stage to work up the anticipation for Stabbing Westward’s performance. Thirty years together, they know how to put on one hell of a show. They’ve kept fans satiated, and gained new fans, as The Dreaming for 17 years. It’s unknown how long the guys will continue to tour as Stabbing Westward since their 2016 reunion kicked off, but it was a pleasure to have them back in Arizona playing the 90s rock that made them famous.

Photo Gallery

Photographer: Russ Broty

Stabbing Westward, Swindy, Amnestic, There Is No Us, Paranova – Club Red 1-12-18

Flickr Album Gallery Powered By: Weblizar

Photography © Looking at You Too
All Rights Reserved

REVIEW: Lita Ford Brings 80s Glam Metal to BLK Live 12-16-17

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Scottsdale, Ariz.Lita Ford and her band performed their last show of 2017 in Scottsdale at BLK Live on Saturday, December 16. Closing out the night after two opening acts, Dead West and Shadow and the Thrill.

Ford still has it,
because she never lost it.

Lita Ford - Photo Credit: Mark Greenawalt, Burning Hot Events
Lita Ford (Vocalist, Guitarist)
Photo Credit:
Mark Greenawalt © All Rights Reserved

Dressed to impress and complement her polished red guitar, Ford took the stage like a rock and roll queen of hearts in her silver studded, red and white ensemble. Ford sported a red velour coat with ruffled bell sleeves and a glorious train. Underneath was a red and white bustier with studs and matching flare jeans. The ruffles and bows were a gorgeous juxtaposition to her aggressively shredding metal guitar riffs in her opening song, “Gotta Let Go.”

Ford and her band followed with songs; “Larger Than Life,” “Relentless,” “Living like a Runaway,” “The Bitch is Back” (written by Sir Elton John and Bernie Taupin), “Hungry for Your Sex,” and “Play with Fire” from her Dangerous Curves album.

To amp up the energy on stage, Ford invited Micki Free, a friend of Ford’s since age 18, onstage to play guest guitar for “Can’t Catch Me”, a song co-written by the late Lemmy Kilmister from Motörhead. During this song, Ford’s drummer, Bobby Rock, relished being the center of attention; pausing to take a video of the crowd, and take a selfie from the stage during his drum solo. Bass player Marty O’Brien and lead guitarist Patrick Kennison, not wanting to be outdone, stood back-to-back playing their instruments above their heads.

Micki Free & Lita Ford - Photo Credit: Mark Greenawalt, Burning Hot Events
Micki Free (Guitarist)  & Lita Ford (Vocalist, Guitarist)
Photo Credit: Mark Greenawalt © All Rights Reserved

Ford followed up the intensity that was “Can’t Catch Me” with two slower-paced metal ballads, “Falling In and Out of Love,” co-written by Nikki Six of Mötley Crüe, and the somberly romantic “If I Close My Eyes Forever,” originally performed by Ozzy Osbourne, in which Kennison performed in his stead.

To bring the energy back, Ford played the title track “Out for Blood” off her first album. This album was her first release after The Runaways disbanded, and the song speaks to how Ford’s personal style developed in the 80s glam metal scene.

Ford went out with a bang, playing two great hits, “Cherry Bomb” on the original guitar she used when performing with The Runaways; and “Kiss Me Deadly” off her 1988 album Lita, using a pearl white, multi-neck guitar.

Patrick Kennison (Lead Guitarist), Lita Ford (Vocalist, Guitarist), & Marty O'Brien (Bassist) - Photo Credit: Mark Greenawalt
Patrick Kennison (Lead Guitarist), Lita Ford (Vocalist, Guitarist), & Marty O’Brien (Bassist)
Photo Credit: Mark Greenawalt © All Rights Reserved

Opening bands were Dead West and Shadow and the Thrill. Both acts complemented the musical style and energy of Ford’s performance.

Dead West - Photo Credit: Mark Greenawalt
Matt Peterson (Guitarist), Vinny Sky (Vocalist), & Connor Sutton (Lead Guitarist), Dead West
Photo Credit: Mark Greenawalt © All Rights Reserved

Dead West is an Arizona local band formed in 2014 that performs in a mash-up style of what can only be described as cowboy metal and blues-rock. They played a lineup of original songs, and debut their newest song “Helldorado!”

Shadow and the Thrill - Photo Credit: Mark Greenawalt
Tony Cardenas-Montana (Vocalist, Guitarist), Shadow and the Thrill
Photo Credit: Mark Greenawalt © All Rights Reserved

Shadow and the Thrill played original songs with a mix of classic to modern covers such as “House of the Rising Sun” by The Animals and “Crazy” by Cee Lo Green. Their sound is a mash-up of blues, metal, and classic rock.

The lead singer, Tony Cardenas-Montana, has roots in Arizona. He talked fondly of visiting his grandparents who resided in Bisbee. He then played his original song, “Tombstone Shuffle” as homage to the Wild West town he would visit as a child.

All three bands performed a high-energy show from start to finish. Ford said she plans to perform another show in Arizona come 2018. No dates have been announced, but our guess is she will be back sooner rather than later!

Photo Gallery

Photographer: Mark Greenawalt

Lita Ford – BLK Live 12-16-17

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Photography © Mark Greenawalt. All Rights Reserved